In other circles it would be considered stalking but at the Magic Castle, it is just watching; albeit obsessively.
We can literally watch Doc Eason perform for hours on end without rest – or blinking. He is currently performing at the WC Fields Bar at the Magic Castle and so we have been lurking / admiring and enjoying his shows this week.
Doc works a room better than any politician or performer we have ever seen and we have seen great ones in each category. He gets the crowd laughing, chanting and then fools the heck out of them. Either he is the world’s greatest actor or he really enjoys interacting with people. He takes the audiences as he finds them and within minutes they are all together, trusting him and following his instruction and misdirection without exception.
His patter is effortless and truly funny. The jokes fit the moments and add to the distraction and misdirection. He is not cruel or mean and perhaps that is why he so quickly gains the trust of the audience. There is no reason for them to be on the defensive.
All of his patter and personality would be insufficient if he did not have the sleight-of-hand skills to perform incredible acts of magic under test conditions. He tells the audience what is going to happen, tells them where it will happen and then it happens and they are blown away.
If you are not able to make it to the Magic Castle this weekend, check out Doc Eason’s videos on YouTube or some of his instructional DVDs available at your local magic store or through his website.
He has, as they say in the NBA, skills. He has moves so amazing that you don’t even see them or know that they have happened. Like neutrinos, his moves are evident only by the change they cause to other visible things.
We watched him perform in the Parlor of Prestidigitation last night at The Magic Castle and reacted like a cartoon character as we rub our eyes and mouthed the word “what?!” His act is a tightly structured presentation of incredible things happening in the general vicinity of his hands. His hands do not seem to take on any unnatural positioning as balls vanish, reappear, change color and transform into impossible things. His hands and fingers move as they would if such things were happening by magic alone, unaided by any secret manipulation.
His approach to the magic happening is a joy to watch.
We love magic and we really love great magic that we cannot begin to figure out. We do not want to know how it is done and Mr. Park accommodates our desires wonderfully.
Pure genius is how we modestly describe our latest development in bringing our act to the vast, unwashed and sweaty masses of Southern California.
We have done our research and determined some interesting facts about the greater Hollywood area: there are several movie and television studios within an Uber ride from the Magic Castle, many people who work at high-levels in popular media are health conscious and run to stay in shape, and a substantial subset of moguls and moguls-to-be (we think they are affectionately called “mogulettes”) will be in the Los Angeles Marathon this Sunday.
We think you see where we are going with this.
We have been working on an act we can perform for the high-fliers as they run the marathon course right by our spacious studio apartment near the bakery for dogs on historic Santa Monica Boulevard.
Because the marathon will be run outdoors, we have eliminated several effects from our tentative set-list including: our barehanded dove production, our gloved-handed falcon production, our take off on the classic Think-a-Drink we perform with scratch-and-sniff imbued playing cards under the title Think-a-Stink, the Kellar Spirit Cabinet and Kevin James’ Snowstorm.
Our research confirmed that by the time the throng of influence-wielding runners reach the water station adjacent to our staked-out position, they will have run 17.3 miles. They will likely be pretty tired and because it is supposed to be a very hot day, they will probably be thirsty too. As they slow to grab a cup of what scientists inexplicably call H2O, we will be there with our well-rehearsed abbreviated routine ready to entertain.
The genius part of our plan – other than what we have set forth so far – is that as the marathon proceeds, the slower runners tend to follow the faster runners. So, yes, we won’t be able to do our full routine for the Kenyan front-runners that should pass our table just minutes after the race begins, but after about two hours, we will have gobs of heaving, perspiring audiences filing past.
Our research also revealed that professional marathoners do not tend to be members of upper-management in the major studios. World-class runners have to focus on things like training, eating enough to maintain their ideal weight and studying the latest techniques in not dropping dead whilst enduring horrible physical torture.
Studio moguls, on the other hand, are often able to run 17.2 miles in 3 to 4 hours. What a treat they will have when they hit what we are calling The Magic Mile Marker®.
Because our time with each runner will be limited, we have cut down much of our opening monologue. Yes, we’ll still do our beloved bits about our brush with mental illness, how unattractive the last audience was and, of course, how airline food is terrible. But then, it is right into the good stuff. By meeting up with the runner/audience as they approach the water station, we can lengthen our time together, giving them time to select a card, return it to deck and watch with delight as we go into our wacky Ambitious Card routine.
As our fan knows, our original take on this classic card trick – which we cleverly call, Oh, No, Not Again! – usually lasts about 90 minutes and involves revelations from all parts of what some less-attentive audience members believe is a well-shuffled deck. We have shortened it to 90 seconds by limiting it to just seven reveals.
Even a runner cannot jog in place for all 90 seconds, we can run along with them and finish the bit with our big finale where their card ends up in small box, inside a bigger box, inside a handkerchief removed from our specially-tailored silk MC Hammer sultan pants. Because of the ingenious method in which we perform this effect, it resets almost instantly.
We expect this to be a big hit and it will probably be pilfered by less-creative magicians but we do not care. As we say during cold and flu season, “there’s a lot more where that came from.”
See you Sunday!
When we visit the Magic Castle, we notice the great posters advertising It’s Magic! through the years. They line the Parlor of Prestidigitation boasting amazing performers.
Imagine our excitement — unless you have other things you wish to imagine — to read that It’s Magic! is alive and has announced its dates for the Harris Center for the Arts in the Sacramento area.
We read this press release and pass it along for all of our loyal reader(s).
It’s Magic! is in its 59th year; each season presenting the world’s top magic and variety performers in a production designed for the entire family. Stars from all corners of the globe including Las Vegas, Europe, Asia and Hollywood’s Magic Castle dazzle audiences with their amazing acts. The Los Angeles Times calls It’s Magic! “…a must for magic buffs of all ages!”
It’s Magic! has two performances on Sunday, March 29, 2015 at 2 pm and 6 pm. Tickets are priced at $21-$34; Premium $45. Tickets are available online at http://www.harriscenter.net or from the Harris Center Ticket Office at 916-608-6888 from 10 am to 6 pm, Monday through Saturday, and two hours before show time. Parking is included in the price of the ticket. Harris Center is located on the west side of Folsom Lake College campus in Folsom, CA, facing East Bidwell Street.
This live stage show is unique in that it features many of the top professional magicians worldwide, with each act carefully selected to represent the variety of the art of magic. Many of these performers are internationally recognized award-winners, direct from exotic showrooms around the world as well as Hollywood’s famous Magic Castle. Parents who came to see It’s Magic! as youngsters are now bringing their children and grandchildren to see this amazing line-up of famous magicians.
The tradition of an all-star magic show started in 1956 when two young entrepreneurs, Milt Larsen and Oliver Berliner, produced a show called Hocus Pocus ’56 at the magnificent (now demolished) Carthay Circle Theater in West Los Angeles. The following year, the show was renamed It’s Magic! and moved to the 1300 seat Wilshire Ebell Theater in Los Angeles’ swank Hancock Park area.
At first, the shows played for a very limited time only. However, as the number of fans grew, the number of performances was expanded. The success of It’s Magic! proved there was a genuine interest in the ancient art form of magic. This, in turn, gave Larsen the idea of forming a full-time private club for magicians and magic enthusiasts. Thus was born the Magic Castle, which opened its doors in 1963. Many credit this show as the spark that rekindled the resurgence of the art of magic in America.
In 1965 Milt produced It’s Magic! as a solo venture with his brother Bill as Associate Producer. It’s Magic! then moved to the Variety Arts Theater in downtown Los Angeles in 1977 and played annually until the mideighties. Since its inception, Southern California audiences were treated to such legendary magicians as Harry Blackstone (senior and junior), John Calvert, Senor Wences, Richiardi, Chang, Mark Wilson, Frakson, Tenkai and Dai Vernon. The show also provided the springboard for newcomers like Lance Burton, Mark Kalin, Shimada, The Pendragons and Harry Anderson, all of whom have since become stars.
This year’s lineup features magicians Danny Cole, who was named the Rising Star of Magic by World Magic Awards (1999), Mystina, a British magician who incorporates dancing and gymnatics in her breathtaking illusions, and Tom Ogden, a family friendly magician who has performed for celebrities and politicians from Johnny Depp to President Ronald Reagan. Also featured are Alex Ramon, the first magician to grace The Greatest Show on Earth Ringling Bros. and Barnum & Bailey presents Zing Zang Zoom, juggling extraordinaire Dan Raspyni, and more – each carefully selected to show the many nuances and artfulness of magic.
This weekend, we will be at the feet of the masters, Pop Haydn, Bob Sheets and Chef Anton together teaching the ways of the Scoundrel at The Magic Castle here in Hollywood. It is a two-day class in the essentials of scoundreling with special attention paid to Three-Card Monte, The Shell Game and Fast and Loose.
The esteemed professors note that the course is “perfect for the historian, steampunker, gambler, lawyer or police officer as well as the magician, this course gives you the inside information.” We are at least two or three of those types of people so the course should be a perfect fit.
We understand there were only 20 seats available and they may have already been sold out by the time this article posts.
We will report back on what we have learned both in the classroom and in any wayward attempts to scoundrel on the mean streets of Hollywood or Beverly Hills.
We are thinking of getting a specially made cardboard box on which to perform our soon to be acquired Three-Card Monte skills just outside the Beverly Hills Hotel on Sunset.
We could make it look like it was a shipping container for Louis Vuitton handbags or Christian Louboutin shoes so it would not arouse suspicion amongst the throngs we expect will encircle us with cash money in their hands and dreams of big winnings in their hearts.
Check out the School for Scoundrels site for more information and peruse their great offerings here.
Not because he does dangerous magic and teaches others how to do it during his five-star lecture but because he makes the difficult look easy.
Mr. Ellis is from Australia – a land where danger and adventure await all and at all times.
We have never been there but have developed our conception of what it is all about from television, movies and Outback Steak House. It is a place where people are always friendly, helpful, genuine and innovative. We have met seven people from Australia and every one of them met that stereotype. Ipso facto, QED.
Mr. Ellis has been a supporter of Inside Magic since the early days of this virtual news source. We first met him in Garden City, Michigan where he and his former partner and spouse Sue-Anne Webster lectured a capacity crowd on how to be innovative (and have fun) with magic. It was a great experience and we accurately reported about it on the old rendition of Inside Magic.
Mr. Ellis took the time to correct our various grammatical mistakes and word choice and we developed a perfect – if co-dependent – relationship with him from that day. He is a great writer and so we gladly accepted his submissions and story ideas over the years. He was kind enough to send us several items for review and, not surprisingly, our reviews were almost always glowing.
Longtime readers likely recall the one exception to our effusive praise for his work. We dismissed his 24 Years of Living Next Door to Ellis DVD but retracted this criticism once we realized we needed a DVD player to watch the disk. We had spent hours trying to fit it into our GAF ViewMaster — a technology that apparently was not compatible with the new DVD format.
We revised our review to hide our error and tried to delete the negative reviews from the internet. But you know how that goes. The stuff you don’t want to live forever does and the stuff in which you have great pride, doesn’t stay a day. That is why you can still find videos of our unfortunate scuffle with security backstage at the H.R. Pufnstuf National Tour but our classic articles on the history of magic cannot be found.
But we digress.
Tim Ellis is to magic what diamonds are to minerals. He is the best and brightest and can cut glass and liked by women.
He is charming and clever and generous. His lecture begins with his silent Razor Blade swallowing trick and is followed by attempts to switch a coin from the clutches of a mouse trap and then a bear trap. Sure, not the best stuff for kids’ shows but then again kids today are growing up so quickly and it will give them something to talk about with social workers later in life.
To be fair, Mr. Ellis does not believe the Razor Blade swallowing or bear trap trick is for kids. In fact, we are pretty sure he explicitly said they were not. But that is just one magician’s opinion. Perhaps kids in the US are more able to handle such magic. After all, we have more television channels in the US than they have in Australia. We think we read they only have one or two channels and one of them is ABC but not our ABC – a different one where the A stands for Australian. Sort of like how people knock-off Dairy Queen by calling their ice cream stores, Dairy King.
Again, we are far afield of the true purpose of this post. We are here to praise Mr. Ellis, not to bury him in ephemera and trivia.
Mr. Ellis provided attendees with a simple mnemonic to improve their acts. He speaks from a wealth of experience. His message is woven like a high-priced hair transplant throughout his lecture. And like a great hair-transplant, we left with something with which we can work. Sort of a virtual comb-over to hide the glaring bald spots in our routine. Perhaps the hair transplant metaphor has limited usefulness. Perhaps we need a better copy editor.
[Editor: You have a better copy editor, you just ignore me].
Mr. Ellis performed later in the Parlor of Prestidigitation and was outstanding. He has adopted a somewhat more serious persona on stage – still playful but less non-stop comedic – and it works very well for him. He endears himself to the audience in the opening fifteen seconds with a simple, silent entrance that is quirky and engaging. He performed his Razor Blade routine and did so with such great effect that audience members were genuinely concerned about his safety. They were urging him to not swallow the blades and were relieved when the trick was complete. He clearly connected with them from the outset and held their attention for the remainder of the show.
To return to our thesis: Mr. Ellis is dangerous. He performs so effortlessly that one (namely us) could easily assume that what he does takes no effort. We would be wrong. His smooth presentation is perfectly timed to the music selections and yet seems spontaneous. Clearly it cannot be that his spontaneous interaction with his audience just happens to end perfectly and at the exact same time as the music ends but it sure seems like it. We are guessing it has something to do with planning, rehearsal and experience. But this is just our guess. It could be that he is incredibly lucky to find audiences that interact exactly on cue to help him perform tricks they have never seen to music selections they do not choose.
Mr. Ellis will be heading back to Australia soon. If you have had a chance to see him on this most recent tour, consider yourself fortunate. If you haven’t seen him lately, we dare say you haven’t really seen him. Check out his website, get his DVDs (particularly 24 Years of Living Next Door to Ellis – if you have a DVD player) and seek him out.
Mr. Ellis is a dangerous talent and one we are proud to consider a friend.
Not “Young for the Castle” kind of young but younger. Young as in “you cannot buy liquor or rent a car or legally join on-line dating services” kind of young.
He claims to be 18 and that is possible but what is unlikely is that he is that good with so little in the way of real life performing experience. He has won several of the Magic Circle’s young magician awards, performed on UK television and has been seen by royalty. That is a lot to accomplish in a decade. That is a lot to accomplish in a lifetime. The closest we have come to being viewed by royalty involved a webcam with someone who said they were a royal or something like that.
How can someone just 18 years-of-age know how to handle a sophisticated magic audience in a foreign country with such skill?
Presumably he has never been booed off the stage by seven year-olds whilst (that’s UK talk for “while”) performing a show for free in a public library during a heat wave in coastal Florida all the while wondering if his borrowed dove is going to survive waiting its production in the big finale. He has never tried to squeeze in one last performance of a home-made Zig-Zag before his once svelte female assistant goes into labor. We doubt he has ever herniated himself trying to blow-up balloon animals for a mall’s worth of demanding kids.
There is only one explanation for this phenomenon. He must be talented beyond his years.
He began his routine with an extraordinary routine wherein any audience member called the name of a card and he caused it to rise from, shoot out of, escape or otherwise mysteriously appear from a freely-handled deck of cards. It was something to see. We were in the back row of the Parlor and were blown away by his presence and audience management abilities.
We were in the back row because this young man has followers who cued (UK talk for “got in line”) to get the prime. Some of the fans were from his home country and were very polite and proper in their refusal to allow us to sit on their laps or lay across two of them.
But even from the cheap seats, we marveled at how he owned the room and he held them in his unblemished (by liver spots and excessive wrinkles seen on performers of our ancient demographic) palm with a charming confidence.
We were honored that he came downstairs to the Museum and caught part of act. We wanted to stop our ramblings and messy sleights to introduce him to the room ala Ed Sullivan (a reference Mr. Walton will need to do the Google to learn) but were so self-conscious that we thought it best to remain focused on the task at hand (wrinkled and bespotted though that hand was).
He performed incredible demonstration of card dexterity for a cheering throng, we tried to remember which side of the TV Magic Cards we were supposed to have face-up. At least that was what we felt at the time.
Mr. Walton will be appearing at The Castle this weekend and should not be missed. He is a genuine star – not a genuine “future” star or promising young performer — the real deal.
Check out his impressive credentials and promotional materials on his website here.
Richard Turner is an incredible performer with exceptional talents and amazing skills.
He is, in our very humble opinion, one of the best cardsharps we have ever seen – ever. His lecture at The Magic Castle on Sunday was more of an exhibition of amazing card technique that even if we were taught with hours of patient instruction, we would still be unable to perform without his “fifty years of dedicated practice.”
The Second Deal is a personal point of pride for us. We have only been practicing it for about 30 years and of that 30 years, we slept, ate, had a life and worked in our non-magic world so it was not entirely dedicated to perfecting our work.
We saw Mr. Turner’s incredible dealing prowess and later performed our routine in which we rely on Seconds and felt shame. We wanted to stop our presentation and admit to the innocent lay audience that we were showing them the clutching, tightly gripped mechanics of muscle memory when they deserved so much better.
We did not actually stop our performance mid-deal but we felt it would have been warranted. We watched our hands deal Seconds that seemed so apparent that they looked (to us) more like a Glide from the top. We try to be humble (maybe not the most humble but of course if we were the most humble we would not claim to be) but seeing Mr. Turner’s lecture brought us down several rungs on the humble ladder towards humility.
Did we mention that Mr. Turner is blind? He is blind. Not “legally blind” or “partially blind” but really blind. He is demonstrating cardsharping with absolutely no ability to see what he is doing.
He has perfected the perfect Second deal without a visual reference. His Seconds are slowly done as if he were dealing directly from the top of the pack. There are no moves, no tells, no flashing or signs that a Second is in the offing, is occurring or has just happened.
Seeing Mr. Turner perform is like sitting in Plato’s Cave with a periscope for just a few minutes. We saw, briefly, what the real Second Deal looks like rather than the shadows on the wall we have been watching in our own hands or the hands of other performers.
His lecture is a delight to attend. It is not a study in basic sleights or fundamentals. In fact, there were very few sleights actually taught. It is more of an opportunity to watch a true master perform impossible effects using imperceptible skills. He discussed his involvement with the United States Playing Card Company and playing card production methods. We could have listened to that type of inside information for another ten hours. He told us about his interaction with Dai Vernon and Charlie Miller and their collaborative work on cardsharping skills. We would have gladly paid to listen to more of those stories.
The lecture went for about two hours but we had a feeling he was just getting started. We departed humbled but hopeful. It is satisfying to know that there is a perfect Second Deal. While we will likely never achieve it, we at least know our quest is not Quixotic.
The Magic Castle had a great presentation last night tracing the late Johnny Carson’s life-long appreciation of magic.
Dick Carson is an Emmy Award winning television director and the younger brother of the performer known as The Great Carsoni and proved be a great historian on the topic.
Dean Dill, Brian Gillis and the incomparable Mark Wilson came on after Dick Carson’s segment to share their experiences as performers on the iconic late night mainstay. Mr. Gillis and Mr. Dill were also called to provide the star personal tutorials in his Malibu home.
It was a great night to again enjoy the very unique talent Mr. Carson shared with the nation for so many decades.
Although Mr. Carson was very modest about his magic abilities, his talents were anything but modest. He performed difficult sleights with polish and skill. So many great magicians got their big break on Mr. Carson’s show and his support of the local (Los Angeles) magic community in general (and The Magic Castle specifically) was constant through the years.
One of the commentators observed he has never been replaced. We agree.
Whit “Pop” Haydn is to Magic what Marconi was to communication. He is a legendary performer with the skills of a ninja and the charm of a religious idol. In a word, we think Mr. Haydn is pretty impressive.
We recently saw his performance for Magnetized Water at The Junkyard in Simi Valley, California (“Simi” is pronounced “see – mee” and not “seh meh” or “Sigh My” as we learned from about five people along the way).
He was in full character as Pop Haydn extolling the virtues of his latest discovery. With illustrated charts and graphs, he explained how Magnetized Water matches up with the body’s own natural polarity. It was a fantastic routine filled with genuine magic and a convincing sales pitch.
Even more exciting, for us, was the well-developed character of Pop himself. He is a treasure from an earlier century who readily admit his inner hustler tendencies but promises to lie only once per show. Once that one lie quota is met, he will shade the truth and perhaps be less than candid but promises to never lie outright. You have to respect an honest con-man.
We met Mr. Haydn aboard a ship decades ago. He was performing for the huddle masses on the luxurious over-sized yacht and even called upon our bride to be his assistant in his famous Four Ring Routine.
We were more excited than she at his choice and her performance. Our beloved eschews the spotlight and despite her elegance on stage, was happy to return to the relative anonymity of our stage-side booth.
“You were on stage with Whit Haydn,” we exclaimed with a mouthful of caviar.
“Who is Whit Haydn? Is he famous?” She asked, dabbing away the delicious roe from our lips, chin and tie.
“He is the man,” we offered proudly.
“Oh, the magician?” She asked.
“Yes. Yes, that is Whit Haydn and you were on stage performing his Four Ring Routine.”
“He seems very nice. Why can’t you do magic like that?”
We admit that she was very young at the time and it was likely the champagne and fluster talking. Nonetheless, she continued to sing his praises throughout the rest of voyage. Despite our natural jealous nature, we could not begrudge her crush-like admiration for Mr. Haydn.
To see Mr. Haydn perform is to forget about magic entirely. We tend to have a critical eye when watching other performers. We are not critical but we do see flaws in sleights that can distract from the overall experience. Mr. Haydn reminded us then – and now – of Dai Vernon or Slydini. Natural without forcing the impression of being natural.