Category: Magic Stories

Perhaps Non-Fiction or Fiction

FISM – Friday

Second last day of FISM! Everyone gathered in the Victoria Hall bright and early (some people line up, and it’s a VERY long line, while others just gather around the doors and as soon as they are open it’s a race to see who can get to the best seats. Often people who line up early end up sitting at the back while people who walk up to the doors just as they are opening end up in the front row… it’s an issue that future FISMs need to think carefully about).

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The Stage Jury took their seats and watched another batch of contestants. The trends in stage magic this year seem to be voice-over introductions at the start of acts, instant costume changes (some more instant than others), LCD screens and video projectors, and we’ve had a few singing acts too. One talked about act was Aaron Crow who fired an arrow through an apple on the head of a volunteer, another was illusionist duo Marc & Alex who used so many pyros that the smell of their act lingered in the theatre all morning….

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(Above – Tim and Anthony DeMasi enjoying the stage comp)

Those who didn’t watch the competition enjoyed lectures by Armand Lucero, John Gallo, Cellini, Tim Star, Jeff McBride, the one man show from Juan Tamariz (an additional session is scheduled for tomorrow) and the hit event seems to have been the Cheating and Gambling session.

After the competition came an event on Corporate Sessions where Paul Daniels, Bill Malone, John Houdi, Magic Christian and Banachek spoke about various aspects of magic in the corporate arena.

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In the foyer there were three very elaborate stands from each of the countries bidding for FISM 2009. Yesterday the Chinese stand was very popular with delegates being given free T-Shirts if they’d sign up in support of China. Today Granada was offering free wine (poured by a very stylish Spaniard) and some tasty snacks to go with it.

Unfortunately I didn’t get to attend this as I head to go to the FISM General Assembly meeting where we voted on where FISM 2009 would be held. After watching presentations from Beijing, Granada and Vienna the Presidents voted with Beijing winning with almost twice as many votes as Granada. So start preparing now to go to China in 2009!

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One man who will have no trouble adapting is Aussie Andy Sellenger who is based in Hong Kong. (See above). He’s here dealing at FISM with the only difficulty being that his stock STILL hasn’t arrived… so sales haven’t exactly been booming for him at his stand.

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On the other hand Pablo and Henry Evans (see above) are doing a great trade, as are the other dealers who have stock. There are a record number of dealers this year and the dealers area is extremely well set up.

From there we joined the massive line to get into the banquet. 2,800 people got a free drink and headed inside to grab a table. (One person described the set up as the biggest garage they’d ever been in). Frank Wilson was there playing and entertaining us all in his usual superb style. During his opening rendition of ‘Let Me Entertain You’ he was more energetic than usual as he used one hand to fight off an older magician who was crawling all over him trying to turn his volume down until an official came up and pulled the guy off Frank. (Frank desrves an award for bravery for that one!)

Three special awards were presented this year. Gaetan Bloom received the FISM Award for ‘Creativity and Vision’, Eddie Dawes was presented with the ‘History and Research Award’, and the late Tommy Wonder was given the ‘Theory and Philosophy Award’. Tommy received a long and emotional standing ovation and Max Maven, who came up with these awards, pointed out that most of the votes came in before Tommy passed away and he was well in the lead at that stage. Not only that, but Tommy voted for Juan Tamariz.

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Then the show commenced. MC John Houdi did a good job introducing Kenji Minemura who performed some extremely eye-popping sleight of hand with cutlery, glasses, and bottles.

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Gaetan Bloom followed with some fairly standard magic but presented with his usual French charm. He finished off doing a very funny display of card productions while wearing boxing gloves.

Ardan James absolutely stole the show with his exceptional mime and charming personality, finishing his set with Tina Lenert as two old people dancing to Madonna’s ‘Vogue’ (Boris Wild said he’d never listen to that song in the same way again!)

One thing that should be mentioned is Eric Eswin announcing that China had won FISM 2009. This was received by a huge cheer and applause… followed by an even longer session of boos and hisses. Hmmm… I guess there are a lot of people who won’t be going to China.

Eric also announced the 6 highest scoring acts in the Stage Competition who will compete for the Grand Prix tomorrow. (He announced the close up acts earlier in the day). For the record, the top acts who are in the running for both Grand Prix’s are:

CLOSE UP GRAND PRIX

Rick Merrill, Martin Eisele, David Stone, Shawn Farquhar (all in Micro) and Helder Guimaraes (Cards).

STAGE GRAND PRIX

Pillou, David Sousa, Dai BinChin (Manipulation), Gaston (Parlour), Lee Eun-Gyeol (General Magic), and Sittah (Illusions)

Who will be the winners?????

And who will get a Comedy Award or be voted Most Original Act? Mr Underpants? We’ll find out tomorrow!

Continue reading “FISM – Friday” →

Guy Tussle Helps (?) a Young Reader

cheerleader-surprised Guy "Bug" Tussle is more than a great magician and friend of Quinlan’s Inside Magic, he is also a tremendous historian on all things Magic.  His Henderson, Nevada townhouse is filled with books, magazines, pamphlets, and posters related in any possible manner to Magic. 

When we are stumped with a question from one of our readers through ask-tim@insidemagic.com, we send it along to Mr. Tussle.  He usually finds the obscure to make the past come alive.

We thought he was stumped on this one from Julie DeWitt of Macon, Georgia.  By the way, we did not send Mr. Tussle Miss DeWitt’s real address based on lessons learned from past "misunderstandings."

 

Dear Ask-Tim:

This is going to sound like a weird question but here goes. 

I am new to magic but have been doing performing for years in school drama clubs and even two local community plays here in town.  I was lucky to learn hand-eye coordination from baton twirling and Diablo juggling and things like that but not magic like a magician does magic. 

Then I read a book at our local library about magic and it told the trick the audience would see, and then it told you how to make it, and then it told you how to do it. 

I learned a lot of goods one from this book.  I didn’t a library card because I lended it my step-brother and when he broke up with his girlfriend she kept it because he took the ring back.  I guess you could say they were more than boyfriend and girlfriend, right?  LOL.  Anyway, I wanted to copy the page that should have had the method and the things to make the trick I readed at the library but when I went to the page it wasn’t there.  Somoeone had ripped-off the page. 

I knew that the page that was missing was 61 because the one that was left was 60 and 63 so it must have been 61 on one side and 62 on the otherside.  The book only had a little piece of paper left from the page.  Here is what its said.  "an imbecile has as much chance to win as the most intelligent of man; he is only required …and utter one of the magic phrases . . ."

I should have copied down the name of the book but I didn’t because I thought I would be coming back to the library but then we had a flood in just part of the library and wouldn’t you know it? You guessed it! It flooded where the magic books where.  They had to send them off to get rebound and it will be months before they get them back. 

Can you tell me what trick this is and what the rest of the page says? 

Thank you.

Julie DeWitt.

======

We were stumped.  We cursed Ms. DeWitt for not taking better notes when she saw the book in the first place.  We wondered why this trick meant anything to her; because it said "imbecile" and "utter one of the magic phrases?"  Frankly we were not keen on bugging our good friend Mr. Tussle with this one.  He is assembling his new routine for a six month gig at the soon to revamped Del Lago downtown. 

We figured we’d send Julie’s very vague question to him and tell him he could blow it off if he didn’t have time. 

It turned out he had time on his hands because the Del Lago management wanted him to four-wall a room that wasn’t even built-out yet.  Mr. Tussle has no problem paying to rent a room to bring in an audience but he felt it was unreasonable to contractually obligated to a six month lease with no word on when or how it would be built. 

So here’s his response.

======

Dear Miss DeWitt:

Thank you very much for the question. 

I have to admit it is a very strange question — I wonder what intrigued you about the trick initially.  Do you recall what type of trick this remnant described? Was it a card, coin, silk, bird, or something else that vanished, multiplied, appeared, changed in shape or color?  Was it an escape trick? 

First let me commend you on your interest in magic.  Ours is a wonderful art and though I do tire of those who would jerk around a performer through arcane contract negotiations that come down to "we win / you lose," I wouldn’t trade the job for any other.

Learning magic from a public library is a great start.  I learned that way as did many of my fellow Vegas-regulars.  You need, though, to find a mentor to help you make the next step to develop your skills and to practice with purpose.  There is nothing to be gained if you refine your skills but your skills are not important or impressive. 

You don’t mention how old you are but from the looks of the picture you included with your email, I am guessing (hoping!!) you are more than 18 or could at least pass for someone old enough to vote. 

I think — based on the intelligence of your question and your obvious talent in Baton-Twirling and apparently Cheerleading, not to mention acting, you have a bright future ahead of you should you ever want to make your dreams come true and move to the real city that never sleeps.

Now to your question.  I went through every book I could find that had a page 61 with any reference to the description of a trick’s method.  I am afraid the results were not very helpful but perhaps they will ring some bells in that pretty little head of yours. 🙂           

Each of the following will refer to the text found on page 61 of books in the Magic section of the Clark County Library here in Las Vegas.  (By the way, we have never once had a flood in any section of the library).

101 Best Magic Tricks, Guy Frederick (New York: Bell Publishing Co. 1966)

Trick Title: Magic Hair Ribbon

Trick Description: A hair ribbon is cut into several pieces and these are dropped to prove the ribbon is really cut.  You then restore it. 

Common Words with Subject Text: .  "an"  "has" "as" "much" "most" "required" "magic"

Probability of Match: 13 percent

 

More Self-Working Card Tricks, Karl Fulves (New York: Dover Publications 1984)

Trick Title: The Clueless Card Trick

Trick Description: Each of two spectators chooses cards from a single deck.  The Magician then chooses two cards which prove to be the same cards chosen by the spectators. 

Common Word(s) with Subject Text: .  "the"   

Probability of Match: 23 percent

 

Those were the two closest matches I could find before the library closed. 

I went home to my really well-built bachelor pad, worked out for a while and thought about you and your needs. 

I got on the computer and thought I could try to find your IM address to ask you more questions to narrow the quest but apparently you aren’t listed because you don’t want to be or because the laws of Georgia and/or the US do not permit someone of your age to be listed on the IM list available to internet users from the Las Vegas area. 

I am hoping it is the former and not the latter — obviously.

So I decided to take your clues and look it up on Google.  Now, we were getting somewhere.

There is an almost dead-on match at The Cub Reporter web site.  Unfortunately, it has nothing to do with magic or hair ribbons.

You can find the same match — almost word-for-word — at a page in the UK featuring vulgar slang words here.  And while there was a discussion about hair ribbons there was no discussion of a magic trick.

I found a great site that deals with important issues but no magic tricks at all.  It did have the exact phrase.  Modern Drunkard is one of my favorite magazines and who knew they had a web site.    

But these were web sites and not books. 

I was in my little library — if you know what I mean — and I was browsing through my first editions of various literary magazines and gambling books. 

There on page 61 of the eight edition for Scarne on Dice, John Scarne (Hollywood: Melvin Powers Wilshire Book Company 1980) I found your exact phrase.  That was the good news.  The bad news, it had nothing to do with a magic trick.  It was just an introductory passage for "Chapter Five: Scarne’s Correct Odds on Craps."

How ironic!  I mean, what are the odds that I would find that and that you would find me?

I checked Google’s book search facilities but this edition is not on-line.  The only way I would have found it would be to put down the literary journal I was thumbing and pick-up Scarne.

Given the coincidence or fate, it seems like we were meant for each other.  Send me your address so I can wire you money and a plane ticket (First Class) to visit Vegas.  If you don’t mind, can you also send me a better copy of the cheerleading photo and a clear copy of your driver’s license? 

Another mystery solved!!

See Y’all Soon?

Guy "Bug" Tussle
Professional Magician

Continue reading “Guy Tussle Helps (?) a Young Reader” →

FISM – Thursday

What a full day it was today! 9.00am sharp for another batch of stage competitors while Kevin James, Gazzo, Banachek, and Jeff McBride lectured, Juan Tamariz did a one-man show and the Cheating and Gambling workshop was presented.

Sue-Anne took copious notes as act after act appeared and the audience, though overly enthusiastic on Monday, had become much more fickle. Acts that were otherwise quite good seemed to have become "not good enough" for the FISM crowd and many dextrous displays of skill were greeted with courtesy applause. The second last day is not a day you want to be in the stage comp… on the other hand it was the last day of the close-up comp and the crowd there was really in the mood for magic. We saw every possible extreme from outstanding performances to disqualifications.

Stevie Starr followed the close up comp and word must have spread as his show was packed out. After his success what will they have at the next FISM? Mr Methane? Puppetry of the Penis?

Our group got to see the Stage Gala Show while others headed off for a serve of the Close Up Gala. We were really hoping the show would be a winner because FISM needs a real boost right now… and that’s exactly what we got!

Frank Wilson provided music, energy and fun before the show (and during it too!) and Helge Thun as compere was superb. He opened the show assisted by Flicking Fingers and Friends by giving an hilarious pre-show safety demonstration before kicking it off with Jeff McBride (starting the show with Jeff? A bold move but it worked).

Jeff presented a selection of his favourites including his mask routine, lights and fans, the bowls of water and his astounding card manipulations.

Following Jeff Helge performed the sliding die box. Not only did he perform it, he sang the die box song too! I’d love to tell you about it, but it’s one of those acts you really have to see for yourself.

Marc Metral was next and almost stole the show with his ventriloquism. His act was supremely polished with a crazy lion puppet, two dodos, a talking dog, and four volunteers from the audience who became dummies and sang ‘Singing In The Rain’ with him. I say he almost stole the show because the audience was on the verge of giving him a standing ovation when he asked if they’d like to see one more. He created a rabbit puppet with a napkin which was very sentimental and cute, but changed the mood and resulted in a long and strong round of applause rather than a standing o.

Vik and Fabrini did their now legendary robot act. It was their first time at a FISM since winning first place in General Magic in 1988 (and they’ve been working non-stop ever since) and it was great to see the act live.

Mark Karvo closed the show with an absolutely classical bird act, very reminiscent of Channing Pollock, refined, dignified, powerful… just like you’d imagine a "real magician" would be. His final effect, producing a huge parrot that flew twice around the auditorium, got a big standing ovation.

After interval Helge performed a sketch with Topas which began as two duelling card magicians, then got very poignant as the two magicians began to teach each other, then became a pretty blatant statement of what magicians really do when they get together… again, you should have been there but it was a superb example of theatre and magic woven together with real thought, intelligence, and intent.

Jerome Murat was next with a beautifully artistic piece where he was a living statue with a floating head… that really doesn’t come anywhere close to describing the act. Why didn’t you come to FISM?

The Evansons performed their two person telepathy and it truly appeared to be real mindreading. Tessa told people phone numbers from their mobile phones, their middle names, the serial numbers on bills, and even the names of people in other people’s photographs.

Anthony Gatto stole the show (the juggler always does!) with his Las Vegas act which included juggling nine clubs. He truly brought the house down and, as Helge described him, he truly is a juggling machine.

Helge, assisted by Topas, presented his homage to an illusion performed by The Napoleon’s at FISM 1991 (I remember it too!). Topas managed to magical vanish from one cardboard box and reappear in another. However, Helge has taken the gag further and proceeded to do a backstage version of it which ended with the surprise appearance of Anthony Gatto in one of the boxes.

The final act was Peter Marvey with his unique illusions. The last time I saw Peter performing illusions was FISM 1997 and he was sensational. Now he seems to have become more ‘Vegas’ with flashy dancing girls and special effects. Personally, I preferred his old style. He did a boxless ‘Interlude’ and followed it up by emerging out of his own body… not as amazing as it sounds. Next he did his flying illusion which results in him visibly shrinking then growing again in full view. Again, I preferred the way he used to do it, this version seemed way too much of a production. He also did a weird igloo levitation that was hard to see because of way too much fog, and he did a flaming spiker of death which concluded with the production of three girls.

He was the right act to end the show because of the scale of his props, but he was also the act that received the weakest audience response.

Regardless, it was a sensational show. (If only we had another one like it tomorrow night!)

Continue reading “FISM – Thursday” →

FISM – Wednesday

There are 35 Australians attending the FISM. (More if you count Andrew Wimhurst, Nelson, Andy Sellenger and David Kaplan). Sue-Anne snapped a pic of some of them who were lucky enough to get front row seats in the Close Up Competition today.

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Left to right you can see David Jones, Peter Rodgers, Steve Walker, Dave Kaplan and Bill Walsh. (All looking a little weary after lining up so long to get in!)

Today’s activities began at 9.00am with the Stage Competition (and a few more acts used taped introductions), while other registrants attended lectures by Tim Star, Gaetan Bloom, and Gazzo, or the Jeff McBride Masterclass, Cheating and Gambling, or the Paul Potassy Talk Show hosted by Wittus Witt.

After lunch it was a choice between more Close Up Competition (with more gambling themed acts) or Paul Daniels Max Malini Show.

After the competition Boris Wild and I did an interview for a FISM TV special (which may even go to air in Australia one day!) and then we got organised to see the Close Up Gala Show while another batch of registrants went into Victoria Hall to see the Gala Stage Show.

The Close Up Gala…. well, things began badly when some FISM official announced, as they were opening the doors, that it was ‘free seating’. After people rushed in to get the best seats, people with tickets for the best seats started to show up and chaos ensued. FISM officials had to announce a mistake had been made and the show started fifteen minutes late (and with a bad atmosphere) as people had to reorganise their seating. Please note, this was the second night they have staged this show so there’s no reason for this mistake to be made.

The compere, who’s name isn’t listed anywhere in the programme, kicked off the show by introducing Belinda Sinclair. She came on accompanied by singers, dancers and musicians and brought two audience volunteers up on stage with her. The following 20 minutes was not well received at all. As her singers sung, musicians played and dancers danced, she told lyrical tales and performed four ace effects, MacDonald’s Aces, Three Card Monte and Matrix as allegories. One person told me it looked like a scene from a freaked out hippy party. Maybe it was not the best choice of material for the FISM crowd.

Add to that the fact that the camera work was shocking, with two cameras in use and the director constantly missing the action, and it made conditions very unpleasant for viewing close up magic. Even when they did shoot the right part of the table the lighting was so dim that you had to strain to see. Dim lighting seems to be a trademark of this FISM as the same is happening in the stage events too.

Tim Star followed and he performed a series of card effects that really didn’t seem to be that strong at all. His final effect with aces was nice but he didn’t seem to have the sort of personality that could carry across a room of this size (about 700 people!)

Lennart Green was next and he stole the show. Sensational and unbelievable card work and, by using the camera person as a volunteer he ensured the camera on the table was locked off and focused on the table at all times. His ability with a deck of cards is without peer. It’s as if the cards are another part of his body. He received an enthusiastic standing ovation for his work. (A highlight being a matrix where he put regular size cards under normal coins and we couldn’t see them underneath!)

Bob Sheets had to follow Lennart, a task any magician would hate, but he had the charm to carry it off. Bob did two tricks, a 5 card trick that ended up being a 1 card trick, and Cuba Libra which is way too big for "real" close up but a perfect choice for the Close Up Gala as everyone could see it without having to rely on the screens.

Michael Vincent was next and he was crucified by poor camera work. Every time he found the aces and dealt them on the table we had to take his word for it as the camera would inevitably be on his face at that time. The audience revolted during his act and started calling out camera instructions to the AV crew.

Finally we had Armando Lucero. A brilliant performer who got a great reaction despite a very underlit shot of his working surface. He performed his legendary matrix which looks like pure magic, and a thought of card appearing between two face up jokers. People who had seen Armando before said that he didn’t perform as well as they’d seen him in the past but, given the mood of the room, I’m not surprised. People were really angry with the FISM organisers regarding the seating debacle and the camera work had only made them angrier. As we mingled in the foyer it was evident they were now turning their anger towards the standard of performances.

I did a brief poll asking people what they liked best and least about this FISM. Here are the results:

BEST – Seeing such a wide variety of competitors. Lennart Green and Juan Tamariz.

LEAST – Having to catch a train to go to the Bar Magic every night. The low standard of organisation, AV support and guest artist performances. Having to wait in line for the close up comp (and many other events as well). Having a whole night with nothing scheduled (last night).

Let’s hope that our last three days see a whole lot more added to the ‘BEST’ list!

Oh, and booths have appeared in the foyer with countries campaigning to host FISM 2009. Vienna, Granada and China all offer professional booths with glossy brochures, videos playing, and some form of giveaways. Vienna and Granada have stickers. China has a goody bag with a key ring and a t-shirt for anyone who signs their table saying they’ll support the China bid.

The majority of delegates I’ve spoken to so far say they will not attend FISM if it’s held in China (for a variety of reasons) but the buzz is that China just may get the votes despite it. We’ll find out on Friday.

PS: Here’s an article from CNN on FISM.

Continue reading “FISM – Wednesday” →

Good morning…..

Just a quick morning update as it’s 7am and time to get moving again…. last night the heating in the hotel room kept going up degree after degree until I just couldn’t take it anymore, so I made several trips between floors moving all of our stuff to the new room at around 2.30am. Even though this room is only 22 degrees it’s much cooler and we actually got some sleep… though Sue-Anne just mentioned the heating in this room is now 24 degrees… I’m starting to freak out!

Oh, Joshua Jay mentioned to me that he noticed two trends in the close up competition with a large proportion of acts performing to music, while a lot of others did routines with a gambling theme. Let’s see if this trend continues today.

I did notice a trend in the stage competition too. A lot of the acts have opened with voice over introductions: "Ladies and Gentlemen, please welcome…." There’s no possible way that people are copying each other, but it’s fascinating how so many magicians seem to think along the same lines.

Continue reading “Good morning…..” →

FISM – Tuesday

This is my second attempt at posting this daily report. It’s 1am and the report I just spend over an hour on was deleted when my 24 hour hotel internet allowance expired unexpectedly as I was posting. Why did it expire and why did it take me so long to write the report? Because the temperature in this hotel room is 29 degrees. The air-conditioner is still faulty (and getting even hotter) and no-one can turn it off and the windows are sealed shut. The staff have offered us a cooler room to sleep in (we don’t have the time to move our stuff into it) but the maintenance staff can’t look at our "cooler" until tomorrow. Hopefully the room won’t have melted down completely by then!

So anyway… here’s a brief version of today’s activities before I pass out from heat exhaustion.

Undy9.00am – We headed off to see the Stage Competition and there were some really outstanding acts (some outstanding for different reasons… like Mr Underpants) but you can read Sue-Anne’s full competition report on our website www.MagicUnlimited.com at the end of the week.

While we were watching the acts, others attended lectures by Cellini, Jeff McBride, John Gallo, Armando Lucero, a one-man show by Juan Tamariz or a session on cheating and gambling by Paul Wilson and Jason England.

After the Stage Comp ended people rushed to see the Close Up Comp but, as the close up room only seats about 200, getting tickets to sit in the room is almost impossible! You need to line up 45 minutes before the doors open to get your ticket, then when the doors open you rush in like mad to claim your space. That’s one of the benefits of being on the Close Up Jury, I get a front row seat every time! Sure I’ve got to work for it, but it’s a great perk.

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Those who can’t get a seat move into the adjoining room which is much larger and they get to watch the close up competitors on the big screen.

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Of course, if you miss out on that room you can watch the acts on any one of the many monitors throughout the FISM centre.

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This is a pic Sue-Anne took of Shawn Farqhuar and Ali Bongo in the close up room. (I think Ali had just been told he’d missed out on a seat!)

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During the Close Up Competition Paul Daniels presented his Malini Show, but once those two events finished the schedule suddenly got a little thin for most of the registrants. The Dealers Room was closed, and Gazzo kindly put on a street show in the foyer at 6.00pm

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but other than the 7.00pm Close Up Gala Show for Group C (1/3 of the registrants), there was nothing for the other 2/3 to do until Stevie Starr, regurgitator extraordinaire did his 30 minute show at 9.30pm.

It was at about this time we heard quite a bit of grumbling from registrants complaining about bad organisation and scheduling, as well as complaining about the quality of the Close Up Gala and the AV support in general. We’ll have to wait until the end of the week to see how it all pans out.

As expected, Stevie Starr was the ‘hit’ of the convention. Magicians were intrigued and amazed as he swallowed gases, liquids and objects and regurgitated them on command. He was rewarded with a loud and very long standing ovation.

After this some people went back into the city centre by train to see the Bar Magic at the Scandic Sergel Plaza, tonight featuring Bill Malone, Michael Vincent and Gazzo from 11.00pm. Since the last train back to our hotel is about 11.42pm we decided to call it a night… that was many hours ago and I’m still typing!

Catch you tomorrow and hopefully this computer won’t have melted in the heat by then! Believe it or not, even though cold air is coming out of the vent at a rate of knots, the temperature has risen by another degree and it’s still getting hotter!

Continue reading “FISM – Tuesday” →

All things FISM

Just a quick note from our hot hotel (this air conditioning seems to make the room warmer rather than hotter… cool air is coming out but the temperature has gone up to 26 degrees… and it’s cool and raining outside!) as we begin DAY 2 of FISM.

If you’re interested in all things FISM http://www.magician.org.uk/ is writing daily blog reports and there are reports appearing in Genii Magazine Forum too.

Well, off we go for a full day of Stage and Close-up Competition!

Continue reading “All things FISM” →

Barry Gibbs on Petrick and Mia

Petrick and Mia

I first met Petrick and Mia about 20years ago or so when I was running A&B Novelties Magic and Fun Shop in West Palm Beach, Florida. At the time, they were a very young couple on one of their first lecture tours.

They were scheduled to
lecture at IBM Ring 117, and the arrangements were that they would
drive into West Palm Beach, meet me at the magic shop and I would in
turn accompany them to the motel we had booked for them, take them to
dinner and then to the lecture hall at the Moose Lodge where Ring 117
held their meetings.

All was going fine. After a couple of calls for directions they arrived at the Magic Shop close to 5:00 PM.
They were driving a van and were accompanied by two (2) beautiful,
black Afghan Hounds. After closing the shop, the beautiful Mia got into
my car and Petrick followed in the van.

We drove to downtown West Palm Beach to the old Holiday Inn, arriving in front of the Holiday Inn at about 5:15 P.M.
I told Petrick I would take Mia inside, and get them registered while
he parked the van in the lot at the back of the motel. Hopefully we
would save some time that way and have an opportunity to go to dinner
before the lecture. Petrick agreed and Mia and I went into the motel to
register, while he went to park the van.

Holiday Inn (West Palm circa 1982) Parking Below

About 10 minutes passed while I got them registered and took Mia and
the luggage up to the room. The room was located at the back of the
motel and faced the Inner Coastal Waterway on Flagler Drive. The balcony overlooked a large parking lot in the rear of the building.

While Mia changed clothes for
the lecture I stood on the balcony awaiting the arrival of Petrick.
Almost 15 minutes passed and there was still no sign of Petrick. When
Mia came out of the room I told her I was going down to the lobby to
see if perhaps Petrick was there waiting for us.

When I got to the lobby there
was no sign of Petrick and none of the staff had seen him. I thought
great "he's disappeared"! I pictured him having made a wrong turn and
"just knew" he was now aimlessly driving through the maze of "one way
streets" in downtown
West Palm Beach, and hopelessly lost.

I returned to the balcony,
where Mia was waiting, but there was still no sign of Petrick. Another
15 minutes passed when suddenly Mia excitedly exclaimed, "there is
Petrick"!!. Looking down into the parking lot, sure enough, there was
Petrick, finding a place to park. It was then I noticed that there was
a gaping hole in the top of the van, where about an hour before there
was a nice "bubble top".

It seems that Petrick,
instead of driving around to the back of the lot initially, decided to
take the Van into the underground garage. Unfortunately the Van, with
the "bubble top", did not quite fit, and as Petrick drove into the
underground garage, the top of the van wedged against the ceiling and
the "bubble top" was shattered.

It took him quite some time
to back the wedged van out of the garage entrance and finally make his
way around to the back parking lot.

To make matters worse, it was
starting to rain! I went to the lobby and the staff of the motel were
kind enough to give me a number of large garbage bags and some tape.
Petrick and I spent about 15 minutes taping up the gaping hole in the
top of the van, and by now it was close to time to be at the lecture
hall.

Finally the hole was repaired
enough to heap the rain out and Petrick followed Mia and I to the Moose
Lodge, arriving at exactly
7:00 PM. So much for dinner.

While the short business
meeting was going on, Petrick and Mia set up for the lecture, and
although still hungry, they put on a tremendous lecture that night. I
truly felt that this was a couple that could overcome any adversity and
give a tremendous performance.

True professionals in every
sense of the word, and Petrick spent a lot of time answering questions
and explaining every effect in detail.

After the meeting we finally went out for a very late dinner and many of the members of Ring 117 joined us.

I really felt sorry for them
though, as it was one of their first lecture tours, and I felt the
agent booking them certainly did not seem to care about the way he
lined up the schedule. I found out they had to lecture the following
night and the drive to the next lecture was 800 miles.

I don't know if they made
that lecture on time, but even if they didn't, I realize that no matter
what time they got there, because of their obvious love of, and
devotion to magic, no matter how "late" they might be, they would
always be "great.'

Copyright @ 2006

Barry M. Gibbs

Continue reading “Barry Gibbs on Petrick and Mia” →

Magicians Should Be Clean Shaven – Only!

Beauty Picks Lice from Magician's MustacheMark Panner submitted sixteen articles this week (and it's
only Tuesday).  This one made the least
sense so we print it without comment.
You can reach Mark Panner at magicmark@insidemagic.com.
 

Introduction to
this Column

It used to be magicians were
clean-cut, All-American men.  Not any
more.  No. Now, magicians have to look
like every other performer in the side-show.
They have long hair, tattoos, pierced body parts, and even facial
hair. 

Walt Disney didn't allow facial
hair on the people meeting the public.
He knew that facial hair (on men or women) makes people nervous (when it
is on men) or nauseous (when it is on women).
Mr. Walt Disney did not let his women wear too much make-up or his men
wear any make-up at all. Men couldn't have ear rings or any other kind of
piercing and no visible tattoos were allowed at all.

The Problem I am
Talking About Here

We are always worried about making
sure the "kids" get good role models.
It used to be magicians could be good role models but not any more.  You can't take off a tattoo or heal the
gaping hole in your nose, cheek, or ear – so it doesn't make any sense for me
to waste my time preaching on the evils of tattooing or piercing.  You either have Hepatitis or you don't. 

You probably got it from the people
who gave you the tattoo or pierced your skin – they usually have a few extra
virus germs flying around their needles and are always willing to share with
you.  You may think the needles they use
are clean but often they just lick them off in between clients to make them
look clean.  Spit from anyone is not
clean. 

Spit from someone with a lot of
virus germs and no morals is very unclean.

But like I said, I can't help you
heal so if you have piercings or tattoos, you can either read this or not.  It's up to you.

I want to address facial hair.  Facial hair should be eliminated from
magician's faces the same way smudges of lipstick or food should be wiped away
before performing in public.

You wouldn't do a show with your fly down, right?  You would take care of your costume by
righting things and fixing things before you walk out on to the stage.

Same thing goes for facial
hair.  Facial hair is supposed to be
removed – that's why God invented shaving.
We wash our faces, brush our teeth, put on deodorant, and shave off the
hair that grew on our face while we were sleeping.     You wouldn't leave toe-nail fungus on your
toes just because it grew there overnight, right?  It's the same thing for facial hair. 

It grew where it shouldn't so it
shouldn't be there. Pull up your zipper, clean your toes, brush your teeth, and
get rid of all the things that can grow on you if you don't groom yourself.

I know you think you look neat and "cool" to wear
a mustache or a beard but you don't.  You
look scary and not trustworthy. 

Proof My Argument
is True

Do you think I am wrong?  Ask any woman who she would want to kiss or
have entertain her kids while she was out shopping – it won't be someone with a
beard or a mustache.

Have you ever noticed there are no
famous Amish magicians?  That's because
of the beards they have to wear when they get married.  And they all have to get married so they all
have beards.  But no one would book a
magician who had a beard like an Amish married man even if you could trust them
and you'd know they would be peaceful and could rebuild your house if it burned
down. 

So even though they are good
people, they are held back in show business because their religion says they
have to have a beard. If they were clean-cut like the Mormons then they could
get shows hand-over-fist but they couldn't play in lounges or do
"blue" material so they wouldn't be famous.

Can you name a famous circus clown
who had a mustache or a beard?  No.  You can't.

It's not just because the
greasepaint would not apply properly to the gristly facial hair, it's because
clowns don't want to scare kids or intimidate people.  They want to make people laugh and feel the
opposite of intimidated.  Some kids are
scared of clowns anyway but it has nothing to do with facial hair.  Some kids have had bad experiences with
clowns and so they stay scared their whole life of clowns. 

But what about the famous magicians
of the past or the present that had or have facial hair?  How did they get famous if Walter Elias
Disney's theory was so right?  Well, I'll
tell you.

First look at the
magicians who were famous but didn't have facial hair:

Houdini

Hardeen

David Copperfield

Criss Angel

Shari Lewis and Lambchop

Mark Wilson

Siegfried & Roy

Bill Bixby

Lance Burton

Mac King

The Davenport
Brothers

The Fox Sisters

Uri Gellar

Howard Thurston

Orson Welles

Tim Ellis

Losander

Tommy Cooper

The Cast of the Broadway Musical Hit, Pippin

Johnny Carson

Frank Sinatra, Jr.

Harry Anderson

Teller

That's a lot of magicians who did
not have facial hair and were famous.
That's not a coincidence.  If it
were a coincidence, they wouldn't keep doing it, right?

Would you do something that would hurt your career?  No.
You would do things that made people like you and want to book you for a
show. 

That's what those magicians above
did and they became famous because they did things that they knew worked well.

So let's look at the magicians you
would point to as "proof" that facial hair can't hurt your career or
that magicians should have facial hair.

Facial Hair
Wearers

Chung Ling Soo

                He had
a mustache but it wasn't real and remember he wasn't really who he said he
was.  He was a magician who used to have
a real mustache when he worked with Alexander Hermann or Harry Kellar.  But he had to wear a costume when he
pretended to be Chinese or Japanese and so he wore the mustache just like you
would wear a mask for Halloween.  Plus,
his wife killed him on stage in the bullet catching trick.

David Blaine

                Sometimes
he has a mustache but sometimes he doesn't.
When he has a mustache, he doesn't look like a
"magician."  He looks like a
vagrant and people look at him with fear.
The spectators just say he named their card correctly because they are
afraid he is going to hit them or try to take their money.  What would you do if someone came up to you
with a mustache and started rubbing burning paper on their hairy arms to reveal
a name of a card?  Right. 

Max Maven

                He is
wearing a costume too.  I saw him when he
didn't have his costume on and I don't think he had a mustache. But even if
did, it was just because he wanted to be authentic in his character. 

Harry Blackstone, Sr.

                He wore
a mustache and goatee because he had a very bad blemish on his chin.  It was like that stain that Gorbachev had on
his bald head back at the end of the cold war.
His son didn't have the blemish but he still wore the goatee and
mustache but that was out of respect for his dad – so his dad wouldn't feel
strange wearing a mustache and beard (goatee) when his son didn't have to. 

Amazing Johnathan

                He
actually proves my point.  He has that
scraggly facial hair to make you think he is crazy and can't be trusted.  He is performing in Las Vegas.
He is not trying to get shows at kids' parties.  He also drinks Windex and eats Draino during
his act – would you do that too? 

Dante

                He
never got the same attention as Thurston or even Laurel and Hardy.  He had a show and it did alright but no one
said, "I want to see that magician who is named after Satan and who wears
a striking resemblance to Satan himself."

They would go to see the show if
there was nothing else to see.  That's
why you can buy his posters everywhere – no one ever put them up or needed to
use them.  He had plenty in stock.   When he was in that film with Laurel and
Hardy, he was kind of the bad/mysterious/weird guy playing against the
scared/weirded-out guys who were Laurel and Hardy.

Bob Sheets

                He has
a lot of things working against him already and so adding a mustache doesn't
set him back so much.  I did a
review of his show last year
so you can read all the problems he has
performing magic for the public.  Chances
are most parents wouldn't want someone with a blindfold stabbing cards on their
furniture for their little child's birthday party – with or without a
mustache. 

Dai Vernon

                I don't
know off-hand why he had a mustache.  He
didn't need to wear one – he wasn't in character or anything.  Maybe he felt he needed it to distract people
from looking too closely at his hands when he was doing sleight of hand. 

I saw two pictures of him – he was
in the same pose both times.  One was
taken when he was young and he is looking down at his hands and at the
cards he
is holding while cigarette smoke floated upwards.  The other was taken
when he was older.  He was doing the same exact thing!!  Clearly, he
was self-conscious about his
sleight of hand ability or he wouldn't be staring down at his hands
while he
was doing card sleights. 

Let that be a lesson to you.  Practice your card tricks so well you don't
have to look down at your hands when you do them.  But that doesn't mean you should wear a
blindfold and a mustache like Bob Sheets.
There has to be moderation. 

                The bad
thing about Dai Vernon was he taught so many younger magicians how to look and
act like a magician. 

Poor Doug Henning came from Canada just
like Dai Vernon and thought he had to do everything just like Dai Vernon.  So he grew his mustache and used it in his
act.  He seemed like a very nice man and
it was a shame he had to copy everything Dai Vernon did. 

Although, I don't think he ever
smoked cigarettes or stared at his own hands when he did sleights.  But
look what the mustache did to him.  The hair on his upper-lip acted
like a
slippery slope to take him out of magic and into the Transcontinental
Meditation (the 'insiders' call it TM for short) where mustaches and
beards
were de rigueur. 

That doesn't mean if you wear a
mustache you will go into a cult.  It
means your more likely to go into a cult, though.  You won't get good paying jobs doing magic so
you will think you can never be loved by anyone and that's when cults come
a-knockin'. 

They prey on the weak animals who
can't do magic shows for the other animals' kids' parties because they look
weird. 

What about the
women?

                I was
just joking at the top of this column when I said that Walt Disney didn't let
his women wear facial hair – most women can't grow facial hair unless they can
grow just a little but they can wax it off pretty easily.  But if facial hair was the answer, wouldn't
women magicians wear facial hair so they could break into the "boys
club"?  Of course they would.

                You see
women magicians everyday who wear top hats and tails to look like men so people
will mistake them for male magicians.
Some women can't pull off the ruse though because they are either too
pretty or too female-shaped to hide their womanhood. 

They have to make their own way
through the business.  Like Melinda – she
could never convince a modern audience that she was a man or a male
magician.  So she gave it up and dressed
like a woman dresses and tried to be a success anyway.  But for the women magicians who don't have
good figures or aren't pretty, dressing up like a man works pretty well.  Audiences will give you points for at least
trying to do what you are supposed to do.

Conclusion

                Unless
you have a facial blemish that you need to hide or you want to pay homage to
your dad who had to wear a goatee to hide a "Wine Stain" like Gorbachev,
you shouldn't wear facial hair.  You will
do so much better if you do not frighten children or scare women.  Clowns don't wear facial hair and a magician
is better than a clown in the order of entertainers so there is no reason for a
magician to wear a mustache or beard.

                You may
disagree with me but that's because you don't have the experience I have in
getting and keeping clients.  I have a
questionnaire I give to all of my clients and I always ask them to say what
they like or didn't like.  Not one of
them ever said they didn't like the fact that I didn't have a mustache or
beard.  In fact, for years, they never
even mentioned facial hair so I put a special check box on the form:

Do you think the magic show would be better if I had a
mustache?

Do you think the magic show would be better if I had a
beard?

Do you think the magic show would be better if I had long
sideburns?

Would you pay me more for the show if I had a mustache,
beard or long side-burns?

The answers have been consistent.  No one would have paid more for facial hair
and no one thought my show could be improved – even with facial hair.

Do your own research if you don't want to rely on my years
of experience and scientific surveys of the only opinion-holders that matter:

The Customer!

Thank you.

Continue reading “Magicians Should Be Clean Shaven – Only!” →

Nate Kranzo Introduces a Pal: Akira Fuji

woman-with-five-cardsWe always look forward to hearing from Michigan's Master Magician Nate Kranzo .  Any friend of Nate is a friend of ours.  We've checked out his links and were impressed. 

Check out his video showing of one of the neatest tricks we've seen in a while, Invisible Elasticity II (pronounced "Invisible Elacticity TWO" not, as we called it, "Invisible Elasticity EYE-EYE"). 

We intend to save up our money to buy the download (it's only $12.95 but they took all of our money as a condition of the parole). 

Finally, you must sign up for Mr. Kranzo's newsletter.  He writes with vim & vigor about things we love.  Subscribe by heading here.


Happy Monday!

IS there such a thing? : )

I am very excited to tell you about my friend Akira Fuji. Some of you may remember his name from his Jet Coins routine published in Genii magazine a few years back. Akira has been featured quite a bit on Japanese television and aside from being a fantastic magician he is also a really cool guy.

When I first read his routine in Genii I was really blown away by the clever construction and unorthodox use of sleights. Then I got to  witness it live and I had a near religious experience. I haven't been excited about coin magic much in the past few years and this really got me going. I watched him perform the routine several times in one day and each time you could actually hear people gasp. It was great!

Last November I was hired by Toy Sanada to entertain at his convention in Osaka, Japan. At that convention my friend Alfonso introduced me to Akira and we hit it off. Akira handles coins with
such grace he has been an inspiration for me.

I wanted to share this with you because Akira has released a new DVD featuring his coin magic. My voice was used to provide the English voice over and I think I did a great job. : )

For more info here is a link: http://www.hocus-pocus.com/magicshop/?hn=1

I hope you enjoy the magic of Akira. I'm sure we will be seeing much more from him.

On a side note I uploaded a new video on my site. It is a demo of my effect Invisible Elasticity II.

It is about half way down the page if you click here:

http://www.hismagic.com/?page_id=15

All the best,

Kranzo

Continue reading “Nate Kranzo Introduces a Pal: Akira Fuji” →