Tag: magic castle

No Show and It was Great!

We have a new act and look for any opportunity to try it out. We need to get in some flights to see if it holds together and if it is something we should continue performing.

Friday night at The Magic Castle was buzzing. There were so many people — all in their finest garb — mingling on the first floor as the second dinner setting was about to commence.

For those of us who are not in the big rooms upstairs, we have an opportunity to perform in the basement, just below the main lobby.

We too are dressed to the nines and the folks who venture down from upstairs are dressed as if they just came from a Hollywood premier. Maybe some had; not sure.

We were in the big room (downstairs) known as the Cellar. It seats about 20 people but more folks can stand along the railing in the back of the room.

We had a chance to watch the great Matt Vizio (pictured above) perform first. He is amazing and normally we would avoid being so close to such a model against which to be judged but we had that hunger to get up and show our new stuff.

It is a gnawing hunger that feels like you’re going to burst if you can’t get up there. There are no nerves (at least not that we noticed) but there is excitement. We checked our props carefully, checked them again, and then fastened rubber bands around our decks in special symbolic fashion to allow their quick access without looking.

Mr. Vizio was done with his third standing ovation and we walked down to the pit of the theater to perform.

For those who have seen us perform in the past, say, 35 years, the first part was nothing new. The jokes were the same, the moves were the same, the revelation was the same and even the deck was almost the same.

Now it was time to try our new trick. The little baby bird that needs to experience life outside of the nest and, if possible, fly; nay, soar.

Now we were nervous. It is a tough trick, lots of moving parts and lots of audience management. We’re good with either but not both. Fortunately the audience was great; they required little management. The moves worked without anyone suspecting much. Our memory was intact and thanks to the great, late Bob Cassidy, we were able to memorize a deck of cards to impress our guests.

Oh boy did it feel good. The little bird was soaring. We were soaring. No anxiety, no nerves, just elation.

We wanted to repeat the experience and were scheduled to perform in the Hat and Hair room down the hallway. We checked our back-up props, made sure the rubber bands were in their proper place and strode in to the room.

No one was there. It was dinner time for those going to have dinner at 8:00 pm. They were apparently taking their reservation time seriously — as they should.

Two people entered and took seats near the back of the room. We tried to cajole them to come closer but they said they were Magician Members and just there to see the show.

We practiced our second and bottom deals. The second was working, the bottom deals looked like our left paw was cramped something terrible. The two gentlemen watching offered suggestions and we started talking.

We had stories to swap about Dai Vernon, Larry Jennings, Billy McComb, Pop Haydn and others. It was a great time. All of those gentlemen performed and taught at The Magic Castle and all but Whit / Pop Haydn have passed on.

The discussion took away our gnawing hunger to perform again. That was fortunate because no one else came into the room. We just sat and talked about moves we learned, things we’ve tried, lessons we received and people we met in this very building.

The gnawing gave way to joy. We were involuntarily smiling. Gone was the desire to find a crowd to drag into the room. We could hear laughs coming from the Cellar where Mr. Vizio was entertaining a new group.

And then there was silence. No crowds from down the hall clapping or laughing. No clip-clopping of people walking on the stone pathway between the performing rooms. Just silence.

Without awkwardness, we three parted with a handshake and went our ways. We went upstairs to see the real pros perform and we were sure our two guests did the same. Although, and this is strange, we followed behind them up the stairs, turned our head for a moment to check if our decks of cards were still in a neat row and then looked back, up the stairs, and the two were gone. We made it to the top of the stairs and looked for them, but they were not visible.

We didn’t see them again all night and we went to every show. We know they didn’t exit through the main lobby door, at least when we were there.

It didn’t matter that they vanished. The stories and friendship shared will remain.

Elvis and the Performance of Magic — Just One More!

Pop HaydnWe receive hundreds of emails daily asking InsideMagic.com to watch videos, print articles, pay bills, accept service of process, cease and desist, confess to crimes (both felony and misdemeanor), find true love by clicking a link, buy tickets to area shows, and stay out of certain neighborhoods.  Thanks to our sophisticated AI technology, we are able filter our the bills and some of injunction related correspondence.

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But let us return to the email and questions we receive of a magical nature.

Dear Editor:

What did you think of the new Elvis movie?

J. Lammost, Mitchell, South Dakota

Dear J:

This not really a magic-related question but we can answer.  We thought it was spectacular and will likely see it again.  When it comes to showmanship, we can think of no one better than the King.  There were some magical take aways.  Elvis would end his show with an encore but make it appear that it was unexpected.  He would converse with his band and orchestra to do something special for the crowd.  We know from our study of Elvis history that he did this in every show.  He would make the encore appear to be a special, unprepared presentation offered because of the unique situation he was in.  He would mention that they would put something together just because the crowd was demanding it.

Las Vegas entertainers par excellence, Wayne Newton and Sammy Davis, Jr. did the same presentation.  They would ask their band leader if they could do something special for the crowd, allegedly arrange the special presentation on the fly.  The audience each night felt special.

In magic, unfortunately, performers in our art are rarely urged by audiences to perform just one more trick.  We’re not sure why this is.  Are we not cueing our audience to ask for the additional performance, do our audiences not know that they can make such a demand?  Are our acts so lackluster that no audience would request more?

The last reason is not likely true in the case of working professionals.  Their acts are tight and so well coordinated that they are deserving of an encore.  We watched a couple true pros perform at the Magic Castle before Covid and the audience would not let them leave the stage.  There were requests that they perform just one more.

In one case, InsideMagic.com’s Favorite, Whit Haydn, acted surprised and paused to consider what he had left to perform.  The impression was that he had not prepared any additional trick.  And suddenly he thought of something that he could perform for the audience and just this audience.  It was one of the best (and logical) performances of Ring Flight we have ever seen.  If you have performed Ring Flight, you know it is something you need to prepare before you walk out on stage.  It couldn’t have been truly impromptu but it was performed for the audience because they had asked and Pop – as he is now called – felt obligated to perform just one more.

We were in the front row and could not stop smiling.  He performed it so well and made it look so spontaneous and unplanned.  Once the audience began filing for the doors, they could not help but talk about the last trick.  They accepted that he wasn’t prepared to do anything additional and so that ruled out any advance set-up.  They were fooled and felt special that they had asked for “just one last trick” and their request was granted by the very accommodating performer.

It was magic.

We’re not sure what subtle clues Whit / Pop offered to encourage the audience to demand an additional trick but they did.  Perhaps there was no NLP or hints given and the audience did not want to leave at the end of his show without more.

It does seem, though, that when we have been asked to perform one more effect – even at The Castle – it comes from connecting with the audience through deference, kindness and the establishment of a bond.  We are all in this together – performer and audience.  We are all enjoying the magic and the interaction between us.  As new friends, the audience can ask for one more trick because that is what friends do when they are entertained.

The late and very missed, Brian Gillis was another genius at having his audience demand something special in his apparently impromptu encore.  For the magicians who had seen his performance on many occasions, we knew that the encore was planned well in advance but that didn’t take away our excitement to watch the master perform “just one more.”

We thought maybe this was manipulation for self-gratification on the part of the performer but are now convinced it is not.  It is truly responding to audience demand from an audience who feels comfortable enough to ask for more from someone who has entertained them so well.

This post strays far from the question but we think that’s okay.  Anytime you can connect Pop Haydn, Brian Gillis and Elvis, you have accomplished something mighty.

Thank you for the question!

The Editor.

World-Famous Magic Castle to Reopen on May 21st

Exterior Image of the Magic CastleExcited? Heck yeah we are!

We just received news from the Academy of Magical Arts (“AMA”) that the world-famous home for all who love magic, The Magic Castle, will re-open on May 21st.  It has been closed since the ides of March last year.  We have been in audience withdrawals since.

According to the AMA, the very private club will initially operate at reduced capacity—open Friday, Saturday and Sunday evenings—welcoming its members and their invited guests for fine dining and entertainment, strictly observing COVID-19 compliant guidelines. To allow members adequate opportunity to access the Magic Castle, guest passes will not be accepted during the initial phase of this reopening.

Magic shows will initially be broadcast in showrooms via recorded video broadcast, with plans to expand to live entertainment options outdoors and an eventual return to live entertainment indoors as quickly as COVID-19 guidelines permit.

The popular Dine & Delight to-go dining program—launched during pandemic restrictions—will continue to operate for the time being on Wednesdays and Thursdays. Orders may be placed at www.MagicCastle.com

Randy Sinnott, Jr., president of the AMA’s Board of Directors, said, “We are thrilled to take the initial step of re-opening our doors and welcoming our members back to their magical clubhouse. As COVID restrictions decrease in the coming weeks and months, the club will continue to carefully and responsibly expand operations to the extent possible and begin to accept guest passes as we bring magic back to the lives of Angelenos.”

During the pandemic, the AMA continued to strive to share its magic with its members and the community, hosting dozens of virtual shows, each attracting hundreds of viewers; offering attractively priced meals from Executive Chef Alex Arrietta thru the Dine & Delight program; hosting outdoor dinners for members; teaching magic classes online; sponsoring virtual lectures and events for members; and lending its parking lot for Magic Asphalt, in-car comedy performances/dining.

About the Academy of Magical Arts, Inc.

The Academy of Magical Arts (AMA) is a unique non-profit. The AMA’s membership – including the world’s most pre-eminent and celebrated magicians and illusionists – lives by the “Magic First” creed, devoted to the advancement of the art of magic and preserving its history.  Its headquarters and private clubhouse, the Magic Castle, has been an internationally revered gathering place for the magic brotherhood since opening its doors in 1963. Located in historic Hollywood in an elegant, Victorian-era mansion, the Castle is an experience within itself—a remarkable meeting spot that captures a lost era and is timeless in its appeal, having hosted generations of magic enthusiasts from around the globe, as well as show biz elite from Cary Grant, Tony Curtis, Johnny Carson, Neil Patrick Harris and Jason Alexander (all performing members) to Katy Perry and Johnny Depp. The Magic Castle was founded by writer, actor, magician and entrepreneur Milt Larsen and his late brother, Bill Larsen, Jr.  Visit us online at: www.MagicCastle.com

The Man Behind the Carbonaro Effect

Derrin Berger.pngSo, we were reading through the on-line version of The Poughkeepsie Journal and came across a great story about Derrin Berger, the man behind the wondrous magic performed some of the Carbonaro Effects.

In case you are not aware of the Carbonaro Effect, you need to get a television, stat.  It is one of our favorite shows  on cable television next to 90-Day Fiance but for different reasons.  Although both deal with deception and trickery but we are rather sure that Mr. Berger does not create the effects for 90-Day Fiance unless he practices in that very niche area of our art entitled “Catfishing Magic.”

Back to our story, though.

Mr. Berger has been interested in magic since he was just six and shared his joy of the art with his dad.  He performed for parties and attended a magic camp with his dad.

He decided as he grew in age to pursue magic full-time.  His father was supportive but very father-like in his questioning of the move.

“I asked him, ‘Are you sure you know what you’re doing?'” Marc Berger said, noting his son has a master’s degree in engineering and computer science. “He told me, ‘I’ve been doing magic all my life.’”

He is 40-years-old now and has performed in some of the greatest venues for a magician including The Magic Castle here in Hollywood and the Chicago Magic Lounge, in Chicago, we believe.

As if that was not enough — and by our standards it would be — he has also become a contributor and part of the consulting team for truTv’s “The Carbonaro Effect.”

He’s been with the team for five years which coincides with the five years Mr. Carbonaro’s show has been on the air.  He estimates he has created more than 700 effects.

“I tell people all the time, the 12-year-old me could not even comprehend doing what I’ve been doing,” Derrin Berger said. “When I was 12, TV magic was mostly David Copperfield, David Blaine and as a kid and teen, you think ‘I absolutely want to do that when I grow up.’ And, cut to 20 years later when I’m actually doing it, it’s pretty amazing.”

And his dad is a proud watcher of the show — he claim to have never missed a single episode.

“He knows so much magic and people will come to him to ask about tricks,” His father told the reporter. “He rattles the answers without thinking twice. He is more knowledgeable than I ever know.”

The #CarbonaroEffect begins its new season tomorrow (Thursday, November 7th) on truTV at 10 p.m. 

Make sure you check out the full interview and article at The Poughkeepsie Journal here

You can visit Mr. Berger’s website here.

Check out the Carbonaro Effect’s page here.

Magician Matt Vizio Performs this Week

Magicians Matt Vizio and Tom Frank are performing in the Peller Theatre this week at the Magic Castle in Hollywood, California.

One of the questions we are almost never asked is, “Is there really such a person as Matt Vizio?”

We are reluctant to answer questions about true legends for fear that we will leave out a detail or embellish unfairly.  (For an example of this tendency and the reason for our trepidation see our horribly reviewed book Wyatt Earp: The World’s Best Short-Order Cook in the West (1978 Simon and Schuster) – although it was made into a very successful movie franchise (or so we and our lawyers currently claim in a soon to be filed lawsuit) called Guardians of the Galaxy.

We have known Mr. Vizio for going on a long time and have even had the honor of performing with him in a stand-up setting.  He is what we hope to become one day: young, handsome, funny and talented.  Actually, we don’t care about the talented as much as the first three qualities. The ladies love him, the men want to be like him, the dogs sniff him and wonder where he has been.

Mr. Vizio used to perform one or two tricks in his set downstairs in the amateur room wherein performers of our ilk are allowed to work.  But he graduated to upstairs at the Castle – ironically, the “Upstairs at the Castle” was the name of our least successful BBC melodrama Series not featuring human actors.  He has been seen in the Close-Up Gallery and this week will be in the Peller.  His act has expanded dramatically and he performs effects the way they should be performed.  For instance, his Cups and Balls is one of the best we have seen in years.  It is in keeping with Dai Vernon’s school of making all actions appear normal, relaxed and fair.

Matt is not just a great magician in all of the classical realms of Close-Up, Parlor and Stage; but he is also a talented stand-up comedian with the adlib instincts of a veteran.

He was responsible for introducing us to performing stand-up comedy and audiences across the San Fernando Valley damn him daily for this.  Interestingly, “Damn Him Daily” was the name of our 1960s daily puppet show that we pitched to PBS – they went with Mr. Rogers’ Neighborhood because of some reason we don’t recall because we were in tears explaining it to the puppets and formed a mental block surrounding that time.

If you have a chance, check out Mr. Vizio this evening through the weekend at the Peller Theatre at the Magic Castle.  He will be performing with Tom Frank.  We have not seen Tom Frank perform before but we know that if he is performing with Mr. Vizio, you will be entertained, amazed and leave laughing.

Mr. Vizio and Mr. Frank will have shows at 8:00, 10:00 and 11:30 Wednesday through Sunday.

Check out Mr. Vizio’s website, Honest Deception here.

The Problem with Magic is Our Perception

Inside Magic Image of Favorite Melvin the MagicianUntil recently, we thought there was a problem with being a magician.

In our youth, we participated (but never won or even came close to winning) talent contests.  Singers and modern interpretive dancers usually got the first, second and third prizes.  We stood on stage at the end singing the then-popular talent show song “Up with People” and tried to match our dance steps with those around us – in the back row of the talent for the evening.

As we aged – like a fine ball of wine or a bottle of cheese – we thought often about the differences between the variety acts.  If a singer is not a good singer, she or he can still sing.  The audience will wait the three minutes for the song to end and applaud politely.

If a dancer is a bad dancer, the audience will do the same.  But if a magician is a really bad magician, he or she is not performing magic at all.  He or she is just doing things on stage that have no amazing effect on the audience.  If a magician exposes a trick, there is no magic.  It is not like the situation of a bad singer or horrible dancer.  They are still singing and dancing.  The magician is just opening and closing boxes, sticking things into or pulling them out of tubes or holding his or her hand awkwardly whilst pointing at the other paw.

The worst-case scenario for the magician is an audience that will not play along.  A card magician faced with an audience member who will not take a card; or who will take a card and then promptly forgets it.  Singers do not face this problem.  There may be audience members who want to sing with the performer from their position in the audience, and that is usually welcomed.  They even have a term for it – a sing-along.

Additionally, we doubt there are relatively few singers or dancers accused of being in league with Satan.  We don’t get that accusation as much as we used to; perhaps because we perform in the amateur rooms at the Magic Castle and folks coming to the Magic Castle either do not believe all magicians are in league with Satan or they do believe it and it does not occur to them to mention it.

Singers and dancers are accused of satanic links only when their lyrics or dance steps directly reference satanic sources.  Actually, we can’t think of a recent dance act accused of being inspired by Satan since the late 1950’s when the Blink Twins were thought to be “Stewardesses to Hell” because of their dance routine where they allegedly “invited the audience to take a flight to the ‘Hottest Place on Earth.’”

We spoke with Sandra Blink in the late 1960’s and she said the controversy was “ridiculous but did bring additional bookings” in the Southeastern states.  They even had little devil tails added to their stewardess uniforms, she said.  The tails added nothing to the act and were soon dropped because of the pain they would occasionally cause when they did splits on the “runway” portion of the stage.  Ironically, Sandra was the older of the Blink Twins.  She was two years older than her sister, Samantha, who passed away in 1965.  Our point is that they weren’t really twins.

Additionally, we would note for the record that the “Hottest Place on Earth” could not be Hell because that is thought by most religions to be someplace other than on earth.

Rich magicians – and we know of one or two – have the added problem of flaunting their wealth.  A singer or dancer can wear rich looking clothes but then, again, so does the average magician.  Many wear tuxedos or fine dresses as part of their performance.  Even the most expensive deck of cards is within the price range of the poorest magician.  We’ve seen great magicians kill with a roll of toilet paper.  There is no easy way to demonstrate to the assembled crowd that you, the magician, are richer than them.

We were performing recently for a very nice crowd.  They had diamonds and fancy bags made by people in Europe and were wearing evening wear we could only dream of owning – the male evening wear especially.   All we had was a deck of cards and a used, worn deck at that.  Sure, we spent $3.75 for the deck and added accouterments that cost us an extra $1.25, but there wasn’t much else we could do to show that we deserved to be in the company of very rich people.  We tried to use big words and talked about performing around the world (not that we have but we are not above lying to impress a stranger) but at the end of the night, we felt we had failed in our mission to demonstrate that we deserved to be in the company of those people we wanted to entertain.

But the evening was saved by a drunk audience member who slurred/whispered something complimentary towards us.  And, surprisingly, that was enough.  We dropped at that moment our jealousy of the dancers, the singers, the rich purse owners, and fine dressers.  We had, with our gimmicked deck, impressed one person.  It did not matter that the speaker could not form consonants or conjugate – who were we to judge?  All that mattered was one person was impressed and apparently entertained.  We realized at that moment that having low standards for satisfaction in one’s work is a blessing and we have been so very blessed.

Magicians Laura London and Boris Wild Hurt Our Brain But in a Good Way

Laura LondonMagicians Laura London and Boris Wild are at The Magic Castle this week and are not to be missed.  They both play the Close-Up Gallery (although not at the same time which is easier to understand because they both have beautiful accents, the subtlety and pure lilt of which would be missed if they were shouting over each other).  Some of us old folks recall the close-up rooms of yesteryear’s’ conventions where there would be four or five close-up performers circulating among crowds to perform.  The quiet performers were overwhelmed by the naturally loud and the naturally loud were even more unnaturally louder for fear they would be difficult to hear in the hallow expanse of the local gymnasium library.

Yet, digress we do.

Let us start with Laura London.

She is a daring woman who takes risks in front of crowds not seen since the days of Harry Houdini or any bullet catcher. We are not saying “darling” woman – although we are quite confident she is.  We are saying “daring” woman.

Like the Honey Badger, she don’t care.  By the way, there is allegedly a video on the YouTube showing a honey badger dealing thirds and middles from a volunteer’s deck.  It don’t care.  We haven’t seen it but can imagine it.

We had the distinct pleasure of sitting in the front of the newly refurbished and filled to the rafters Close-Up Gallery.  Because of our vantage point, we could see some of the backstage work that goes into Ms. London’s act and it betrayed no secrets.  We were so close to the action that we thought for sure we could see her work but because her performance is based on turn of the 20th century (the 1900s) card cheats, it made sense that even being close enough to worry about the expiration of our counterfeit breath strips, we saw nothing.  Because of our almost passing understanding of how magic works – especially card magic and especially card magic with a Bee deck, we thought we would be able to pick up something.  Pero, nada, siempre nada.

Ms. London is from England and has appeared on Penn & Teller’s Fool Us.  She is calm, educational and mystifying.  She reads wonderful excerpts from a diary of a female card sharp as she performs.  Understand, she his performing very difficult card magic with both left and right hands; whilst reading a diary.  We can do one of those things at once and it is only the diary part.  Her Ace Location is something to see and puzzle over for days – we know.

Her effects were beautiful to watch for magicians and non-magicians alike.  We cannot wait to see her perform again.  We were hoping the show would last longer but, alas, like all good things, it needed to end so others could see how great a truly imaginative card performance could be.

We began our review with Ms. London under the theory that “Ladies First.”  But also because she performs the first part of the evening and then comes Boris Wild.

The Incredible Boris WildWe need to come clean about Mr. Wild.  We have read his books, bought his tricks, performed with his decks on a regular basis and yet, truthfully, have almost no idea how he performed his magic.  It is not as if we had an inkling.  It is not like we would guess the Kentucky Derby has something to do with horses and betting.  We know there were cards involved in some way but we don’t know nothing more than that.  He used cards in ways we have not seen done as effectively.

We loved being fooled – almost all the time, or at least when watching magic shows at The Magic Castle.  Mr. Wild fooled us with tricks we own or know of.  Howsabout that, now?!

My great, great-grandfather (allegedly – it is tough to tell through Ouija communications) once said, “It is what you know that fools.”  So true.  We think.

His Kiss routine is a classic and we have seen it before and loved it.   We still love it.  It is emotional – and we are not afraid to say that – and it is beautiful.  His effect before the Kiss routine is one we cannot describe without ruining it.  So we won’t.  If you have a chance to see his act this week, take it.  Get in line every early so you can see Laura London – a rising star in our book (an Inner Circle Member to boot) who should have her own show in Vegas immediately.  We need more women in magicians as magicians.  We need more magicians who love card sharping and so she is the perfect combination.

Now after Laura’s last show of the evening, get in line for Boris Wild.  We leave with a smile on your face and a renewed faith in our wonderful craft.

God bless Ms. London and Mr. Wild.  This is a wonderful time to be alive.

People Point and Stare – It’s Magic

Inside Magic Image of Garanimals TagsAlthough not strictly about magic, we do listen to Gilbert Gottfried’s Amazing Colossal Podcast every week.  His humor is not for everyone – like minors, people with normal emotional values, the sensitive among us – but he is funny to us.

This week’s episode features Lewis Black and a short discussion about David Copperfield and Doug Henning.

We were listening whilst walking to the busy editorial office of Inside Magic and getting strange looks from the folks we were passing in the street, along the sidewalks, through narrow crevices, around bends and over small mounds of what appeared to be clothing or people wearing clothing but not moving.  We are accustomed  to being stared at.  We chalk it up to our boyish good looks, effervescent charm, efficient use of tartar control toothpaste, naturally curly nose hair and willingness to take adventures in clothing choices.

For instance, today, we wore contrasting animals from the Garanimals collection.  We went with a Tiger “Top” and a Giraffe “Lower.”  That says “Wild Human” in any language.

We know, crazy, right?!

We thought people were staring because we were laughing so much.  We thought maybe they were sharing in our glee and not staring derisively but when one elderly woman was nearly struck by an auto as she tried to scurry across Santa Monica Boulevard to avoid our path, we figured out that the people of West Hollywood just have not seen unadulterated joy.  Chances are that if they haven’t seen it enough, they haven’t experienced it either.

So we offered to share our podcast listening experience with those we encountered.  We even cleaned the ear bud of the unsightly wax build-up (our own — we think) before trying to stick it into the ears of our fellow pedestrians.  We were not aggressive in our ear bud offering and were certainly not, as was written in an “incident” report “trying to stab victims in the head with an implement.”

Long story short, people were staring at us because we apparently accidentally sat in a chocolate cream pie at some point and our Giraffe pants needed dry cleaning stat.  We were pretty sure it was chocolate cream pie residue and that certainly explained why we left stains everywhere we sat in the last few days.

Tonight, we return to the Magic Castle with our new routine – freshly choreographed and scripted.  We will change our clothes before visiting the amateur rooms downstairs at the Magic Castle.  If you are in the neighborhood, stop by and say hello.  Just don’t stare and point.

Magic Castle to Open Second Location

Casa Del Sol - Montecito Events CenterLA Magazine reports today that The Magic Castle will soon open a second location in beautiful Santa Barbara, California.

According to the magazine’s website, the second location will be called the Magic Castle Cabaret and overlook a lake and nature preserve in Montecito.  The location was the former home of the Casa del Sol restaurant and events center.

“The structure is about a fifth the size of the Hollywood castle and will feature a 50-seat theater and a lounge.  Milt Larsen co-founded the original private membership club for magicians in 1963 and spent decades shaping the building into a labyrinth of dining rooms, theaters, and exhibition spaces, incorporating architectural castoffs from historic L.A. mansions. He now splits his time between Hollywood and Santa Barbara and wanted a club for his friends up north.”

Mr. Larsen told the LA Magazine reporter, “I’m gonna make it look like a castle with a lot of stained glass and woodwork,” Larsen said. “It will strictly be devoted to close-up magic and variety arts. We might have an evening with Richard Sherman or a comedian. It’s a gorgeous little place with a lakefront view.”

Mr. Larsen purchased site in June 2016.  At the time of the sale, the location at 30 Los Patos Way was listed for $2,350,000. It consists of just under 4,000 square-feet of restaurant space and sits on an almost 12,000 square-foot parcel of land adjacent to the Andree Clark Bird Refuge. The new location is within walking distance from Santa Barbara’s East Beach and Montecito’s Coast Village Road.

There is no word on the membership policies for the new club. We will keep you up-to-date as we learn more.

Magic Castle General Manager Wins Global Award

Joe Furlow - GM - Academy of Magical ArtsJoe Furlow, General Manager of the Academy of Magical Arts / Magic Castle has been named the 2017 recipient of the prestigious Mel Rex Award by the Club Managers Association of America.  The Mel Rex Award recognizes extraordinary industry contributions and private club management by the experts in the country.

The AMA will honor Mr. Furlow at the Magic Castle and the Club Managers Association will fete him at their World Conference next month in Orlando.

The AMA Board nominated Mr. Furlow in recognition of his contributions over the past five years in club-wide improvements.  The Magic Castle is no ordinary clubhouse and needed a professional able to learn quirks and charms of the organization and its very special members.  Mr. Furlow has done that and more.

The AMA told Inside Magic, “This award recognizes the special qualities of the AMA, and the unique abilities of our General Manager, blending his expertise, techniques from the industry, with our unique world of magic, magicians and magic lovers around the world.

“Because we know that the AMA is such a special place, we’re proud that Joe’s professionalism has been recognized by the industry. There’s no question that his work has helped elevate the AMA and the Magic Castle to unprecedented heights of popularity and success, with record revenues (once again) in 2016 and more than 500 currently on a waiting list for membership.”

The Excellence in Club Management® Awards are sponsored by Club & Resort Business magazine and the McMahon Group, a private club consulting group that serves and evaluates private clubs in all aspects of their operations – including dining, facilities, employees and management – and has consulted with 1,900+ private clubs around the world in its 30+ year history.