We just heard some tasty news and thought we should share. Something we would never do with our desserts. To be clear: we’ll share news about desserts and meals but will not share desserts ever and meals only sometimes. In many ways we are like a dog. Kind and loveable and loyal but don’t mess with our food.
Especially now that the Magic Castle has a new Executive Chef, Alejandro (Alex) Arrieta,
who will begin Feb. 7.
Chef Arrieta comes to the Magic Castle from The Culver Hotel, Culver City, where he served as Executive Chef from July 2018 until accepting the position.
Joe Furlow, General Manager of the Academy of Magical Arts (AMA) and the Magic Castle said, “We are very excited to welcome Alex into the Academy family and look forward to sharing his spectacular culinary creations with our members and their guests.”
Chef Arrieta previously served as Executive Chef/Partner at The Hook and Plow, Hermosa Beach; Executive Chef of 208 Rodeo, Beverly Hills; Chef De Partie at The Bazaar by Jose Andres, Los Angeles; Chef De Partie at Bouchon Restaurant Thomas Keller, Los Angeles; Executive Sous Chef at Ocean Avenue Seafood, Santa Monica; and Sous Chef/Banquet Chef at Hotel Bel Air, Los Angeles. He has been working in Los Angeles since 2003.
Arrieta has been awarded a guest chef appearance at Lake Arrowhead Resort and Spa; developed new food concepts for the Radisson Hotel in Cancun, Mexico; and catered for such renowned companies as Louis Vuitton, Channel and Cartier. He had extensive knowledge of vegan and vegetarian menus, as well as items that are gluten free.
Originally from Bogota, Columbia, Arrieta spent much of his youth in Miami, Florida, where his father worked in the hotel industry. He began working at a hotel in the kitchen and immediately fell in love.
Over the years, he rose through the ranks, eventually relocating to Southern California, where he earned a Bachelor of Science/Culinary Management from the Art Institute of California.
Proof of his multi-talented skills is evidenced by his new show Robert Ramirez: The Musical Theater Magician live through Jan. 5, 2020, at Pittsburgh’s Downtown’s Liberty Magic.
By the way, Downtown’s Liberty Magic has a great website. We don’t normally comment on the quality of websites because we feel inadequate about the layout of InsideMagic.com — and we didn’t just mention InsideMagic.com to boost our position in Google ratings — and we didn’t just mention Google to associate Google and its Google Search Engine with InsideMagic.com. We were just making a point why we point out great websites when we see ’em and instantly compare them with our site dedicated to providing the latest magic news for the professional performer here on InsideMagic.com.
Mr. Ramirez’s musical abilities including the ability to play the piano and tap dance; plus perform magic tricks at a level that brings unsolicited praise from fellow magicians.
He became interested in our art when he was merely 8-years-old, after his parents divorced. He then branched into playing the flute, being involved in musical theater in high school and college and even took classes at the very prestigious L.A. based Upright Citizens Brigade. As if that wasn’t enough, he found time to promote creative writing for children in California’s elementary schools through a program called the Imagination Machine.
We would posit that this was sufficient; but no. He went on to star in the touring company of Lin-Manuel Miranda’s Tony Award-winning musical, In the Heights from 2011 to 2012.
Holy cow. We can only do magic and really only with cards and really only with cards that we have prepared before performing and really only with one type of a deck in one color and whilst seated and without any potential bad angles and with special sticky stuff on our fingers. Forget doing music or dancing.
Now here’s the strange part. Once he finished the tour, he found it tough to get auditions. He hit a dry spell — like our hands and that is why we need the sticky stuff on our fingers but he was using the term “dry spell” as a metaphor not a physical sign of aging and dry fingers.
“I had realized I’m going to have to create my own work if I want to get out of this little rut,” he says. “So I started doing more magic and I started doing weddings or I started doing strolling gigs when I could.”
He served as a magic consultant on “America’s Got Talent” and appeared at the world-famous Magic Castle in Los Angeles and the Chicago Magic Lounge. Soon his unique combination of skills brought him to the forefront.
“Now in the last two years, I got to a point where now I have to set time aside to do a theater show, do a musical, and then audition for that show,” he says.
Did we mention he also has a comedy background and uses comedy in his performance? We realize we shouldn’t ask readers to go back through this post to determine whether we mentioned it when we clearly could do it if our Tandy X1000 running WordStar 1.25 had an easy way to scroll back up.
“I don’t want to set that expectation because you may not get my brand of humor. Everybody loves magic, and there’s kind of not a ‘brand’ of magic. Either it’s going to feel whimsical and feel like magic or it’s not,” he says.
He is in to magic history and history in general “Magic’s been popular for hundreds of years,” he says. “I think, when all of these historical events were happening in the world, what was happening in magic?”
Following the lead of Lin-Manuel Miranda, who wrote the show, In The Heights, to construct a show that he wanted to see, Mr. Ramirez put together an act that he would want to attend. “Now all I do is I create magic that I want to see, something that I wish I was in the audience to laugh at.”
If you are in the Pittsburgh area, check out “Robert Ramirez: The Musical Theater Magician.” Various times. Now through Jan. 5. 811 Liberty Ave., Downtown. 412-456-6666 or www.trustarts.org
You’ll see it all in one place. Visit Mr. Ramirez’ website here.
We received a great note from award winning magician and great (and funny) guy, Shawn Farquhar. He wrote to tell us about his new 75 minute show (which is about an hour an 15 minutes if our Casio watch / Calculator is correct). Check out the very well-produced website here and visit this once in a lifetime experience with demonstrably one of the best in our humble art.
During the whole month of October I’ve opened a speakeasy style magic experience in a fake business front in Chinatown in Vancouver, Canada. If anyone is coming through Vancouver let me know.
Hidden Wonders is a speakeasy-style performance venue hidden behind a fake business facade in Vancouver’s Chinatown and is the brainchild of two-time world champion of magic, Shawn Farquhar. The idea is part of a new trend in magic entertainment that focuses less on grand-scale illusions and more on intimate experiences that leave the audience awestruck and moved. Similar venues can be found in such cities as New York, Chicago and San Diego where they have become hugely popular.
The seventy-five-minute magic experience will feature effects exclusively designed for the venue as well as several of the effects Shawn created to impress Ellen, win the world championship and to fool Vegas’s Penn & Teller twice on their hit television show Fool Us.
Editor’s note: If you were to ask, “Hey, what’s one of your greatest weaknesses?” We would respond that we are easily star-struck. Even at the Magic Castle or at magic conventions, we lack the ability to walk up to stars of our art and start a conversation.
We stumble, smile uncontrollably and remain mum. (Ironically, “Remain Mum” was the name of our script for an un-produced project about a mom who doesn’t change in any way but raises her children without incident, accident or trauma. The script ran 3 hours but needed no special effects budget so we thought it was a sure sale.
Hollywood, according to all the major studios, the indie studios and guys and gals that have access to the latest iPhones and apps to make movies, needs some kind of character development or “incident” or “something” to happen that affects someone in the script.
Examples given by the studios were: Rocky (he develops his body and fights someone and hits meat and gets a dog); Spider Man (he develops his super powers, fights people, eats meat and gets a girlfriend); Snow White (she develops friendships with dwarfs who own a diamond mine, eats an apple and gets married). The guy we approached who owns the iPhone and special app that lets him make movies cited Citizen Kane (he develops the power to name snow globes, makes a newspaper, eats meat and gets married). But that’s Hollywood.
We’re hoping someone will pick up the script or we’ll have to add meat eating and super powers. Mom could have web strands that catch meat and feed her dog with it). Our point — and this time we have one — is that we are so honored that Mr. Farquhar contacted us. We’ve met him on several occasions and each time acted like a statue.
We’re sure he was impressed by our inability to speak — even after we just performed our act in the basement of the Magic Castle where we speak a lot — and that’s why he wrote us. Plus, despite his fame, he is truly a nice person with talents that would be great for a movie script — assuming he eats meat and/or has a dog.
[Updated to correct the days per week Siegfried will be performing]
When we first joined the prestigious Magic Castle / Academy of Magical Arts in beautiful Hollywood, California, we were befriended by Siegfried Tieber.
He frequented the lower rooms of the Castle where performers could get time to be in front of real audiences. He was kind and helpful in helping to shave the rough spots out of our pretty rough act.
But more than a nice and helpful guy, Siegfried showed audience after audience that he was a true magician. He had skills – of course – but he had charm and charisma to make it appear that the audience and Siegfried were experiencing the miracles together.
He took his act to Downtown LA in his solo show See/Saw and it was consistently sold out.
Before we go any further, check out his website here. It is one of the prettiest we have ever seen for a magician or any person.
The great news is that he is returning on October 3rd with a new show, Red Thread.
He’ll be performing for no more than 34 audiences members at a time and tickets will go for $74.00. Siegfried will perform six shows a week in four nights with one show on Thursdays and Fridays; and two shows on Saturdays and Sundays.
Siedgfried has been seen not only by hundreds, nay, thousands at the Castle, but nationwide on Penn & Teller’s Fool Us show where he did in fact fool them.
He told reporters Red Thread is “an exploration of chance and chaos. Every outcome is the starting point of further possibilities.”
“It doesn’t take long before this starts to look like a labyrinth: some paths converge, some run parallel to each other, some are dead ends. Like the Greek mythological princess, Ariadne — who gave Theseus a thread when he entered the labyrinth — my hope is to take the audience with me and guide them through this journey.”
Young magician and sleight of hand specialist Sebastian Walton continues to impress his peers and, perhaps more importantly, his audiences. When we last caught up with young Sebastian he had just won the Magic Circle Stage Magician of the Year. He was the youngest, at just 20 years of age (we don’t know what 20 years is in metric so we’re using American data). That was way back in 2016. We met him and took in his Parlor show at the Magic Castle three times coming off that big win.
He recently returned to the Magic Castle and slayed lay and magic audience members alike.
As Yogi Berra said about pitcher Don Sutton’s perfect game, “this kid is good.” Almost any praise for Mr. Walton will seem an understatement. He takes real risks in his performance with effects that could go horribly wrong. We don’t know why he does it but it is a pleasure to watch someone with real skills in the sleight of hand department work in front of a real crowd.
We’ll continue to do our Sucker Sliding Die Box and Hippity Hop Bunnies even though the effects do not have the same impact on audiences, we feel safe with store-bought, EZ Magic. We are saving our lunch money for a Milk Pitcher – soon to be introduced into our act. But that’s just us and that’s the reason we haven’t won any awards from The Magic Circle or even our family members, for that matter.
His act is not just daring, entertaining, and different from anything we had seen, it was truly mystifying. Mr. Walton is certainly deserving of the praise heaped upon him by our British cousins.
If you don’t believe us, you can read our review of Mr. Walton’s show on Inside Magic here. We wouldn’t lie, twice.
We just learned that a couple of weeks ago he won Yorkshire’s Own Talent.
The latest news from Mr. Walton is that he has a new website up and running. We also have it on very good authority that he will be returning to the Magic Castle in 2019. We will be there, front and center, to watch and review for this well established and esteemed magic news website.
Magicians, as a whole, are prideful. We worry about our image, practice sleights to perfect them before presenting, write and rehearse patter, and of course comb our little remaining hair and clip or appropriately decorate our nails.
So our admission is hard to make. We are shaking at the keyboard as we type – likely attributable to the unsteady shocks in the Los Angeles Metro Bus – but still we’re shaking so that means something.
The person reading this post next to us on the bus – and that is very nosey and they should be looking forward and not correcting our prose – says we should just get to it and stop being so dramatic. Further, he says it doesn’t look like we remembered to take pains to improve our image before leaving for work today and why would a famous magician be riding a bus along Santa Monica Boulevard instead of traveling by limo or at least Uber?
We hope he gets off soon.
Okay, here’s the admission: we cannot do a perfect pressure fan. We can do all sorts of fans but not a proper pressure fan. There, it is out in the open now. You can judge us. Our fellow rider said if he knew what a “pressure fan” was he would judge us. He is laughing now. Probably at his own joke or maybe he is laughing at us.
We have been trying to do a proper pressure fan since we were twelve-years-old. We can do a one-handed shuffle with either hand and lifts that would impress anyone except they’re so good they can’t be detected. The fellow rider has stopped reading and is now eating Fritos very loudly.
We’ve read the technique, we’ve watched young children do perfect pressure fans with cards bigger than their cherubic faces. We fail.
He is now drinking something from what looks to be an adult sippy cup but because he hasn’t opened to top properly, it is making a thunk-pop noise with every suck of liquid. We wish he would go back to the Fritos but fear this will be a constant part of the ride for a while. He’ll eat the Fritos, loudly, get thirsty, drink from the sippy cup and then back to the Fritos.
At The Magic Castle we watch with envy as magicians perform their wonderfully practiced routines but become irrationally jealous, insecure and diminished when they perform a pressure fan with such a smooth handling that it appears the cards perfectly align about their fingers with ease. If only, we say silently, we had such skills.
We have thought of asking the more talented members at The Magic Castle, to teach us how to do a perfect pressure fan but we feel so much shame for not knowing at this point in our career. We feel we are an impostor, a fraud; in an art that relishes impostors and frauds — so there is that philosophical, logic puzzle to work through.
He is back reading and corrected our characterization of his chocolate milk container as a “sippy cup” and does not think it should be our concern about his eating and drinking habits.
Perhaps that is the key. Maybe we should not jealously covet the skills of other magicians, accept that we are at this time, unable to do a pressure fan and even though we haven’t for the last 90-years, we may one day develop the skill. Just as we should not be concerned about others’ drinking and eating routines, we should be focused on what we can do and not what others are doing.
Our fellow rider has pulled the stop cord and is gathering his full meal and drink to depart. He read the last part of this post and disagrees. “You shouldn’t care what other folks are eating and drinking but you should at least know how to do a pressure fan if you’re going to call yourself a magician.”
We are pierced.
Our seatmate has left the bus now and we have a vacant seat next to us. It is time to close the computer before we encounter another critic/editor for our long ride.
We first met Nick Lewin through Pop Haydn when Mr. Lewin was performing on the same bill with Mr. Haydn. To be honest, we didn’t know what to expect. Mr. Lewin took the stage with a befuddled look on his face and seemed to be overly relaxed in his approach to the magic. Yet, he blew us away.
His Slow Motion Torn and Restored Newspaper was a thing of beauty, his Linking Finger Ring was a thing of beauty as well but also a thing of mystery. We know or thought we knew how the routine should be done to achieve the effect but Mr. Lewin was doing something slightly different and yet achieving the same effect plus.
Since that experience, we have seen Mr. Lewin perform in various locals and he is the same. Always smiling, slightly befuddled, easy-going, and amazing. He has the classics of magic finely tuned from years of practice and actual performances in his hands and is in no rush to perform them.
He is not being chased and so there is no need to run. His jokes and humorous approach to the effects do not overwhelm or take away from the magic, they fit in the routines because there is time for them to fit. He is going to amaze and there is no reason to rush to what will be a wonderful conclusion – he is a friend of the audience and we are all looking at it together.
We have bought several of Mr. Lewin’s routines and we will have reviews in the future but we received one just the other day that seemed perfect for our act – at least according to the advertisement. The Ultimate Color Changing Deck is an effect that would be the right ending for our card routine as performed in the basement of the Magic Castle. We currently end with the emotional equivalent of “Yeah, that’s about it. No need to stick around, there ain’t no more. Skat! Get!”
We order the effect and received delivery within a very few days. We watched his DVD, checked out the props and smiled with the gleeful look of a very satisfied magician or someone in need of further attention by trained professionals. It would work, it would work really good. (When we become gleeful, annoyingly gleeful (“AG”), we lose our ability to think in proper English. The effect could even be transferred to our pet deck and we already could do the relatively easy sleights to accomplish the apparently impossible.
There are other color changing decks on the market. Some of them might be good. We have seen many of them in person either being performed or explained in lectures but none of them come up to this standard. Mr. Lewin credits Ken Brooke for the idea and effect and even provides an interlude that may or may not fit your style. The last sentence makes sense once you receive and review the effect.
The cost for the pre-release is $65.00 and it is well-worth it. This is a color changing deck that will really work in real situations for real magicians in front of real audiences and leave them really amazed.
These famous words were uttered by Winston Churchill but they were about an actual crutch and his lack of need for them after a car crash whilst touring America. But it still fits.
We love the Magic Castle and we love reporting on the latest acts that appear in the various rooms but we also fear that we may bore audiences of Inside Magic by reporting only on magic seen there.
Our solution is to talk about the food we had and then work our way into the magic on stage.
We went with a delicious Beef Wellington (speaking of Churchill) and our beloved had the manicotti. Both meals were expertly cooked and good enough to eat – as we proved.
We performed downstairs in the amateur rooms as permitted by the Man, Matt Vizio. He runs the joint and if he says you can perform, you’re good to go. He let us do two shows and we are in his debt for the honor of performing for such wonderful audiences.
The beauty of performing at the Magic Castle is that people are coming to see magic. They are not hoping for a tribute to Queen or a demonstration of weaving from indigenous folk. Although, ironically, we do wear a Freddy Mercury leotard woven by indigenous weavers from Scotland. We chafe and we sweat but we feel we do both sources justice. We no longer sing because of requests from virtually everyone we have ever met. The New York Times said of our act, “It makes you long for Freddy Mercury in his prime or at any age and true indigenous weavers.” Notably, the review got our name wrong; calling us Tom Quinine, so the review has not hurt our career.
Dana Daniels and Richard Allen brought their world-famous “The No Show” to the Palace of Mystery. We laughed so hard that we feared we would pass-out. Seriously. We could not stop laughing as Mr. Daniels did his escape routine that the air was not getting to our lungs, brain or heart. We tried to think of unfunny things but it would not work. We tried to breathe deeply, but our lungs were laughing too hard. It was a funny situation for our body and we didn’t mind.
Audiences had a chance to see the new Luigi. His predecessor worked with Mr. Daniels for almost three decades before passing on. The new Luigi is just as beautiful parrot with a penchant for cheating at mentalism.
The No Show should not be missed. Let’s assume you have something else to do for some reason, you should not do it. You should go see The No Show instead. Water skiing, mountain climbing, any form of fungal removal? None are sufficient reasons to miss The No Show. Although if the fungal removal has been delayed for, say, years, it might be a good time to see a specialist and avoid crowds. Nay, not a single reason can justify missing this show.
Well, except for one reason.
In the Close-Up Gallery, the lovely Ms. Joan DuKore is performing the early shows (7:00 • 7:45 • 8:30 • 9:15) and puts on a great show. If we had talent, grace and could perform, we would be Ms. DuKore. She hails from Las Vegas and relates much of her performance to Sin City. Her card handling is great, she works with bunnies and she performs effects that you have likely never seen before in your sheltered, protected life – but in a good way, not like you were in prison.
The bottom line: Eat the Beef Wellington, Watch The No Show and enjoy Joan DuKore. Don’t worry about passing out due to hypoxia, it’s a myth.
We love magic and people who love magic. Therefore we love Ted Baker the famous clothier.
So, we’re walking through the new Century City Mall, in the ritzy section of Los Angeles, next to Beverly Hills; where people drive Mercedes and Rolls Royce manufactured vehicles not even to show off but because their more expensive, nicer car is in the shop – or so they’ve been told by their household staff. And we walk by Ted Baker’s clothing store.
We are not clothing horses. We’re not even people who know where our clothes came from. We don’t know if we bought them first hand, were lent them and forgot to return them, or found them in the laundromat (Suds-n-Suds on Wilshire where you can have a beer (hence suds) whilst your clothes clean (hence the other suds)).
But we stopped in front of the window of Ted Baker’s storefront and fell in love. He had rabbits coming out of old opera hats – the kind that really collapse and open with a snap – much like our pants. He had different exotic decks of cards shown and even had a portrait of a magician that had a 3-D image emerging from it.
But there was something about the shingles. First of all we are talking about the shingles he used to cover the front of his boutique and not the type we contracted and have never had such pain without relief since our days in that special club we joined by accident when first arriving in Hollywood – “Crunch and Pain” sounds like an exercise club and so we excuse ourselves and never associate with the members of what was decidedly not an exercise club – evident by the lack of movement by the members.
The shingles, we learned, were from The Magic Castle. After the fire, Mr. Ted Baker purchased the remnants of the saved pieces removed from the burnt structure. His store has the shingles from the roof on the outside and inside of his store and the front counter has wooden cabinets from the Castle. It is wonderful.
We were told by the very friendly and helpful staff that Mr. Ted Baker has different stores around the world and chooses different themes for each. We were lucky that he chose magic as the theme for this store. We have it on great authority – an employee at the Castle – that Mr. Ted Baker is actually a magician and a member of the Castle.
We’ve never bought clothes for ourselves – not even at Crunch and Pain – but if we were to do so, we would do so at Mr. Ted Baker’s store. If you are in the Century City / Beverly Hills area of California, please do stop by his shop and see all of the wonderful things he has saved from our art’s history. By all means feel the shingles both inside and outside the store. They are loose but they withstand even the most amorous caress.
Magicians Jade and Jonathan Levit take over Pellar Theatre at the Magic Castle this weekend. They have been friends and colleagues for 30 years – so that means, Mr. Levit first became aware of Jade while she was in utero – and that’s fine by us.
It is no secret that Jade is not only an Inside Magic Favorite but also one of our personal favorite performers. We have watched her perform in venues across the United States and have always hoped that one day we would be selected to assist in one of her fantastic routines. Our hope was not rewarded this evening but again, that is fine by us.
In fact there is virtually nothing Jade could do that would not be fine by us. We consider her three ring routine one of the best we have seen – and we have seen a bunch. It is truly magic to watch. Her grace and poise match the beauty of this historical effect. We also saw a side of Jade we haven’t seen before. She was working with Mr. Levit to perform “Simultaneous Mentalism™.” We just made up that term and may seek trademark protection so do not go throwing it around too loosely.
We do not want to spoil the effect and may have already done so by saying the words “simultaneous” and “mentalism” so forget we said those words. Our point is, Jade and Mr. Levit performed at the same time and did an effect that was truly startling and exciting.
Mr. Levit has a wonderful on-stage personality. We assume his off-stage is just as wonderful but we did not have a chance to talk to him post-performance. He is likeable and talented and nimble in thought, words, and deeds. His twist – see what we did there? – on the now very popular Rubik’s Cube effect was truly original and so well done. He told a wonderful story to surround what in the hands of other performers is merely a stunt and a short stunt at that. A stunted stunt.
Jade and Mr. Levit work together so well on stage that it appears they have been doing just that for years. And yet, we learned this was their first time working together.
The Peller Theatre is always a wonderful venue for great magic just due to the sightlines and proximity to the performers but when the performers are as wonderful as Jade and Mr. Levit, it is truly a magic venue. If you have a chance to visit the Magic Castle this weekend, be sure to check out the Peller.
But it is late now and time for us to start our night job. We’ll tell you more about that in later entries. It’s like Uber or Lyft but with a bicycle.
Inside Magic Review – Five out of Five – Our Highest!