Magic, Mystery and Mentalism – a Moral Lesson

Inside Magic Image of Favorite Melvin the MagicianMentalism, Magic and Mystery are three very different things – at least in our tattered book.  We have never gotten into trouble with Magic and Mystery but on a couple of occasions have experienced harsh but understandable reactions from Mentalism.

First of all, we are out of the Mentalism biz.  It used to be the cool thing around the time of people bending things and using specially patterned cards to read minds.  There was a time in our business when everyone claimed they could read minds.  Why they did that was always a mystery (little “m” mystery) to us.  It gained them some notoriety but it would seem to invite constant challenges.

Slowly the world of Mentalism evolved to not claiming to be capable of reading minds.  There were some who continued to make the claims but they were now considered psychics and not Mentalists.  We were always in the Mentalism camp – back during our Mentalism days.  We would, contrary to psychics, affirmatively tell audiences we cannot read minds.  We could influence choices and perhaps pick up tells given by volunteers but never, ever could we read minds.

Except one time.

The following story is an amalgam of two events to protect the innocent and make our point.

We performed what Magicians would call a one-in-a-million shot.  Our hole card is the Four of Hearts.  We don’t know why but it seems like a good even number and has pretty hearts that can be read from the back of the audience.  We were performing for some Boy Scouts and held an over-sized card before us and asked a woman in the far back to name a card.  Our intention was to fail to have predicted the card and then go about our act explaining why we do not claim Mentalism power.

She called out in a loud and clear voice, “The Four of Hearts!”

We were far less mature then.

We should have joked it off, not shown the card, and said that was why we did not claim to have special powers.  But we couldn’t resist.  We milked the moment and when we finally turned the card to face the audience, there was true amazement.  Unfortunately, there was also deep concern in the heart of the woman – the mother of one of a young scout.

She asked us almost immediately after finishing our routine, how we could possibly know the card.  She had told no one and didn’t even know she was going to be a volunteer.  Again, we were immature and in need of validation; even at the cost of someone else’s emotional toil.

“I don’t know for sure, we have a talent to read minds sometimes,” we said proudly.

It wasn’t true and still isn’t.  We can’t read minds.  We can’t even read fortune cookies without bifocals.  We do have a very special talent in reading The Racing Form but our mounting losses over the years have proven that talent does not lead to accurate predictions of horse races.

The scout mom became upset.  She asked if we could read her mind at that very moment.  We paused as if trying to gather psychic messages and had to admit that we could not.  But now she did not believe us.  We were lying and reading minds.  A very bad combination at a scout meeting.

“The Bible is against false prophets,” she told us as she took her boy behind her back and walked away from us.

We felt terrible.  Horrible.  We had offended – unnecessarily but for our own self-aggrandizement – a seemingly innocent, concerned mother and likely her son.

That is where the Mystery comes into the equation.  Magic, to us, is clean.  Things vanish, appear, and change shape or quality.  Birds come from places you would least expect and disappear into places far too small for them.  Magic is the kind of thing you would do (or we would do) for children, teens, adults and even people our age.  Mentalism requires some advanced thinking on the part of the audience and if introduced as a real power can cause real concern.

We don’t want to concern anyone with our act.  We do our double-lifts, false shuffles, second deals and what passes for a bottom deal and no one is emotionally concerned.  We do a short card divination but never describe it as Mentalism.  It is merely a demonstration of influence and picking up “tells.”

There are performers with more experience and ability than us.  They would handle the troop mother incident in a far better manner.  Perhaps they could even devise a method of proclaiming psychic powers that would cause no concern.  We lack those abilities.  But we can drink whole milk without having stomach or intestinal upset so we are all blessed in different ways.  (We are not saying and would never say all self-proclaimed psychics are lactose intolerant; only that most are and we are not).

The Mystery is why we would do such a thing?  Why would we concern a troop mom by persisting in the “gag” and asserting an ability we do not have and have never possessed?  We learned our lesson years ago but pass it along for those starting out in our wonderful Art.  There are very real consequences to what we do and how we choose to entertain.

Magician Arthur Trace Comes to Venice California

Inside Magic Favorite Arthur TraceArthur Trace is an Inside Magic Favorite Magician from our hometown of Chicago.  That should be enough for this article: a complete endorsement of Mr. Trace and description of his background as well as his particular talent.  But we feel something stirring deep in our soul to share more about him and his upcoming one-man show in Venice, California.

Mr. Trace, as our social media team wrote last night on Twitter (@insidemagic), is to “magic what magic is to life.”  It is so true.  His magic transcends tricks or even sophisticated manipulation – both of which are contained in his act.  To watch Mr. Trace perform is similar to watching a tightrope walker.  As a magician, we worry about other magicians when they perform magic requiring incredible skills – we don’t want them to fail or fall.  We have seen Mr. Trace walk that taut wire many times and he has never fallen to the magic equivalent of a horrible true finale.  He does not even come close.  His skill set is so highly developed that there is no risk of failure; only entertainment and complete entertainment at that.

He is a delightful person and deserving of the fame he has received and continues to receive.  It says quite a lot about someone who is beloved by the public viewers of an act as well as his fellow performers with whom he spends times between shows.

If you are in Southern California or can get here by September 15th, do make reservations to see a true Magic Genius at the cozy Electric Lodge Theater.

Mr. Trace’s advertisement provides some clues as to what you will experience:

What would you do if you could stop time?  Arthur will show you what he would do, and the outcome is funny and surprising.

An “invisible bee” that’s brought to life

Arthur will transform a piece of rope into a magical violin.

A long-distance call via a tin-can phone – the result is unexpected.

An interactive painting that is transformed through sleight of hand.

Mr. Trace is only the eighth magician in the history of magic to be awarded The International Brotherhood of Magicians Gold Medal and has appeared on Masters of Illusion and Penn & Teller: Fool Us.

Tickets are limited and priced well below what we would pay to see this 70-minute show – and we are notoriously cheap.  General Admission is $40.00 and tickets to the Front Row are $55.00.

Please read all the details about the show and Mr. Trace here: https://arthurtrace.com/the-artful-deceiver.

Magician / Clothier Ted Baker gives you a chance to touch magic.

Shingles from the Magic Castle on the Ted Baker StorefrontWe love magic and people who love magic.  Therefore we love Ted Baker the famous clothier.

So, we’re walking through the new Century City Mall, in the ritzy section of Los Angeles, next to Beverly Hills; where people drive Mercedes and Rolls Royce manufactured vehicles not even to show off but because their more expensive, nicer car is in the shop – or so they’ve been told by their household staff.  And we walk by Ted Baker’s clothing store.

We are not clothing  horses.  We’re not even people who know where our clothes came from.  We don’t know if we bought them first hand, were lent them and forgot to return them, or found them in the laundromat  (Suds-n-Suds on Wilshire where you can have a beer (hence suds) whilst your clothes clean (hence the other suds)).

But we stopped in front of the window of Ted Baker’s storefront and fell in love.  He had rabbits coming out of old opera hats – the kind that really collapse and open with a snap – much like our pants.  He had different exotic decks of cards shown and even had a portrait of a magician that had a 3-D image emerging from it.

But there was something about the shingles.  First of all we are talking about the shingles he used to cover the front of his boutique and not the type we contracted and have never had such pain without relief since our days in that special club we joined by accident when first arriving in Hollywood – “Crunch and Pain” sounds like an exercise club and so we excuse ourselves and never associate with the members of what was decidedly not an exercise club – evident by the lack of movement by the members.

The shingles, we learned, were from The Magic Castle.  After the fire, Mr. Ted Baker purchased the remnants of the saved pieces removed from the burnt structure.  His store has the shingles from the roof on the outside and inside of his store and the front counter has wooden cabinets from the Castle.  It is wonderful.

We were told by the very friendly and helpful staff that Mr. Ted Baker has different stores around the world and chooses different themes for each.  We were lucky that he chose magic as the theme for this store.  We have it on great authority – an employee at the Castle – that Mr. Ted Baker is actually a magician and a member of the Castle.

We’ve never bought clothes for ourselves – not even at Crunch and Pain – but if we were to do so, we would do so at Mr. Ted Baker’s store.  If you are in the Century City / Beverly Hills area of California, please do stop by his shop and see all of the wonderful things he has saved from our art’s history.  By all means feel the shingles both inside and outside the store.  They are loose but they withstand even the most amorous caress.

A Father’s Magic Show Comes to New Jersey

Our father was and is a great magician.

So, when an article starts with a title “Not Your Father’s Magic Show,” we wonder if they knew our father.  In his prime, he was as daring as the next daring person and would wear straitjackets underwater in a locked glass tank.  He pushed rods of steel through his midsection and wore suits that defied the fashion trends of the day.

But we understand why The Two Rivers newspaper began its review of The Champions of Magic with such a line.  Most fathers did not attend shows that showed such daring-do or risked so much before a live audience as did The Champions of Magic in their prior performances in England and as they promise to perform in New Jersey in the coming week.

“Audiences will witness the impossible, including disappearances, levitation, teleportation and a heart-stopping finale, all presented with lighting and special effects to rival the biggest theatrical spectacles.

The five magicians include Kayla Drescher, who was named the Next Great Magician by David Copperfield (whom we love because she is a great performer and we have a serious shoe fetish),  Alex McAleer has the ability to tap into his audiences’ minds and read their thoughts. From straitjackets to water tanks and handcuffs to giant steel traps, Fernando Velasco faces some of the deadliest escape stunts ever performed. Thanks to their spectacular illusions and viral videos, Young & Strange have been featured on television shows around the globe.”

Everything written by The Two Rivers Times’ reporter Mary Ann Bourbeau is accurate except the part about our dad.

It will likely be a sold-out show and so we advise you make your seat selection now.  You will not likely see these magicians all in one show again.  They will be at the spectacular Count Basie Theatre Friday, September 7 through Sunday, September 9th.

Tickets are $29 to $59. For more information, visit http://thebasie.org/.

Join Inside Magic’s Online Directory

Inside Magic Image of a Magic Show

Inside Magic has been online since 1992 or 1996 depending on what you mean by online.  We began as a monthly newsletter sent to subscribers obtained through Boys Life classifieds and converted to CompuServe,  Genii (the GE electronic service – not the magazine) and then the Internet. 

We advertised through Yahoo at a cost of $140.00 (1990s dollars) and later advertised through the new and unproven Google search service.  Much less cost but at the start, many less clicks. 

There were months when the clicks were three or five.  But it was cheap so we kept with it.  We advertised on magic websites – there were very few back in the early days but Meir Yedid was a dependable site.   People trusted him, they trusted his opinion on magic and enjoyed his very honest description of magic for sale or for viewing. 

They still do.  

In the old days, Inside Magic had a news side and a catalog side.  We would never review tricks we sold – because that seemed improper. 

Eventually the catalog side faded from existence.  We sold the bulk of our remaining inventory on eBay and Amazon and focused on the news and reviews side of the website.  We liked that.  Selling magic is a tough business.  The margins are tight, there are so many sites now selling effects, and we are softies.  We can’t stand to disappoint people.  We did what no sane magic seller does, we gave refunds – even if the trick came back beat up and without instructions.  It just seemed fair.

Bright we are not.  We love magic and want to do nothing that could or possibly could interfere with an individual’s enjoyment of this great art.  That doesn’t make us ethical or smart – just us.  Similarly we would never interview or review a performer or trick/act we didn’t like.  We want to be positive always.  Maybe we didn’t like the trick or the act or the performer but that didn’t mean it/he/she/they weren’t great in the eyes of others. 

Additionally,  there are so many young performers and their first crack at getting publicity is through a review.  How terrible for the first review to be negative or mean.  We got our first review in a newspaper and it was horrible.  The trauma on a 12-year-old’s psyche is so significant.  We got later, more positive reviews but the first one stung and made getting back  on stage difficult.

All of this is coming to a point.

Continue reading “Join Inside Magic’s Online Directory”

The Problem with Magic is Our Perception

Inside Magic Image of Favorite Melvin the MagicianUntil recently, we thought there was a problem with being a magician.

In our youth, we participated (but never won or even came close to winning) talent contests.  Singers and modern interpretive dancers usually got the first, second and third prizes.  We stood on stage at the end singing the then-popular talent show song “Up with People” and tried to match our dance steps with those around us – in the back row of the talent for the evening.

As we aged – like a fine ball of wine or a bottle of cheese – we thought often about the differences between the variety acts.  If a singer is not a good singer, she or he can still sing.  The audience will wait the three minutes for the song to end and applaud politely.

If a dancer is a bad dancer, the audience will do the same.  But if a magician is a really bad magician, he or she is not performing magic at all.  He or she is just doing things on stage that have no amazing effect on the audience.  If a magician exposes a trick, there is no magic.  It is not like the situation of a bad singer or horrible dancer.  They are still singing and dancing.  The magician is just opening and closing boxes, sticking things into or pulling them out of tubes or holding his or her hand awkwardly whilst pointing at the other paw.

The worst-case scenario for the magician is an audience that will not play along.  A card magician faced with an audience member who will not take a card; or who will take a card and then promptly forgets it.  Singers do not face this problem.  There may be audience members who want to sing with the performer from their position in the audience, and that is usually welcomed.  They even have a term for it – a sing-along.

Additionally, we doubt there are relatively few singers or dancers accused of being in league with Satan.  We don’t get that accusation as much as we used to; perhaps because we perform in the amateur rooms at the Magic Castle and folks coming to the Magic Castle either do not believe all magicians are in league with Satan or they do believe it and it does not occur to them to mention it.

Singers and dancers are accused of satanic links only when their lyrics or dance steps directly reference satanic sources.  Actually, we can’t think of a recent dance act accused of being inspired by Satan since the late 1950’s when the Blink Twins were thought to be “Stewardesses to Hell” because of their dance routine where they allegedly “invited the audience to take a flight to the ‘Hottest Place on Earth.’”

We spoke with Sandra Blink in the late 1960’s and she said the controversy was “ridiculous but did bring additional bookings” in the Southeastern states.  They even had little devil tails added to their stewardess uniforms, she said.  The tails added nothing to the act and were soon dropped because of the pain they would occasionally cause when they did splits on the “runway” portion of the stage.  Ironically, Sandra was the older of the Blink Twins.  She was two years older than her sister, Samantha, who passed away in 1965.  Our point is that they weren’t really twins.

Additionally, we would note for the record that the “Hottest Place on Earth” could not be Hell because that is thought by most religions to be someplace other than on earth.

Rich magicians – and we know of one or two – have the added problem of flaunting their wealth.  A singer or dancer can wear rich looking clothes but then, again, so does the average magician.  Many wear tuxedos or fine dresses as part of their performance.  Even the most expensive deck of cards is within the price range of the poorest magician.  We’ve seen great magicians kill with a roll of toilet paper.  There is no easy way to demonstrate to the assembled crowd that you, the magician, are richer than them.

We were performing recently for a very nice crowd.  They had diamonds and fancy bags made by people in Europe and were wearing evening wear we could only dream of owning – the male evening wear especially.   All we had was a deck of cards and a used, worn deck at that.  Sure, we spent $3.75 for the deck and added accouterments that cost us an extra $1.25, but there wasn’t much else we could do to show that we deserved to be in the company of very rich people.  We tried to use big words and talked about performing around the world (not that we have but we are not above lying to impress a stranger) but at the end of the night, we felt we had failed in our mission to demonstrate that we deserved to be in the company of those people we wanted to entertain.

But the evening was saved by a drunk audience member who slurred/whispered something complimentary towards us.  And, surprisingly, that was enough.  We dropped at that moment our jealousy of the dancers, the singers, the rich purse owners, and fine dressers.  We had, with our gimmicked deck, impressed one person.  It did not matter that the speaker could not form consonants or conjugate – who were we to judge?  All that mattered was one person was impressed and apparently entertained.  We realized at that moment that having low standards for satisfaction in one’s work is a blessing and we have been so very blessed.

Magicians Jade and Levit Take the Peller

Inside Magic Image of JadeMagicians Jade and Jonathan Levit take over Pellar Theatre at the Magic Castle this weekend.  They have been friends and colleagues for 30 years – so that means, Mr. Levit first became aware of Jade while she was in utero – and that’s fine by us.

It is no secret that Jade is not only an Inside Magic Favorite but also one of our personal favorite performers.  We have watched her perform in venues across the United States and have always hoped that one day we would be selected to assist in one of her fantastic routines.  Our hope was not rewarded this evening but again, that is fine by us.

In fact there is virtually nothing Jade could do that would not be fine by us.  We consider her three ring routine one of the best we have seen – and we have seen a bunch.  It is truly magic to watch.  Her grace and poise match the beauty of this historical effect.  We also saw a side of Jade we haven’t seen before.  She was working with Mr. Levit to perform “Simultaneous Mentalism™.”  We just made up that term and may seek trademark protection so do not go throwing it around too loosely.

We do not want to spoil the effect and may have already done so by saying the words “simultaneous” and “mentalism” so forget we said those words.  Our point is, Jade and Mr. Levit performed at the same time and did an effect that was truly startling and exciting.

Mr. Levit has a wonderful on-stage personality.  We assume his off-stage is just as wonderful but we did not have a chance to talk to him post-performance.  He is likeable and talented and nimble in thought, words, and deeds.  His twist – see what we did there? – on the now very popular Rubik’s Cube effect was truly original and so well done.  He told a wonderful story to surround what in the hands of other performers is merely a stunt and a short stunt at that.  A stunted stunt.

Jade and Mr. Levit work together so well on stage that it appears they have been doing just that for years.  And yet, we learned this was their first time working together.

The Peller Theatre is always a wonderful venue for great magic just due to the sightlines and proximity to the performers but when the performers are as wonderful as Jade and Mr. Levit, it is truly a magic venue.  If you have a chance to visit the Magic Castle this weekend, be sure to check out the Peller.

But it is late now and time for us to start our night job.  We’ll tell you more about that in later entries.  It’s like Uber or Lyft but with a bicycle.

Inside Magic Review – Five out of Five – Our Highest!

PhD Thesis Defense on the New Magic Shop

Cartoon of Where's the Coin?Hardware stores substitute for Magic Shops.

It is a tough thesis to defend but it is one we hope to convince a group of professors at our on-line PhD Thesis Oral Examination this Thursday.

There are those who would suggest spending good money for four and a half years of on-line instruction for a doctoral title in Common Things and Thoughts at one of the lesser on-line schools would be a waste of money but we stuck it out.

First, because we cannot understand the language they speak – it is not a U.S. school.  So really we’re getting a free language class at the same time and if we ever visit the native island from which the education has been provided, we will sound like a well-educated native.

Second, the cost was surprisingly small. We pay in the native island’s currency and yes there was a decided increase with the Hawaii volcanoes and thoughts of the utter destruction of their own island from flying bricks of lava, but that never happened and a “vang” (their equivalent to a “dollar”) is still roughly 86 cents.  They believe education is essential and so they have many programs through which folks like us can learn at the rate of about one-hundred vang per year.

If we were on-campus, it could be slightly cheaper but more expensive for dorm living plus we too would worry about flying bricks of lava even though they would be about 800 miles from our island.

But back to our thesis.

Magic stores were once prevalent brick-n-mortar places where folks of magic backgrounds congregated and exchanged stories, sleight of hand methods, taught and encouraged youngsters, drank soda and smoked cigarettes.

Those stores are gone pretty much.

According to a statistic we just made up, there are 2/3 fewer magic stores of the brick-n-mortar type than there were in 1972.  In 1972, we learned magic by demonstrating Cups and Balls and Hyrum the Hank 14 hours a day for 50 cents an hour credit towards goods at the store.  It was a wonderful training ground and we were under the best of the best when it came to tutors.  They were patient, kind and knowing.  Our guests were the best in magic as well.  We had stars from New York come to visit our Palm Beach area store and we could listen to their stories and still have it count towards our 50 cents an hour credit.

But those days are gone.  We’re not sure how the young’uns learn magic now but assume it is through ad-hoc clubs at school or on YouTube.  We wish they could have met the folks we met and worked hard to perfect a Color Changing Knife move.  Maybe they do and we just don’t see it because we are looking in the wrong places.

And that, our good and kind friends, is where hardware stores come in.  Yes, they too face blight and some are being lost to deconstruction or remodeling but in our area here in West Hollywood and the island nation on which our esteemed professors reside, hardware stores are alive.

One can go into a hardware store and walk the aisles for hours without being harassed or questioned.  During that stroll, one can find things that will easily fit into the average magician’s imaginary construction of the perfect act.

An example from our thesis, the harness ring is a ring ostensibly for a harness.  A harness is a device to fit over a horse.  We have not seen many horses with loose or broken harness rings since we were a replacement for a rodeo clown in a strange mix-up that led to a court case and our first double-wide trailer we could call home free and clear.

And yet, most any hardware store sells harness rings of various sizes and polishes.  We buy them whenever we can afford the $1.75 to $3.25 they charge depending on the diameter or circumference –  we wish there was a way to figure out the circumference from a number representing a diameter because they usually list either circumference or diameter but not both and our needs are always circumference-based.  It seems like there should be some relationship between the two sizes.

We then mosey (keeping with the western theme) over to the rope section, purchase a yard of their softest rope with a core; and Bob’s your close relation.  We remove the core and we have the perfect Ring on Rope with a shiny, durable ring and a non-fraying rope ready to break-in.  It is not as smooth and soft as they type one could buy from a magic store on the web but it is cheaper, novel and a perfect example of how magic props can be bought and assembled from items purchased in a Hardware Store.

This is just a taste of ourthesis.  The paper version is now just under 900 pages with diagrams.  It covers PVC pipe, copper pipe, steel pipe, clear garden hose, kitchen drain equipment (including a chapter on the under-sink pipe system alone), screws, nuts, bolts, hack saws, canvas, coasters, ball bearings (another full chapter), cloth bags and various forms of lighting that attach to metal.

Our session is, as we mentioned, this Thursday.  We are nervous but excited.  Like a mouse who sees cheese but cannot determine if it is in a trap and if it is not a trap, why his friend isn’t moving so much anymore.

It is a shame that the magic store in its original form no longer exists in as many places as it once did but as long as there are shops that sell things that can be used for other things, magicians will seek them out and make their own de facto magic shops – and maybe talk to each other over harness rings.

P.S. we forgot to mention Plungers.  There is a chapter with wonderful illustrations by a former animator for a major motion picture company that makes our thesis something to cherish.  Plungers do everything.

Magicians Laura London and Boris Wild Hurt Our Brain But in a Good Way

Laura LondonMagicians Laura London and Boris Wild are at The Magic Castle this week and are not to be missed.  They both play the Close-Up Gallery (although not at the same time which is easier to understand because they both have beautiful accents, the subtlety and pure lilt of which would be missed if they were shouting over each other).  Some of us old folks recall the close-up rooms of yesteryear’s’ conventions where there would be four or five close-up performers circulating among crowds to perform.  The quiet performers were overwhelmed by the naturally loud and the naturally loud were even more unnaturally louder for fear they would be difficult to hear in the hallow expanse of the local gymnasium library.

Yet, digress we do.

Let us start with Laura London.

She is a daring woman who takes risks in front of crowds not seen since the days of Harry Houdini or any bullet catcher. We are not saying “darling” woman – although we are quite confident she is.  We are saying “daring” woman.

Like the Honey Badger, she don’t care.  By the way, there is allegedly a video on the YouTube showing a honey badger dealing thirds and middles from a volunteer’s deck.  It don’t care.  We haven’t seen it but can imagine it.

We had the distinct pleasure of sitting in the front of the newly refurbished and filled to the rafters Close-Up Gallery.  Because of our vantage point, we could see some of the backstage work that goes into Ms. London’s act and it betrayed no secrets.  We were so close to the action that we thought for sure we could see her work but because her performance is based on turn of the 20th century (the 1900s) card cheats, it made sense that even being close enough to worry about the expiration of our counterfeit breath strips, we saw nothing.  Because of our almost passing understanding of how magic works – especially card magic and especially card magic with a Bee deck, we thought we would be able to pick up something.  Pero, nada, siempre nada.

Ms. London is from England and has appeared on Penn & Teller’s Fool Us.  She is calm, educational and mystifying.  She reads wonderful excerpts from a diary of a female card sharp as she performs.  Understand, she his performing very difficult card magic with both left and right hands; whilst reading a diary.  We can do one of those things at once and it is only the diary part.  Her Ace Location is something to see and puzzle over for days – we know.

Her effects were beautiful to watch for magicians and non-magicians alike.  We cannot wait to see her perform again.  We were hoping the show would last longer but, alas, like all good things, it needed to end so others could see how great a truly imaginative card performance could be.

We began our review with Ms. London under the theory that “Ladies First.”  But also because she performs the first part of the evening and then comes Boris Wild.

The Incredible Boris WildWe need to come clean about Mr. Wild.  We have read his books, bought his tricks, performed with his decks on a regular basis and yet, truthfully, have almost no idea how he performed his magic.  It is not as if we had an inkling.  It is not like we would guess the Kentucky Derby has something to do with horses and betting.  We know there were cards involved in some way but we don’t know nothing more than that.  He used cards in ways we have not seen done as effectively.

We loved being fooled – almost all the time, or at least when watching magic shows at The Magic Castle.  Mr. Wild fooled us with tricks we own or know of.  Howsabout that, now?!

My great, great-grandfather (allegedly – it is tough to tell through Ouija communications) once said, “It is what you know that fools.”  So true.  We think.

His Kiss routine is a classic and we have seen it before and loved it.   We still love it.  It is emotional – and we are not afraid to say that – and it is beautiful.  His effect before the Kiss routine is one we cannot describe without ruining it.  So we won’t.  If you have a chance to see his act this week, take it.  Get in line every early so you can see Laura London – a rising star in our book (an Inner Circle Member to boot) who should have her own show in Vegas immediately.  We need more women in magicians as magicians.  We need more magicians who love card sharping and so she is the perfect combination.

Now after Laura’s last show of the evening, get in line for Boris Wild.  We leave with a smile on your face and a renewed faith in our wonderful craft.

God bless Ms. London and Mr. Wild.  This is a wonderful time to be alive.

Sad News: Brian Gillis Passes

The Great Brian GillisWe are devastated to hear of the passing of Master Magician Brian Gillis.

Mr. Gillis was always so kind and supportive of the Magic Arts and Inside Magic.  He was the consummate performer and could hold a room better than anyone we ever saw.  He was famous for his performances on Johnny Carson’s Tonight Show and among magicians for his high-energy work at The Magic Castle.  His two-person telepathy act with his partner Sisuepahn was not only baffling but so entertaining, we wanted it to continue all night.

One of our greatest honors was being asked by Mr. Gillis if he could squeeze in to perform ahead of our spot in the cellar of The Magic Castle.  We could not stop smiling and nodding as we took a position to the side of the room and watched how magic should be done.  He was simply amazing.

Our prayers are with Mr. Gillis and Sisuepahn and all who have lost so much in his passing.

The Magic Castle’s Founder, Milt Larsen, has written a special tribute to Mr. Gillis here.