Nick Lewin’s Ultimate Color Changing Deck

Nick Lewin's Ultimate Color Changing DeckWe first met Nick Lewin through Pop Haydn when Mr. Lewin was performing on the same bill with Mr. Haydn.  To be honest, we didn’t know what to expect.  Mr. Lewin took the stage with a befuddled look on his face and seemed to be overly relaxed in his approach to the magic.  Yet, he blew us away.

His Slow Motion Torn and Restored Newspaper was a thing of beauty, his Linking Finger Ring was a thing of beauty as well but also a thing of mystery.  We know or thought we knew how the routine should be done to achieve the effect but Mr. Lewin was doing something slightly different and yet achieving the same effect plus.

Since that experience, we have seen Mr. Lewin perform in various locals and he is the same.  Always smiling, slightly  befuddled, easy-going, and amazing.  He has the classics of magic finely tuned from years of practice and actual performances in his hands and is in no rush to perform them.

He is not being chased and so there is no need to run.  His jokes and humorous approach to the effects do not overwhelm or take away from the magic, they fit in the routines because there is time for them to fit.  He is going to amaze and there is no reason to rush to what will be a wonderful conclusion – he is a friend of the audience and we are all looking at it together.

We have bought several of Mr. Lewin’s routines and we will have reviews in the future but we received one just the other day that seemed perfect for our act – at least according to the advertisement.  The Ultimate Color Changing Deck is an effect that would be the right ending for our card routine as performed in the basement of the Magic Castle.  We currently end with the emotional equivalent of “Yeah, that’s about it.  No need to stick around, there ain’t no more.  Skat! Get!”

We order the effect and received delivery within a very few days.  We watched his DVD, checked out the props and smiled with the gleeful look of a very satisfied magician or someone in need of further attention by trained professionals.  It would work, it would work really good.  (When we become gleeful, annoyingly gleeful (“AG”), we lose our ability to think in proper English.  The effect could even be transferred to our pet deck and we already could do the relatively easy sleights to accomplish the apparently impossible.

There are other color changing decks on the market.  Some of them might be good.  We have seen many of them in person either being performed or explained in lectures but none of them come up to this standard.  Mr. Lewin credits Ken Brooke for the idea and effect and even provides an interlude that may or may not fit your style.  The last sentence makes sense once you receive and review the effect.

The cost for the pre-release is $65.00 and it is well-worth it.  This is a color changing deck that will really work in real situations for real magicians in front of real audiences and leave them really amazed.

Check out Mr. Lewin’s site today.  We do not know how long the deal will be available on the Ultimate Color Changing Deck he is offering so it is best to get there as soon as possible.  Go! Get! Skat!

Inside Magic Review: Five Out of Five – Our Highest!

Magnetic Magic is Marvelous.

Inside Magic Image of Magnetic AttractionThis article is about magic and magnets.  If you are offended by either, you can skip to the website listed at the bottom to see the best array of magnets but we don’t know why you would, if you are truly offended unless you are only offended by the combination of magic and magnetics and like each individually just fine.

Just like we don’t know why we read from the back of the magazine first or try to invent new methods of throwing our used paper towels into the trash, we love magnets.  Maybe it’s just the way we were raised.  We recall, fondly, spending summers out at our uncle’s magnet farm and watch as he harvested them – each  year hoping for a good planting season and each year being a bit, just a bit disappointed but hopeful for next year.

The freshness dates on magnets are close to forever but our family was never one for storing things, so we’d rush the magnets to market and offer them to those who waited the entire spring season for new magnets.  Some had plenty of magnets already but they wanted the latest model or one with more strength.  We didn’t blame them.  Magnets are magic in their own right.

It was years after those blissful days at our uncle’s farm that we learned that magnets can be used for things.  One can use a magnet to hold a note to a steel refrigerator door to show off artwork or attach a “to do” list – named “to do” after the Earl of Sandwich youngest daughter, Toodles.  She would bring him sandwiches during his all day card games and make a list of ingredients for the household staff to purchase.

In the past year, we have learned that one can even use magnets in magic tricks.  We don’t know if this has been considered before but we found a way to use magnets with different polarities to hold things together or even (with one of the magnets reversed) to repel.

We are currently working on a levitation where our assistant (and applications to be that assistant are still available because of the alleged “danger”) wears a special costume composed of magnets set to repel magnets in a specially designed, high-power electrically wired base.  This would cause – to the best of our estimation – the assistant to appear to float.  We have tried it with store manikins (our other true love) and the effect is a bit clumsy still. For instance, if the assistant rotates even a little, he or she will slam to the base with a horrible, fracturing thump.  We have also abandoned the steel ring we were using to show there were no wires.  We nearly broke our shoulder when we were pulled to the base because we wouldn’t let go of the ring – again with a horrible thump – and then struck by the manikin constrained by the ring and now attracted to the base.

Edison said invention is 99 percent something and 1 percent something dealing with sweat.  We know some work lies ahead of us to perfect the effect but that won’t stop us from advertising it for sale very soon.

We are trying to come up with a name for the effect that won’t give away the use of magnets.  “Floating Person” and “Floating Lady” are the two we have hit on so far.  We are thinking the pricing will be some amount more than what it costs to make – that is currently $32,000.00.

A downside – or maybe a feature – is that when the base magnet is turned on and electricity is flowing, the platform emits the attractive strength to snatch from their owners: watches, pens, 1943 U.S. pennies (they were made of steel during the war), pacemakers, some orthodontia, steel plates in heads, animal collars (with or without animals), hip replacement parts, car parts and manikin stands.  It could be a feature if we could hide the fact that it was the magnetic base that was attracting these steel parts and if we didn’t kill anyone by having parts ripped from their bodies or injure animals – all of our magic is animal friendly.

Our uncle’s farm went the way of many magnetic fields.  The land was mined with specialized tools and sold off to rich people with a need for magnets and large freshly mined fields.  The 42 acre spread is now an empty field just off the highway in Southern Illinois.  It used to be in Michigan but was moved because it was attracting fish out of the Great (ha!) Lakes.  Now it is just a safe piece of land with an occasional magnetic just below its grassy surface.

In fact, if the farm hadn’t been moved and mined, we could have brought the price down for our illusion to free plus 10 percent of free for profit.  But now we need to buy magnets on the open market.

Fortunately, we found just the spot.  K&J Magnetics have every kind of magnet you could want.  Want a ring shaped magnet?  Want a square magnet? Want a round magnet? K&J Magnets has them all.

You can check out the K&J Magnetics site here.

By the way, we are receiving no compensation from K&J Magnetics.  We just love their site.  It is like a wishbook for magic and magnet lovers.

Read a full history on our uncle’s farm and the magnet price war of 1972 that led to the mining and sale of the farm in our upcoming book, Magnetic Money Maker: The True Story of a Man and His Magnets and the Forces that Sought to Repel Him.

Congressional Resolution on Magic Stalls

Inside Magic Image of The Grim Game PosterWe learned today that the Magic Resolution stalled in House of Representatives

We’ve all done it and by “we” we mean “us.”  Read through the U.S. Congressional and Senate dockets, looking for magic-related items so that we can spring into junior lobbyist and fight for or against the bill by whipping up support among the very influential “magician vote” and donate tens of dollars to candidates supporting our position.

We are ashamed (for the purposes of this post only) that we did not notice a bill that remains pending in the U.S. House of Representatives; at least it appears stalled according to the “Actions” tab on the Congressional status page.

As far as we can tell, H.Res.642 — 114th Congress (2015-2016) is dead.  It was referred to committee and never returned.  Maybe it was replaced with another bill in this, the 115th Congress, but we have not found that piece of legislation yet.  The bill read in appropriate part:

Recognizing magic as a rare and valuable art form and national treasure.

Whereas magic is an art form with the unique power and potential to impact the lives of all people;

Whereas magic enables people to experience the impossible;

Whereas magic is used to inspire and bring wonder and happiness to others;

Whereas magic has had a significant impact on other art forms;

Whereas magic, like the great art forms of dance, literature, theater, film, and the visual arts, allows people to experience something that transcends the written word;

Whereas many technological advances can be directly traced to the influential work of magicians;

Whereas futurist Arthur C. Clarke claimed that any sufficiently advanced technology is indistinguishable from magic;

Whereas one of the greatest artists of all time, Leonardo da Vinci, was inspired by magic and co-wrote one of the very first books on magic in the late 15th century;

Whereas modern cinema would not exist today without the innovative work of the accomplished magician Georges Méliès;

Whereas magicians are visual storytellers who seamlessly interweave elements of mystery, wonder, emotion, and expression;

Whereas magic is an outstanding artistic model of individual expression;

Whereas magic fulfills some of the highest ideals and aspirations of our country by encouraging people to question what they believe and see;

Whereas magic is a unifying force across cultural, religious, ethnic, and age differences in our diverse Nation;

Whereas magic is an art that transforms the ordinary into the extraordinary;

Whereas the American magicians Harry Houdini and David Copperfield have been the most successful magicians of the past two centuries;

Whereas David Copperfield, introduced to magic as a boy growing up in New Jersey, has been named a Living Legend by the Library of Congress;

Whereas David Copperfield, with 21 Emmy Awards, 11 Guinness World Records, and over four billion dollars in ticket sales, has impacted every aspect of the global entertainment industry;

Whereas David Copperfield, through his magic, inspires great positive change in the lives of Americans;

Whereas people consistently leave David Copperfield’s live magic show with a different perspective than when they entered;

Whereas Rebecca Brown of Portland, Oregon, left a David Copperfield magic show with a newfound inspiration to pursue her lifelong, unfulfilled passion for dance;

Whereas three months after Rebecca Brown attended the David Copperfield magic show, she performed her first choreographed recital in Portland, Oregon’s Pioneer Square;

Whereas programs such as Project Magic, created by David Copperfield, use magic as a form of therapy for children with physical, psychological, and social disabilities;

Whereas learning magic through programs such as Project Magic can help these children improve their physical and mental dexterity and increase their confidence;

Whereas learning magic through programs such as Project Magic helps these children realize that they are no longer less able than their peers;

Whereas programs such as Project Magic teach these children that they are more capable and have a newfound ability to do what others cannot;

Whereas cities such as Wylie, Texas, and its mayor, Eric Hogue, recognize and promote the art of magic with official proclamations, summer educational programs, and the first festival dedicated to the art of magic in the State of Texas;

Whereas Mayor Eric Hogue, who learned the art of magic as a child, continues to use those skills to teach elementary school students about the different roles and responsibilities of local government;

Whereas magic is timeless in appeal and requires only the capacity to dream;

Whereas magic transcends any barrier of race, religion, language, or culture;

Whereas magic has not been properly recognized as a great American art form, nor has it been accorded the institutional status on a national level commensurate with its value and importance;

Whereas there is not an effective national effort to support and preserve magic;

Whereas documentation and archival support required by such a great art form has yet to be systematically applied to the field of magic; and

Whereas it is in the best interest of the national welfare to preserve and celebrate the unique art form of magic: Now, therefore, be it

Resolved, That the House of Representatives—

(1) recognizes magic as a rare and valuable art form and national treasure; and

(2) supports efforts to make certain that magic is preserved, understood, and promulgated.

 

We understand that this is a hot button issue but suggest that Congress consider carefully whether they wish to drum-up the ire of magicians by letting this resolution sit.  We agree that “it is in the best interest of the national welfare to preserve and celebrate the unique art form of magic.”  We even agree not to move for an amendment proclaiming the inherent value of magic-based websites such as InsideMagic.com.  We would also leave off our language requiring a grant to such websites to study further the influence of Magic on the general population.  That’s how sincere we are.  We don’t often take political stands but when we do, we stand up tall.

Some will point with scorn at our 1988 attempt to become mayor of Mystic Hollow.  We lost by 15 votes in a community of 45.

It was a hard loss and we took it hard.

We tried to figure out who would vote against us and favor of the mayor who had led our town so ably for 20 years before.  Some pointed to our scandal plagued past (and there is still no proof we used a marked deck in our performance of “Pick a Card” on local cable television); or our inability to name any of the responsibilities of Mayor; or our very fashion forward wearing of Miami Vice colors sans ties.  We think the reason we lost was because Mystic Hollow was not ready for the type of change we wanted to bring to the hamlet.

Our platform:

  1. Free breakfast (meaning at least a donut) for all residents;
  2. Free lunch (meaning at least a potpie) for all residents who did not already have lunch or breakfast;
  3. Free dinner in exchange for a promise to perform a magic trick for other customers at the French Drop Inn;
  4. Free rent for all still living in their parents’ home;
  5. All cards should be made by U.S. Playing Cards in Cincinnati, Ohio (this was a toss to a local job creator that ultimately moved some production to Kentucky);
  6. Rabbit breeding should be inspected by the local vet;
  7. No wearing pajamas in public (this was said to unfairly single out Tony Spain and his family but the Tony Spain – Inside Magic feud was already too far along to stop);
  8. Free late night snack (meaning at least one donut not held over from the previous day although said donut could be of the population of donuts that would be offered for breakfast on the following day);

 

Our opponent, Mayor Niceguy (pronounced “Neece gee” in our campaign advertising) promised only to keep things the same.

After he won, he called to extend his gracious thoughts and appreciation of our down-and-dirty campaign.  We took it the best we could; considering we had used all of the napkins allotted by the always considerate staff at the Dunkin’ Donuts – site of our campaign’s anticipated celebration.  He offered us a job in his administration as a “gopher” or “go fer” to help out around the office and bring / pick-up things for him.  As flattered as we were to be considered for such a position, it seemed like too much work and we were in a bad place emotionally after losing.  As we told a reporter for Time magazine, “It hurts real bad.”  To be candid, the reporter was just in town covering a welding explosion and this was ten years after the election and we’re not sure the reporter heard us.

But our democracy is alive except the bill that would recognize Magic as an invaluable art form is apparently dead.  We’ll follow up on this after the elections in November.   We expect this bill to be a huge issue in the debates and advertising.  We also expect that the McRib will become a regular item available at McDonald’s and not just something that comes and goes.

Read the full bill and the activities behind it here.

Read a great Business Insider article on how the bill got its start here.

See the “I’m Just a Bill” video for further education on the process on YouTube here.

Read just one of our articles attacking Tony Spain here.

Errors in Magic – As Taught by NASA

Apollo - Soyuz Test Crew We don’t know about you and what you love.  From some of the emails we receive daily at InsideMagic (editor@insidemagic.com) we do know that there is a wide variety of love in the Inside Magic community.  Some of the love is even magic related, so that’s kind of nice.

We received a link to a NASA document that has nothing to do with magic at all.  But in a special way, it is instructive to us magicians who on occasion (or always, in our case) make mistakes in the presentation of our tricks.  You can find the document here.  We posted a picture of the Apollo – Soyuz Command Test Team for reference.  It was a close call for these folks but we learned a lot about how to keep later astronauts and cosmonauts safer.

The document could be seen as overly scientific and technical — because it is.  It has charts, pictures of people and places and rockets and molecules — but it also has a great message.  It is the study of errors and accidents involving several unintentional hypergolic fluid related spills, fires, and explosions from the Apollo Program, the Space Shuttle Program, and the Titan Program.  The Titan Program deals with America’s ICBMs and so they could be sensitive to unintended spills, fires and explosions.  We’re no rocket scientist, we’re just sayin’.

Hypergolic fluids are fluids that can immediately catch fire, explode or poison if they come in contact with certain materials.   That is great for rockets but terrible for hand-lotion or shampoo.

(Speaking of technical papers, we did write a 12-page technical document for the cosmetic industry titled “Bad Things to Put in Your Hair.”  (Quinlan, Tim. 1979. Bad Things to Put in Your Hair,  Nat ShampooSci. 5 Suppl:127–129.) No one asked us to write the document but we thought it important and were trying out a new electric typewriter at Sears on a Saturday and no one said we couldn’t.  We had to pay for the paper we used and the ribbon and the eraser tape).

The NASA document is 100 pages long (including a list of acronyms) but concludes thusly:

Some type of human error can be traced to nearly every studied incident as a root cause, whether it be an error in the design phase or an error prior to or during operational use of hardware containing hypergols. Humans are most definitely not perfect and even when the most knowledgeable personnel are intimately involved in the design phase or during an operation, mistakes can be made and critical items can be overlooked. One can deduce, however, that most incidents happen during some sort of dynamic operation.

Given the pages of errors and very serious injuries and death related to the use of Hypergols, the authors ask if NASA should continue to use the compounds.  The answer is yes, but we should learn from our mistakes.

So much for the NASA and their rather serious, downer study on how we need to be careful when launching people into space.

Now we turn to the magic part.  Setting aside flash paper — a substance that can cause injury (and according to an article by Joshua Jay, death) — we don’t deal with much in the way of explosive materials.  Our tricks are based on coins and cards.  That’s pretty much it.  We can get a paper cut or maybe have a coin stuck in our nostril but that is about it.  Our mistakes do not result in injury or death but embarrassment and shame.

And yet, we learn from those mistakes.

We were performing a Classic Force with an antiquated and sticky deck of cards yesterday and missed it entirely.  (We’re speaking in code so only magicians know what we mean).  We had to do a quick corrective maneuver like a palm to the side (more code) to get a satisfactory ending to the trick.  Some how the selected card appeared in our pocket.  A miracle.  A mistake and failure but saved by a risky move distracted by intense, almost creepy eye-contact.

What did we learn?

We learned how to do a side palm almost one-handed (more code but if you think about it, and you are a magician you’ll be impressed but you shouldn’t be, we got lucky), and we learned how not to perform a Classic Force.  These were real lessons for us.  We wanted to perform one of our beloved tricks but didn’t have a deck that would work.  We should have performed a different trick — after all, that’s what happened at the end.  Our pride led us astray.  We figured we could do a Classic Force with a deck that had been used for years and could not be properly fanned.

Oddly, that was not our only mistake in our bazillion year career of magic.  But we have learned from each.  Don’t look down the muzzle of a flash wand, ever.  Don’t toss balls of flaming flash paper towards the audience.  Get a good grip before you riffle cards for a force or selection.  Double check your stack – always.  Never let your animals wait too long.  Don’t pull coins from a child’s ear that may be infected and thus sensitive.  Have a key nearby if you’re going to do a handcuff escape – just in case.  Don’t try fire-eating unless you are trained by someone who knows what they are doing and even then don’t.  Juggling broken glass bottles looks fun but there is a risk of quick and deep cuts to the essential veins and arteries around your wrists.

We’re guessing you have lessons you’ve learned as well.  Share them with your fellow performers — don’t expose secrets, but tell us what you learned.  We all benefit.

Thank you to the Inside Magic reader who sent the Hypergols paper.  It was fascinating reading and inspiring.

Magic, Mystery and Houdini in New Play

The Girl Who Handcuffed HoudiniThe Girl Who Handcuffed Houdini was a comic book from 2017 and is now set to be a multi-level New York play with three different takes on the story.

According to the website ComicBook.com and The Hollywood  Reporter, detective Minky Woodcock, star of Titan Comics and Hard Case Crime’s graphic novel The Girl Who Handcuffed Houdini, is starring on the stage of New York City’s Theater 80.  The show opens today and runs until November 10th and according to our theater critic, “sounds really cool.”

Our theater critic has not seen the show yet and our budget (and certain court obligations) will not allow him to travel to New York City to see the presentation.  But Cyrus (our critic goes by only one name – often the same name on consecutive days) likes that there are essentially three different plays in one show.

The show is presented on three different floors of the Theater 80 and audience members get to pick whether they will take on the roles of spiritualists, pragmatists, or the guests of Houdini himself.   The show will present differently according to the role they select.  We don’t know if the producers thought of this but that could actually make audience members want to see the show two more times.   They probably did think of that but in case they didn’t we think it is an unexpected benefit of staging the play from three different perspectives for audiences.

“Minky was created by artist, author, and playwright Cynthia von Buhler. Minky is a private detective in the 1920s with a fondness for rabbits. She debuted in the four-issue miniseries The Girl Who Handcuffed Houdini in 2017, which earned critical praise. The hardcover collection of the series released in August.”

According to ComicBook.com, Minky is played by Pearls Daily who was not only the model for the comic book but also named Miss Coney Island in 2018.

Cyrus says another benefit of the show being shown on three different levels is that audience members will want to see the show again and again.  We couldn’t tell if Cyrus was being sarcastic because he knew we said that earlier in this article or if he didn’t read what we wrote and just happened to mention the exact same thing we had mentioned.

We don’t like Cyrus – the name, not the person.  The name is so old-fashioned and hardly in keeping with the personality Cyrus is trying to pull off using the name.  He is going for sort of a Freddie Mercury meets Ryan Gosling image – neither of which fit the name Cyrus.  When he called himself Aunt Bee (a misspelled version of the co-star from The Andy Griffith Show), he adopted a Robert Redford / Paul Newman / Madam Curie air that frankly scared us.

We are glad that week is over.  Plus he didn’t play Robert Redford and Paul Newman from Butch Cassidy and the Sundance Kid but used Redford from The Natural and Newman from the logo of the popular salad dressing brand.  Madam Curie was played pretty much as we all remember her, riddled with nuclear radiation and speaking French with a decided wheeze.

Cyrus doesn’t speak French, so that was quite a trick.  Of course, we don’t speak French either so he could have been just making up the words he spoke and wrote.  In which case, we apologize in advance to the actors and director of King Lear about which Aunt Bee wrote a several page critique in French soon to be published here even though there was very little magic performed in the show.

Check out the Theater 80’s website for show times and tickets here.

Magic Live Announced

Inside Magic Image of Couple Learning Magic's True SecretsStan Allen has a great announcement for those who love magic and loathe sleeping:

I’m very excited to announce that the next MAGIC Live is August 4-7, 2019, at The Orleans Hotel in Las Vegas.

General Registration opens on Friday, September 28, at noon Pacific Time. A $95 deposit holds your spot until January 15, 2019, and registrations are 90% refundable until May 20, 2019.

To find out more about why MAGIC Live is like no other convention in the world, please visit our website. Or better yet, just ask a friend.

MAGIC Live is a great opportunity to see, learn and meet some of the greats of our Art.  You can even meet some of those who aren’t great yet but one day will be.

Check out Stan’s site here: http://www.magicconvention.com/

And join his mailing list here: http://www.magicconvention.com/2018-mailing-list/

 

Magician Matt Vizio Performs this Week

Magicians Matt Vizio and Tom Frank are performing in the Peller Theatre this week at the Magic Castle in Hollywood, California.

One of the questions we are almost never asked is, “Is there really such a person as Matt Vizio?”

We are reluctant to answer questions about true legends for fear that we will leave out a detail or embellish unfairly.  (For an example of this tendency and the reason for our trepidation see our horribly reviewed book Wyatt Earp: The World’s Best Short-Order Cook in the West (1978 Simon and Schuster) – although it was made into a very successful movie franchise (or so we and our lawyers currently claim in a soon to be filed lawsuit) called Guardians of the Galaxy.

We have known Mr. Vizio for going on a long time and have even had the honor of performing with him in a stand-up setting.  He is what we hope to become one day: young, handsome, funny and talented.  Actually, we don’t care about the talented as much as the first three qualities. The ladies love him, the men want to be like him, the dogs sniff him and wonder where he has been.

Mr. Vizio used to perform one or two tricks in his set downstairs in the amateur room wherein performers of our ilk are allowed to work.  But he graduated to upstairs at the Castle – ironically, the “Upstairs at the Castle” was the name of our least successful BBC melodrama Series not featuring human actors.  He has been seen in the Close-Up Gallery and this week will be in the Peller.  His act has expanded dramatically and he performs effects the way they should be performed.  For instance, his Cups and Balls is one of the best we have seen in years.  It is in keeping with Dai Vernon’s school of making all actions appear normal, relaxed and fair.

Matt is not just a great magician in all of the classical realms of Close-Up, Parlor and Stage; but he is also a talented stand-up comedian with the adlib instincts of a veteran.

He was responsible for introducing us to performing stand-up comedy and audiences across the San Fernando Valley damn him daily for this.  Interestingly, “Damn Him Daily” was the name of our 1960s daily puppet show that we pitched to PBS – they went with Mr. Rogers’ Neighborhood because of some reason we don’t recall because we were in tears explaining it to the puppets and formed a mental block surrounding that time.

If you have a chance, check out Mr. Vizio this evening through the weekend at the Peller Theatre at the Magic Castle.  He will be performing with Tom Frank.  We have not seen Tom Frank perform before but we know that if he is performing with Mr. Vizio, you will be entertained, amazed and leave laughing.

Mr. Vizio and Mr. Frank will have shows at 8:00, 10:00 and 11:30 Wednesday through Sunday.

Check out Mr. Vizio’s website, Honest Deception here.

Magician Mike Super Bets His House on Prediction

Magician Mike SuperMagician Mike Super is literally betting his house that he can predict The Arizona Republic’s headlines.

He has assured the newspaper that if his prediction – currently locked securely in an Arizona Republic newspaper box at Chandler City Hall – is incorrect, he will refund the ticket price for everyone attending his show on September 22nd at Chandler Center for the Arts.

The predictions for the future were made in August – so, in the past, like last month – and sent by overnight courier to the Chandler City Hall.  The prediction is sealed in an envelope, chains and a padlock in the lobby of the city hall.

Mr. Super is not from Arizona but Pittsburgh, Pennsylvania.  He told the newspaper, “I really love the old days of Houdini and Blackstone. Before they even got to the show, they created a buzz in the community, and I really like that. It’s fun and intriguing, and it creates a buzz before the show because it’s something different.”

He even got the mayor of Chandler, Jay Tibshraeny, to sign the envelope before it was secured in the newsbox.

“I think it would be really cool if he gets them right,” Tibshraeny says. “It’s caught my curiosity doing this. I’m kind of wondering ‘what’s the angle?’ I’m excited for the show to come.”

The Chandler Center for the Arts is a beautiful venue but it also seats a lot of folks.  Whilst he has yet to fail in his headline prediction he admits there is a risk element to it.  “It’s like playing Russian roulette. One day it’s not going to work.”

“There’s two ways to look at it,” Mr. Super told the paper.  “There’s, ‘He’s done it 12 times so he’s likely to do it again.’ But the more you do it, it’s like playing Russian roulette. One day it’s not going to work, and then it will be time to retire it.”

“If it was a huge venue and it didn’t go right, I could lose my house,” he says.

We identified intimately with the final quote of the story.

“I love to be fooled and, of course, the deeper you get into magic, the less you get to experience that feeling,” he says. “I try to live that feeling through other people’s eyes, from seeing them being fooled and enjoying themselves. And in the middle of all that, everyone in a while, somebody does fool you, and I’m like the kid in the candy store.”

If you are in the area check out Mike Super, at 7 p.m. Saturday, September 22 at the wonderful Chandler Center for the Arts, 250 N. Arizona Ave., Chandler, Arizona.  Ticket prices are $36-$48 and the center seats more than we could afford to refund.  Tickets are available at ticketmaster.com.

Visit Mr. Super’s website here: http://www.mikesuper.com/

The Magic Castle – No Crutch

Joan DuKoreThe Magic Castle should not be a crutch.

These famous words were uttered by Winston Churchill but they were about an actual crutch and his lack of need for them after a car crash whilst touring America.  But it still fits.

We love the Magic Castle and we love reporting on the latest acts that appear in the various rooms but we also fear that we may bore audiences of Inside Magic by reporting only on magic seen there.

Our solution is to talk about the food we had and then work our way into the magic on stage.

We went with a delicious Beef Wellington (speaking of Churchill) and our beloved had the manicotti.  Both meals were expertly cooked and good enough to eat – as we proved.

We performed downstairs in the amateur rooms as permitted by the Man, Matt Vizio.  He runs the joint and if he says you can perform, you’re good to go.  He let us do two shows and we are in his debt for the honor of performing for such wonderful audiences.

The beauty of performing at the Magic Castle is that people are coming to see magic.  They are not hoping for a tribute to Queen or a demonstration of weaving from indigenous folk.  Although, ironically, we do wear a Freddy Mercury leotard woven by indigenous weavers from Scotland.  We chafe and we sweat but we feel we do both sources justice.  We no longer sing because of requests from virtually everyone we have ever met. The New York Times said of our act, “It makes you long for Freddy Mercury in his prime or at any age and true indigenous weavers.” Notably, the review got our name wrong; calling us Tom Quinine, so the review has not hurt our career.

Dana Daniels and Richard Allen brought their world-famous “The No Show” to the Palace of Mystery.  We laughed so hard that we feared we would pass-out.  Seriously.  We could not stop laughing as Mr. Daniels did his escape routine that the air was not getting to our lungs, brain or heart.  We tried to think of unfunny things but it would not work.  We tried to breathe deeply, but our lungs were laughing too hard.  It was a funny situation for our body and we didn’t mind.

Audiences had a chance to see the new Luigi.  His predecessor worked with Mr. Daniels for almost three decades before passing on.  The new Luigi is just as beautiful parrot with a penchant for cheating at mentalism.

The No Show should not be missed.  Let’s assume you have something else to do for some reason, you should not do it.  You should go see The No Show instead.  Water skiing, mountain climbing, any form of fungal removal?  None are sufficient reasons to miss The No Show.  Although if the fungal removal has been delayed for, say, years, it might be a good time to see a specialist and avoid crowds.  Nay, not a single reason can justify missing this show.

Well, except for one reason.

In the Close-Up Gallery, the lovely Ms. Joan DuKore is performing the early shows (7:00 • 7:45 • 8:30 • 9:15) and puts on a great show.  If we had talent, grace and could perform, we would be Ms. DuKore.  She hails from Las Vegas and relates much of her performance to Sin City.  Her card handling is great, she works with bunnies and she performs effects that you have likely never seen before in your sheltered, protected life – but in a good way, not like you were in prison.

The bottom line: Eat the Beef Wellington, Watch The No Show and enjoy Joan DuKore.  Don’t worry about passing out due to hypoxia, it’s a myth.

Las Vegas magic star Jeff McBride awarded highest honor by London’s Magic Circle

Head-Mask-FavertyPRTFrom Tobias Beckwith –

September 3, 2018 Las Vegas, NV – Last night, at their headquarters in London, The Magic Circle presented Jeff McBride with The David Devant Award. Among the highest awards bestowed in the world of magic and illusion, the Devant award is given to those who have made a significant contribution in advancing the art of magic or who have given outstanding service to magic internationally. The trophy is a miniature bust of David Devant, the first President of The Magic Circle. The original life size bronze is on permanent display in the Magic Circle Headquarters.

A 10-year headliner at his popular McBride’s Wonderground, in Las Vegas, Jeff McBride has long been known as a foremost innovator in the world of magic, being among the first to incorporate masks and pantomime with world-class sleight-of-hand skills. His early career saw him as opening act for such superstars as Diana Ross & Tom Jones. Later, his full-evening shows won raves off-Broadway, in Atlantic City and Las Vegas. He is founder of the McBride Magic & Mystery School in Las Vegas,McBride’s Wonderground (magic nightclub) and can be seen regularly on such popular television shows as Masters of Illusion and Penn & Teller’s Fool Us. He is author of the book The Show Doctor and host of the Monday Night Mystery Schoolwebcast, currently with over 350 episodes archived. Earlier this summer, McBride was presented with one of the magic world’s other highest honors, the International Fédération Internationale des Sociétés Magiques’ (FISM) Theory & Philosophy Award.

The Magic Circle, located in London, is the premier magical society in the fascinating world of magic and illusion. They have an international membership of around 1500, all dedicated to promoting and advancing the art of magic, an entertainment as popular today as when the famous club was formed in 1905.

Former recipients of the David Devant Award include:

2018 – Jeff McBride

2017 – Silvan

2016 – Lance Burton

2015 – Johnny Thompson

2014 – David Copperfield

2013 – Luis De Matos

2012 – Jim Steinmeyer

2011 – David Berglas

2009 – Ali Bongo

2008 – Siefried & Roy

2007 – Paul Daniels

2006 – John Fisher2004 – Marvin Roy2005 – John Calvert

2003 – Mark Wilson and Nani

2002 – Dr. Eddie Dawes

2001 – John Gaughan

2000 – Channing Pollock

1999 – Jay Marshall

Be sure to check out Mr. McBride, Mr. Beckwith and the Magic Circle sites here:

http://wow.mcbridemagic.com

https://themagiccircle.co.uk/

http://www.magicalwisdom.com