Month: September 2018

Errors in Magic – As Taught by NASA

Apollo - Soyuz Test Crew We don’t know about you and what you love.  From some of the emails we receive daily at InsideMagic (editor@insidemagic.com) we do know that there is a wide variety of love in the Inside Magic community.  Some of the love is even magic related, so that’s kind of nice.

We received a link to a NASA document that has nothing to do with magic at all.  But in a special way, it is instructive to us magicians who on occasion (or always, in our case) make mistakes in the presentation of our tricks.  You can find the document here.  We posted a picture of the Apollo – Soyuz Command Test Team for reference.  It was a close call for these folks but we learned a lot about how to keep later astronauts and cosmonauts safer.

The document could be seen as overly scientific and technical — because it is.  It has charts, pictures of people and places and rockets and molecules — but it also has a great message.  It is the study of errors and accidents involving several unintentional hypergolic fluid related spills, fires, and explosions from the Apollo Program, the Space Shuttle Program, and the Titan Program.  The Titan Program deals with America’s ICBMs and so they could be sensitive to unintended spills, fires and explosions.  We’re no rocket scientist, we’re just sayin’.

Hypergolic fluids are fluids that can immediately catch fire, explode or poison if they come in contact with certain materials.   That is great for rockets but terrible for hand-lotion or shampoo.

(Speaking of technical papers, we did write a 12-page technical document for the cosmetic industry titled “Bad Things to Put in Your Hair.”  (Quinlan, Tim. 1979. Bad Things to Put in Your Hair,  Nat ShampooSci. 5 Suppl:127–129.) No one asked us to write the document but we thought it important and were trying out a new electric typewriter at Sears on a Saturday and no one said we couldn’t.  We had to pay for the paper we used and the ribbon and the eraser tape).

The NASA document is 100 pages long (including a list of acronyms) but concludes thusly:

Some type of human error can be traced to nearly every studied incident as a root cause, whether it be an error in the design phase or an error prior to or during operational use of hardware containing hypergols. Humans are most definitely not perfect and even when the most knowledgeable personnel are intimately involved in the design phase or during an operation, mistakes can be made and critical items can be overlooked. One can deduce, however, that most incidents happen during some sort of dynamic operation.

Given the pages of errors and very serious injuries and death related to the use of Hypergols, the authors ask if NASA should continue to use the compounds.  The answer is yes, but we should learn from our mistakes.

So much for the NASA and their rather serious, downer study on how we need to be careful when launching people into space.

Now we turn to the magic part.  Setting aside flash paper — a substance that can cause injury (and according to an article by Joshua Jay, death) — we don’t deal with much in the way of explosive materials.  Our tricks are based on coins and cards.  That’s pretty much it.  We can get a paper cut or maybe have a coin stuck in our nostril but that is about it.  Our mistakes do not result in injury or death but embarrassment and shame.

And yet, we learn from those mistakes.

We were performing a Classic Force with an antiquated and sticky deck of cards yesterday and missed it entirely.  (We’re speaking in code so only magicians know what we mean).  We had to do a quick corrective maneuver like a palm to the side (more code) to get a satisfactory ending to the trick.  Some how the selected card appeared in our pocket.  A miracle.  A mistake and failure but saved by a risky move distracted by intense, almost creepy eye-contact.

What did we learn?

We learned how to do a side palm almost one-handed (more code but if you think about it, and you are a magician you’ll be impressed but you shouldn’t be, we got lucky), and we learned how not to perform a Classic Force.  These were real lessons for us.  We wanted to perform one of our beloved tricks but didn’t have a deck that would work.  We should have performed a different trick — after all, that’s what happened at the end.  Our pride led us astray.  We figured we could do a Classic Force with a deck that had been used for years and could not be properly fanned.

Oddly, that was not our only mistake in our bazillion year career of magic.  But we have learned from each.  Don’t look down the muzzle of a flash wand, ever.  Don’t toss balls of flaming flash paper towards the audience.  Get a good grip before you riffle cards for a force or selection.  Double check your stack – always.  Never let your animals wait too long.  Don’t pull coins from a child’s ear that may be infected and thus sensitive.  Have a key nearby if you’re going to do a handcuff escape – just in case.  Don’t try fire-eating unless you are trained by someone who knows what they are doing and even then don’t.  Juggling broken glass bottles looks fun but there is a risk of quick and deep cuts to the essential veins and arteries around your wrists.

We’re guessing you have lessons you’ve learned as well.  Share them with your fellow performers — don’t expose secrets, but tell us what you learned.  We all benefit.

Thank you to the Inside Magic reader who sent the Hypergols paper.  It was fascinating reading and inspiring.

Magic, Mystery and Houdini in New Play

The Girl Who Handcuffed HoudiniThe Girl Who Handcuffed Houdini was a comic book from 2017 and is now set to be a multi-level New York play with three different takes on the story.

According to the website ComicBook.com and The Hollywood  Reporter, detective Minky Woodcock, star of Titan Comics and Hard Case Crime’s graphic novel The Girl Who Handcuffed Houdini, is starring on the stage of New York City’s Theater 80.  The show opens today and runs until November 10th and according to our theater critic, “sounds really cool.”

Our theater critic has not seen the show yet and our budget (and certain court obligations) will not allow him to travel to New York City to see the presentation.  But Cyrus (our critic goes by only one name – often the same name on consecutive days) likes that there are essentially three different plays in one show.

The show is presented on three different floors of the Theater 80 and audience members get to pick whether they will take on the roles of spiritualists, pragmatists, or the guests of Houdini himself.   The show will present differently according to the role they select.  We don’t know if the producers thought of this but that could actually make audience members want to see the show two more times.   They probably did think of that but in case they didn’t we think it is an unexpected benefit of staging the play from three different perspectives for audiences.

“Minky was created by artist, author, and playwright Cynthia von Buhler. Minky is a private detective in the 1920s with a fondness for rabbits. She debuted in the four-issue miniseries The Girl Who Handcuffed Houdini in 2017, which earned critical praise. The hardcover collection of the series released in August.”

According to ComicBook.com, Minky is played by Pearls Daily who was not only the model for the comic book but also named Miss Coney Island in 2018.

Cyrus says another benefit of the show being shown on three different levels is that audience members will want to see the show again and again.  We couldn’t tell if Cyrus was being sarcastic because he knew we said that earlier in this article or if he didn’t read what we wrote and just happened to mention the exact same thing we had mentioned.

We don’t like Cyrus – the name, not the person.  The name is so old-fashioned and hardly in keeping with the personality Cyrus is trying to pull off using the name.  He is going for sort of a Freddie Mercury meets Ryan Gosling image – neither of which fit the name Cyrus.  When he called himself Aunt Bee (a misspelled version of the co-star from The Andy Griffith Show), he adopted a Robert Redford / Paul Newman / Madam Curie air that frankly scared us.

We are glad that week is over.  Plus he didn’t play Robert Redford and Paul Newman from Butch Cassidy and the Sundance Kid but used Redford from The Natural and Newman from the logo of the popular salad dressing brand.  Madam Curie was played pretty much as we all remember her, riddled with nuclear radiation and speaking French with a decided wheeze.

Cyrus doesn’t speak French, so that was quite a trick.  Of course, we don’t speak French either so he could have been just making up the words he spoke and wrote.  In which case, we apologize in advance to the actors and director of King Lear about which Aunt Bee wrote a several page critique in French soon to be published here even though there was very little magic performed in the show.

Check out the Theater 80’s website for show times and tickets here.

Magic Live Announced

Inside Magic Image of Couple Learning Magic's True SecretsStan Allen has a great announcement for those who love magic and loathe sleeping:

I’m very excited to announce that the next MAGIC Live is August 4-7, 2019, at The Orleans Hotel in Las Vegas.

General Registration opens on Friday, September 28, at noon Pacific Time. A $95 deposit holds your spot until January 15, 2019, and registrations are 90% refundable until May 20, 2019.

To find out more about why MAGIC Live is like no other convention in the world, please visit our website. Or better yet, just ask a friend.

MAGIC Live is a great opportunity to see, learn and meet some of the greats of our Art.  You can even meet some of those who aren’t great yet but one day will be.

Check out Stan’s site here: http://www.magicconvention.com/

And join his mailing list here: http://www.magicconvention.com/2018-mailing-list/

 

Magician Matt Vizio Performs this Week

Magicians Matt Vizio and Tom Frank are performing in the Peller Theatre this week at the Magic Castle in Hollywood, California.

One of the questions we are almost never asked is, “Is there really such a person as Matt Vizio?”

We are reluctant to answer questions about true legends for fear that we will leave out a detail or embellish unfairly.  (For an example of this tendency and the reason for our trepidation see our horribly reviewed book Wyatt Earp: The World’s Best Short-Order Cook in the West (1978 Simon and Schuster) – although it was made into a very successful movie franchise (or so we and our lawyers currently claim in a soon to be filed lawsuit) called Guardians of the Galaxy.

We have known Mr. Vizio for going on a long time and have even had the honor of performing with him in a stand-up setting.  He is what we hope to become one day: young, handsome, funny and talented.  Actually, we don’t care about the talented as much as the first three qualities. The ladies love him, the men want to be like him, the dogs sniff him and wonder where he has been.

Mr. Vizio used to perform one or two tricks in his set downstairs in the amateur room wherein performers of our ilk are allowed to work.  But he graduated to upstairs at the Castle – ironically, the “Upstairs at the Castle” was the name of our least successful BBC melodrama Series not featuring human actors.  He has been seen in the Close-Up Gallery and this week will be in the Peller.  His act has expanded dramatically and he performs effects the way they should be performed.  For instance, his Cups and Balls is one of the best we have seen in years.  It is in keeping with Dai Vernon’s school of making all actions appear normal, relaxed and fair.

Matt is not just a great magician in all of the classical realms of Close-Up, Parlor and Stage; but he is also a talented stand-up comedian with the adlib instincts of a veteran.

He was responsible for introducing us to performing stand-up comedy and audiences across the San Fernando Valley damn him daily for this.  Interestingly, “Damn Him Daily” was the name of our 1960s daily puppet show that we pitched to PBS – they went with Mr. Rogers’ Neighborhood because of some reason we don’t recall because we were in tears explaining it to the puppets and formed a mental block surrounding that time.

If you have a chance, check out Mr. Vizio this evening through the weekend at the Peller Theatre at the Magic Castle.  He will be performing with Tom Frank.  We have not seen Tom Frank perform before but we know that if he is performing with Mr. Vizio, you will be entertained, amazed and leave laughing.

Mr. Vizio and Mr. Frank will have shows at 8:00, 10:00 and 11:30 Wednesday through Sunday.

Check out Mr. Vizio’s website, Honest Deception here.

Magician Mike Super Bets His House on Prediction

Magician Mike SuperMagician Mike Super is literally betting his house that he can predict The Arizona Republic’s headlines.

He has assured the newspaper that if his prediction – currently locked securely in an Arizona Republic newspaper box at Chandler City Hall – is incorrect, he will refund the ticket price for everyone attending his show on September 22nd at Chandler Center for the Arts.

The predictions for the future were made in August – so, in the past, like last month – and sent by overnight courier to the Chandler City Hall.  The prediction is sealed in an envelope, chains and a padlock in the lobby of the city hall.

Mr. Super is not from Arizona but Pittsburgh, Pennsylvania.  He told the newspaper, “I really love the old days of Houdini and Blackstone. Before they even got to the show, they created a buzz in the community, and I really like that. It’s fun and intriguing, and it creates a buzz before the show because it’s something different.”

He even got the mayor of Chandler, Jay Tibshraeny, to sign the envelope before it was secured in the newsbox.

“I think it would be really cool if he gets them right,” Tibshraeny says. “It’s caught my curiosity doing this. I’m kind of wondering ‘what’s the angle?’ I’m excited for the show to come.”

The Chandler Center for the Arts is a beautiful venue but it also seats a lot of folks.  Whilst he has yet to fail in his headline prediction he admits there is a risk element to it.  “It’s like playing Russian roulette. One day it’s not going to work.”

“There’s two ways to look at it,” Mr. Super told the paper.  “There’s, ‘He’s done it 12 times so he’s likely to do it again.’ But the more you do it, it’s like playing Russian roulette. One day it’s not going to work, and then it will be time to retire it.”

“If it was a huge venue and it didn’t go right, I could lose my house,” he says.

We identified intimately with the final quote of the story.

“I love to be fooled and, of course, the deeper you get into magic, the less you get to experience that feeling,” he says. “I try to live that feeling through other people’s eyes, from seeing them being fooled and enjoying themselves. And in the middle of all that, everyone in a while, somebody does fool you, and I’m like the kid in the candy store.”

If you are in the area check out Mike Super, at 7 p.m. Saturday, September 22 at the wonderful Chandler Center for the Arts, 250 N. Arizona Ave., Chandler, Arizona.  Ticket prices are $36-$48 and the center seats more than we could afford to refund.  Tickets are available at ticketmaster.com.

Visit Mr. Super’s website here: http://www.mikesuper.com/

The Magic Castle – No Crutch

Joan DuKoreThe Magic Castle should not be a crutch.

These famous words were uttered by Winston Churchill but they were about an actual crutch and his lack of need for them after a car crash whilst touring America.  But it still fits.

We love the Magic Castle and we love reporting on the latest acts that appear in the various rooms but we also fear that we may bore audiences of Inside Magic by reporting only on magic seen there.

Our solution is to talk about the food we had and then work our way into the magic on stage.

We went with a delicious Beef Wellington (speaking of Churchill) and our beloved had the manicotti.  Both meals were expertly cooked and good enough to eat – as we proved.

We performed downstairs in the amateur rooms as permitted by the Man, Matt Vizio.  He runs the joint and if he says you can perform, you’re good to go.  He let us do two shows and we are in his debt for the honor of performing for such wonderful audiences.

The beauty of performing at the Magic Castle is that people are coming to see magic.  They are not hoping for a tribute to Queen or a demonstration of weaving from indigenous folk.  Although, ironically, we do wear a Freddy Mercury leotard woven by indigenous weavers from Scotland.  We chafe and we sweat but we feel we do both sources justice.  We no longer sing because of requests from virtually everyone we have ever met. The New York Times said of our act, “It makes you long for Freddy Mercury in his prime or at any age and true indigenous weavers.” Notably, the review got our name wrong; calling us Tom Quinine, so the review has not hurt our career.

Dana Daniels and Richard Allen brought their world-famous “The No Show” to the Palace of Mystery.  We laughed so hard that we feared we would pass-out.  Seriously.  We could not stop laughing as Mr. Daniels did his escape routine that the air was not getting to our lungs, brain or heart.  We tried to think of unfunny things but it would not work.  We tried to breathe deeply, but our lungs were laughing too hard.  It was a funny situation for our body and we didn’t mind.

Audiences had a chance to see the new Luigi.  His predecessor worked with Mr. Daniels for almost three decades before passing on.  The new Luigi is just as beautiful parrot with a penchant for cheating at mentalism.

The No Show should not be missed.  Let’s assume you have something else to do for some reason, you should not do it.  You should go see The No Show instead.  Water skiing, mountain climbing, any form of fungal removal?  None are sufficient reasons to miss The No Show.  Although if the fungal removal has been delayed for, say, years, it might be a good time to see a specialist and avoid crowds.  Nay, not a single reason can justify missing this show.

Well, except for one reason.

In the Close-Up Gallery, the lovely Ms. Joan DuKore is performing the early shows (7:00 • 7:45 • 8:30 • 9:15) and puts on a great show.  If we had talent, grace and could perform, we would be Ms. DuKore.  She hails from Las Vegas and relates much of her performance to Sin City.  Her card handling is great, she works with bunnies and she performs effects that you have likely never seen before in your sheltered, protected life – but in a good way, not like you were in prison.

The bottom line: Eat the Beef Wellington, Watch The No Show and enjoy Joan DuKore.  Don’t worry about passing out due to hypoxia, it’s a myth.

Las Vegas magic star Jeff McBride awarded highest honor by London’s Magic Circle

Head-Mask-FavertyPRTFrom Tobias Beckwith –

September 3, 2018 Las Vegas, NV – Last night, at their headquarters in London, The Magic Circle presented Jeff McBride with The David Devant Award. Among the highest awards bestowed in the world of magic and illusion, the Devant award is given to those who have made a significant contribution in advancing the art of magic or who have given outstanding service to magic internationally. The trophy is a miniature bust of David Devant, the first President of The Magic Circle. The original life size bronze is on permanent display in the Magic Circle Headquarters.

A 10-year headliner at his popular McBride’s Wonderground, in Las Vegas, Jeff McBride has long been known as a foremost innovator in the world of magic, being among the first to incorporate masks and pantomime with world-class sleight-of-hand skills. His early career saw him as opening act for such superstars as Diana Ross & Tom Jones. Later, his full-evening shows won raves off-Broadway, in Atlantic City and Las Vegas. He is founder of the McBride Magic & Mystery School in Las Vegas,McBride’s Wonderground (magic nightclub) and can be seen regularly on such popular television shows as Masters of Illusion and Penn & Teller’s Fool Us. He is author of the book The Show Doctor and host of the Monday Night Mystery Schoolwebcast, currently with over 350 episodes archived. Earlier this summer, McBride was presented with one of the magic world’s other highest honors, the International Fédération Internationale des Sociétés Magiques’ (FISM) Theory & Philosophy Award.

The Magic Circle, located in London, is the premier magical society in the fascinating world of magic and illusion. They have an international membership of around 1500, all dedicated to promoting and advancing the art of magic, an entertainment as popular today as when the famous club was formed in 1905.

Former recipients of the David Devant Award include:

2018 – Jeff McBride

2017 – Silvan

2016 – Lance Burton

2015 – Johnny Thompson

2014 – David Copperfield

2013 – Luis De Matos

2012 – Jim Steinmeyer

2011 – David Berglas

2009 – Ali Bongo

2008 – Siefried & Roy

2007 – Paul Daniels

2006 – John Fisher2004 – Marvin Roy2005 – John Calvert

2003 – Mark Wilson and Nani

2002 – Dr. Eddie Dawes

2001 – John Gaughan

2000 – Channing Pollock

1999 – Jay Marshall

Be sure to check out Mr. McBride, Mr. Beckwith and the Magic Circle sites here:

http://wow.mcbridemagic.com

https://themagiccircle.co.uk/

http://www.magicalwisdom.com

 

Magic, Mystery and Mentalism – a Moral Lesson

Inside Magic Image of Favorite Melvin the MagicianMentalism, Magic and Mystery are three very different things – at least in our tattered book.  We have never gotten into trouble with Magic and Mystery but on a couple of occasions have experienced harsh but understandable reactions from Mentalism.

First of all, we are out of the Mentalism biz.  It used to be the cool thing around the time of people bending things and using specially patterned cards to read minds.  There was a time in our business when everyone claimed they could read minds.  Why they did that was always a mystery (little “m” mystery) to us.  It gained them some notoriety but it would seem to invite constant challenges.

Slowly the world of Mentalism evolved to not claiming to be capable of reading minds.  There were some who continued to make the claims but they were now considered psychics and not Mentalists.  We were always in the Mentalism camp – back during our Mentalism days.  We would, contrary to psychics, affirmatively tell audiences we cannot read minds.  We could influence choices and perhaps pick up tells given by volunteers but never, ever could we read minds.

Except one time.

The following story is an amalgam of two events to protect the innocent and make our point.

We performed what Magicians would call a one-in-a-million shot.  Our hole card is the Four of Hearts.  We don’t know why but it seems like a good even number and has pretty hearts that can be read from the back of the audience.  We were performing for some Boy Scouts and held an over-sized card before us and asked a woman in the far back to name a card.  Our intention was to fail to have predicted the card and then go about our act explaining why we do not claim Mentalism power.

She called out in a loud and clear voice, “The Four of Hearts!”

We were far less mature then.

We should have joked it off, not shown the card, and said that was why we did not claim to have special powers.  But we couldn’t resist.  We milked the moment and when we finally turned the card to face the audience, there was true amazement.  Unfortunately, there was also deep concern in the heart of the woman – the mother of one of a young scout.

She asked us almost immediately after finishing our routine, how we could possibly know the card.  She had told no one and didn’t even know she was going to be a volunteer.  Again, we were immature and in need of validation; even at the cost of someone else’s emotional toil.

“I don’t know for sure, we have a talent to read minds sometimes,” we said proudly.

It wasn’t true and still isn’t.  We can’t read minds.  We can’t even read fortune cookies without bifocals.  We do have a very special talent in reading The Racing Form but our mounting losses over the years have proven that talent does not lead to accurate predictions of horse races.

The scout mom became upset.  She asked if we could read her mind at that very moment.  We paused as if trying to gather psychic messages and had to admit that we could not.  But now she did not believe us.  We were lying and reading minds.  A very bad combination at a scout meeting.

“The Bible is against false prophets,” she told us as she took her boy behind her back and walked away from us.

We felt terrible.  Horrible.  We had offended – unnecessarily but for our own self-aggrandizement – a seemingly innocent, concerned mother and likely her son.

That is where the Mystery comes into the equation.  Magic, to us, is clean.  Things vanish, appear, and change shape or quality.  Birds come from places you would least expect and disappear into places far too small for them.  Magic is the kind of thing you would do (or we would do) for children, teens, adults and even people our age.  Mentalism requires some advanced thinking on the part of the audience and if introduced as a real power can cause real concern.

We don’t want to concern anyone with our act.  We do our double-lifts, false shuffles, second deals and what passes for a bottom deal and no one is emotionally concerned.  We do a short card divination but never describe it as Mentalism.  It is merely a demonstration of influence and picking up “tells.”

There are performers with more experience and ability than us.  They would handle the troop mother incident in a far better manner.  Perhaps they could even devise a method of proclaiming psychic powers that would cause no concern.  We lack those abilities.  But we can drink whole milk without having stomach or intestinal upset so we are all blessed in different ways.  (We are not saying and would never say all self-proclaimed psychics are lactose intolerant; only that most are and we are not).

The Mystery is why we would do such a thing?  Why would we concern a troop mom by persisting in the “gag” and asserting an ability we do not have and have never possessed?  We learned our lesson years ago but pass it along for those starting out in our wonderful Art.  There are very real consequences to what we do and how we choose to entertain.

Magician Arthur Trace Comes to Venice California

Inside Magic Favorite Arthur TraceArthur Trace is an Inside Magic Favorite Magician from our hometown of Chicago.  That should be enough for this article: a complete endorsement of Mr. Trace and description of his background as well as his particular talent.  But we feel something stirring deep in our soul to share more about him and his upcoming one-man show in Venice, California.

Mr. Trace, as our social media team wrote last night on Twitter (@insidemagic), is to “magic what magic is to life.”  It is so true.  His magic transcends tricks or even sophisticated manipulation – both of which are contained in his act.  To watch Mr. Trace perform is similar to watching a tightrope walker.  As a magician, we worry about other magicians when they perform magic requiring incredible skills – we don’t want them to fail or fall.  We have seen Mr. Trace walk that taut wire many times and he has never fallen to the magic equivalent of a horrible true finale.  He does not even come close.  His skill set is so highly developed that there is no risk of failure; only entertainment and complete entertainment at that.

He is a delightful person and deserving of the fame he has received and continues to receive.  It says quite a lot about someone who is beloved by the public viewers of an act as well as his fellow performers with whom he spends times between shows.

If you are in Southern California or can get here by September 15th, do make reservations to see a true Magic Genius at the cozy Electric Lodge Theater.

Mr. Trace’s advertisement provides some clues as to what you will experience:

What would you do if you could stop time?  Arthur will show you what he would do, and the outcome is funny and surprising.

An “invisible bee” that’s brought to life

Arthur will transform a piece of rope into a magical violin.

A long-distance call via a tin-can phone – the result is unexpected.

An interactive painting that is transformed through sleight of hand.

Mr. Trace is only the eighth magician in the history of magic to be awarded The International Brotherhood of Magicians Gold Medal and has appeared on Masters of Illusion and Penn & Teller: Fool Us.

Tickets are limited and priced well below what we would pay to see this 70-minute show – and we are notoriously cheap.  General Admission is $40.00 and tickets to the Front Row are $55.00.

Please read all the details about the show and Mr. Trace here: https://arthurtrace.com/the-artful-deceiver.

Magician / Clothier Ted Baker gives you a chance to touch magic.

Shingles from the Magic Castle on the Ted Baker StorefrontWe love magic and people who love magic.  Therefore we love Ted Baker the famous clothier.

So, we’re walking through the new Century City Mall, in the ritzy section of Los Angeles, next to Beverly Hills; where people drive Mercedes and Rolls Royce manufactured vehicles not even to show off but because their more expensive, nicer car is in the shop – or so they’ve been told by their household staff.  And we walk by Ted Baker’s clothing store.

We are not clothing  horses.  We’re not even people who know where our clothes came from.  We don’t know if we bought them first hand, were lent them and forgot to return them, or found them in the laundromat  (Suds-n-Suds on Wilshire where you can have a beer (hence suds) whilst your clothes clean (hence the other suds)).

But we stopped in front of the window of Ted Baker’s storefront and fell in love.  He had rabbits coming out of old opera hats – the kind that really collapse and open with a snap – much like our pants.  He had different exotic decks of cards shown and even had a portrait of a magician that had a 3-D image emerging from it.

But there was something about the shingles.  First of all we are talking about the shingles he used to cover the front of his boutique and not the type we contracted and have never had such pain without relief since our days in that special club we joined by accident when first arriving in Hollywood – “Crunch and Pain” sounds like an exercise club and so we excuse ourselves and never associate with the members of what was decidedly not an exercise club – evident by the lack of movement by the members.

The shingles, we learned, were from The Magic Castle.  After the fire, Mr. Ted Baker purchased the remnants of the saved pieces removed from the burnt structure.  His store has the shingles from the roof on the outside and inside of his store and the front counter has wooden cabinets from the Castle.  It is wonderful.

We were told by the very friendly and helpful staff that Mr. Ted Baker has different stores around the world and chooses different themes for each.  We were lucky that he chose magic as the theme for this store.  We have it on great authority – an employee at the Castle – that Mr. Ted Baker is actually a magician and a member of the Castle.

We’ve never bought clothes for ourselves – not even at Crunch and Pain – but if we were to do so, we would do so at Mr. Ted Baker’s store.  If you are in the Century City / Beverly Hills area of California, please do stop by his shop and see all of the wonderful things he has saved from our art’s history.  By all means feel the shingles both inside and outside the store.  They are loose but they withstand even the most amorous caress.