Category: Magic Stories

Perhaps Non-Fiction or Fiction

AI Patter for Magic Cups and Balls

Computer using AI to write patter for a magic trick
Non-AI Computer

Maybe be have been wrong about AI all along.

Here is Chat GPT’s take on the best patter for the classic Cups and Balls.

We used to demo the Fun Incorporated plastic “Cups and Balls” trick at a magic shop hundreds of times per week. It may not have been as funny but it is burned into our frontal lobe.

Our patter never changed, “Here’s three balls of the same color and three differently colored cups.  We take the first ball and place it on top of the first cup, cover it with the second cup and . . . .”  Unlike Chat GPT’s patter, we had no secret surprise of fruit at the end.  We just said the price ($1.25) and laid out the three different colored cups and three balls and waited for the sale to occur.

In the AI version of the patter, there is no passing of a furry ball through one or two cups.  Chat GPT goes for a more of a classic version of the trick.  It even gives itself a compliment on its AI powers at the end. Chat GPT describes this patter as  “This patter keeps the routine light-hearted and fun, focusing on misdirection and humor to enhance the audience’s experience.”

Our patter was developed by copying exactly what we were taught by the owner of the magic shop and Chat GPT was not was not available to us way back then.  Heck, this was before personal computers and whatnot.  Actually, we had “whatnot” but not a lot of it and it was mostly our older sibling’s whatnot and we got it as a hand-me-down.

Slide Rule Fun from International Slide Rule History Museum
Fun Pre-Computer

The closest we had to a computer was a slide rule.  It got Neil Armstrong to the moon and back so no shade to it.   In fact, next to Magic, it was our chief passion.  We went on to become the president of our high school’s Slide Rule Club.  Oh the fun we had seeing who could calculate figures to the greatest number of

decimals.  We’re sure you can imagine.

Anyway . . .

Our prompt for this to Chat GPT was: “write patter for a magician performing ‘cups and balls'”

Here’s its routine:

This patter keeps the routine light-hearted and fun, focusing on misdirection and humor to enhance the audience’s experience.

Magician:

“Welcome, everyone! Now, what I have here are three cups and three balls. Three very ordinary cups and very extraordinary balls. I know, you’re probably thinking, ‘Those cups look suspicious!’ But I assure you, they’re just as innocent as my search history. Let’s begin, shall we?”

(Magician displays the cups and balls.)

Magician:
“Now, the cups are solid, the balls are solid, and my logic is questionable, but trust me, this is magic. The goal of this trick is simple: keep your eyes on the balls. The first ball goes under the first cup…”

(Magician places a ball under the first cup.)

Magician:
“…The second ball goes under the second cup…”

(Magician places a ball under the second cup.)

Magician:
“…And the third ball goes under…oh wait, it’s in my pocket! Magic already, right?”

(Pulls ball from pocket, jokingly places it back under the third cup.)

Magician:
“Now watch closely, because the balls are sneaky. They don’t like staying where you put them. Just like your car keys or your remote control. I wave my magic wand, give a little tap, and—”

(Magician lifts the cups to reveal the balls have moved.)

Magician:
“Would you look at that! The balls have decided to play musical chairs! But we’re just getting started.”

(Magician continues moving the balls under different cups while distracting the audience with humorous banter.)

Magician:
“Now I know what you’re thinking: ‘He’s just moving the balls around, right?’ And yes, you’re absolutely right…except when you’re wrong! Watch this—one tap, and…”

(Magician lifts all the cups to reveal a large ball or a surprise object, like a lemon.)

Magician:
“See, you thought there were three little balls, but magic has a way of surprising us all! Now, how did that get under there? Maybe it’s lemon juice for my tea!”

(Magician pauses for audience reaction.)

Magician:
“And just like that, folks, you’ve witnessed the mystery of the Cups and Balls—a trick that’s been baffling minds for centuries. I hope you enjoyed it as much as the cups did. Thank you!”

 

No Show and It was Great!

We have a new act and look for any opportunity to try it out. We need to get in some flights to see if it holds together and if it is something we should continue performing.

Friday night at The Magic Castle was buzzing. There were so many people — all in their finest garb — mingling on the first floor as the second dinner setting was about to commence.

For those of us who are not in the big rooms upstairs, we have an opportunity to perform in the basement, just below the main lobby.

We too are dressed to the nines and the folks who venture down from upstairs are dressed as if they just came from a Hollywood premier. Maybe some had; not sure.

We were in the big room (downstairs) known as the Cellar. It seats about 20 people but more folks can stand along the railing in the back of the room.

We had a chance to watch the great Matt Vizio (pictured above) perform first. He is amazing and normally we would avoid being so close to such a model against which to be judged but we had that hunger to get up and show our new stuff.

It is a gnawing hunger that feels like you’re going to burst if you can’t get up there. There are no nerves (at least not that we noticed) but there is excitement. We checked our props carefully, checked them again, and then fastened rubber bands around our decks in special symbolic fashion to allow their quick access without looking.

Mr. Vizio was done with his third standing ovation and we walked down to the pit of the theater to perform.

For those who have seen us perform in the past, say, 35 years, the first part was nothing new. The jokes were the same, the moves were the same, the revelation was the same and even the deck was almost the same.

Now it was time to try our new trick. The little baby bird that needs to experience life outside of the nest and, if possible, fly; nay, soar.

Continue reading “No Show and It was Great!”

The Truth About Banshees

Line drawing of a banshee scaring men
Banshee Scaring Folk

Being of solid Irish stock, we were raised to fear the banshee.

We never knew what they would do or what they wanted but our elders reminded us to either do or don’t do some thing to avoid the screams of the banshee outside our windows at night.

We now live in a high rise unit — we’re not bragging but it is impressive to have a two story double-wide trailer home — so the banshees’ wailing would be heard by our downstairs neighbors.  We doubt they would hear the noise but they would act as a good sound buffer for us.

This all comes up due to our tripping over this article on the very topic.

It is not strictly magic, but it is mystical; so it sort of counts.

Check out the full deets on banshee’s here.

Houdini Victim of Attack, Dead in Nine Days

Flop SweatThis was the day, 98 years ago, that a Canadian art student struck Houdini as he reclined backstage and began the peritonitis to take charge.  The impact of the punch was sudden but the death it caused lasted another nine days.  On Halloween at 1:26 pm, the great magician gave into his final challenge and passed.

J. Gorden Whitehead administered the fatal blow on an unsuspecting performer.  He hadn’t yet readied his body to demonstrate his ability to survive such a blow.  Whitehead challenged the performer sayin he had heard Houdini’s stomach muscles were strong enough to resist such a blow.  Before he could brace his frame for the impact, Whitehead delivered the fatal strike.

The website, Vantage News, has good coverage and the rumors that flowed about the attack being revenge for Houdini’s outspoken attacks on fraudulent mediums and so-called psychics.

From the Vantage News website this evening:

Whitehead, a student from McGill University, had heard that Houdini could withstand hard punches to the abdomen, a stunt the magician often demonstrated during his performances. During the visit, Whitehead asked if this was true, and without warning, he struck Houdini multiple times in the stomach. Houdini, who was reclining on a couch at the time and not prepared for the attack, didn’t have time to tighten his muscles to absorb the blows.

Despite being in pain, Houdini continued with his scheduled performances over the next few days. However, his condition worsened, and after collapsing during a show in Detroit, he was rushed to the hospital. Doctors discovered that Houdini was suffering from acute appendicitis, and his appendix had ruptured, causing a serious infection known as peritonitis. Houdini underwent surgery on October 24, but his health continued to decline, and he passed away on October 31, 1926, at the age of 52.

Please be sure to check out Vantage News for more information and images of Houdini’s funeral.

A dark day in the life of Houdini fanatics.

But speaking of Houdini Fanatics (Capital “F” for Famous Fanatics), be sure to check out John Cox’ website for all things Houdini at “Wild About Harry” here.  If John didn’t say it, I don’t believe it.  He is the ultimate arbiter of Houdini lore and facts.

Never Break the Rules of Magic

Inside Magic's Famous Bunny
Sad Bunny

Never show a magic trick twice to the same audience.

We know the rule and the reason for the rule and yet we broke the rule. Breaking the rule also broke the magical moment for those entertained by the first presentation. It was a simple trick – a coin through the table – just a throw-away slight that wasn’t part of a bigger show or routine.

Our friends at the far end of the table saw me perform it and then friends at the other end of the table wanted to see it as well.

We weren’t thinking about the rule, we just wanted to entertain more people with the effect.

Unfortunately, in doing so, the first group were able to catch our sleight. The folks in the second group did not know what to look for and were entertained about as much as the first group.

As we understand the rules they are:

  1. Practice, Practice and Practice before performing for any audience;
  2. Never do the same trick twice for an audience; and,
  3. Never expose the secret.

By performing the trick a second time we violated rules numbers two and three. The secret was exposed to those who saw the trick a second time.

So why did we do it. We knew it was wrong and yet we broke the rule. It was our vanity and desire to perform what seemed to be an amazing feat of legerdemain. Vanity was our enemy and a positive audience reaction was our drug.

Looking back, we should have used a different sleight for the second group. That would have helped to hide the secret to the effect.

We took it hard; apparently hard enough that we are writing about it now. We’ve been doing magic for more than a couple of years or decades and, know the rules and why they are there. By performing it a second time, using the same sleight, we not only exposed the secret, we also exposed a method that other magicians may use.

There was no excuse for the transgression but there was a real lesson learned.

Dove Magic

Image of a Dove Named Li'l Pete
Li’l Pete was not a part of the magic act right away. He showed a reluctance to participate at all. He seemed more content in the cage or fluttering around the house. To the 14-year-old magician, this was frustrating and sad.

Li’l Pete was named after a miniature version of Pete Rose the Cincinnati Red’s star. Both the dove and its namesake moved quickly, flew towards objects (bases and plates for big Pete, narrow dowels of wood or homemade roosts, for Li’l Pete) and both seemed undisciplined or said more politely, independent.

Li’l Pete’s owner did not have a magic trick in mind when he purchased the bird for $5.00 from a shopper at the local magic store. He could not wait for the bird’s arrival and imagined it would be well-trained in the art of stealth and production. He was neither and he was not a male pigeon as his new owner learned shortly after building a large cage.

The state magic convention was about nine months from the day of Li’l Pete’s arrival. His owner’s competition act was based on handkerchiefs or streamers – both called “silks” by magicians. He wanted a finale after his last grand production of silks. The routine was beautiful on its own – performed in rhythm with the Beatles’ Magical Mystery Tour song.

The magician took time to train Li’l Pete on being hidden; then being hidden and suddenly appearing; then being hidden, suddenly appearing, and not flying away. After two months, Li’l Pete graduated from amateur to professional as a magic flying assistant. Li’l Pete did not coo much while being hidden, did not take off for a trip around the room when produced, and welcomed her master’s petting and positioning on the glitter covered roost.

Time moved quickly as the magician prepared for the state magic convention and the stage magic competition. Li’l Pete and her owner were coordinated with the music, the magic and the performance.

A week before leaving town for the big city location of the magic convention, the magician performed a final public show with his pal. The audience were fellow high school students. They were rowdy and occasionally loud. The magician began his production of a beautiful fountain of silks. The silks appeared to emerge in a steady stream from one silk to another and more.

At the end and on the Beatles’ cue, the magician reached into the overflowing festoon to produce Li’l Pete. The dove was a surprise to the audience. For a brief time, the kids were silent. The effect, the act and Li’l Pete worked perfectly.

“Let me see him,” one of the audience members yelled. “That’s not a real bird!”

The magician let Li’l Pete flutter to his shoulder as the girl approached the stage.

She was angry. She moved quickly and hoped to snatch Li’l Pete from the magician’s care. He reached forward to block her grasping hands. She pulled his fingers quickly and they both heard a snap as his middle finger broke. With his other hand, the magician pushed the stunned girl from the stage. She was immediately aware of the damage she caused.

“Sorry,” she murmured as the magician and Li’l Pete walked off stage.

A week later, at the state convention, the magician and his friend walked the dealers’ booths, watched the shows and the magician helped his friend practice for the competition. His friend’s act lacked so much of the grace and practice the magician created and honed. The magician’s finger, now in a cast covering much of his hand, was broken and he felt the same emotionally.

Li’l Pete seemed excited to see her master return home after the convention. She fluttered and landed on his shoulder before moving to his cast-covered finger. She cooed and stared at him with a slight angular move of her head.

In the years that followed, Li’l Pete performed flawlessly for the magician. She produced her own magical offspring with the help of the magician’s second dove. As she aged and cared for her chicks, she spent less time in secret compartments and more time hopping from cage to furniture and back to her nest in the cage.

One Saturday, many years later, long after the magician ended that part of his life where performing magic was the sole focus, Li’l Pete passed away. She was surrounded by her children; her partner having died a year earlier. The former magician cried and tried to catch his breath. He took her to the sunny backyard of the house they shared with the magician’s human family and buried her with a silent prayer and gentle rain of tears.

In keeping with the tradition pertaining to the burial of all magicians, he broke the magic wand that served as her roost for so many years. He set each half on the side of his partner and covered it all with dirt.

He could not stop the tears or hide his smile.

Gibtown Fest About to Start

Inside Magic Image of Embarrassed ClownWhile not strictly magic, the annual International Independent Showmen’s Association Trade Show in Gibsontown (herein after “Gibtown”) is something to which we look forward every year.

We’ve been to Gibtown many times but never during the trade show.

Oh, how we long to be there during the show.

Our problem, though, is that we geek-out (as the kids say) about geeky things.  You show us a hall full of rides for sale, equipment to repair those rides, or even cotton candy machines of varying price points and features; and we’re not right.

We search out carnivals and circuses to search out people who work in both with the hope of talking to them for hours.  We imagine they have better things to do but we don’t, so it is kind of a balance.  We could listen (and have) to ride operators talk about set-up and tear-down of their rides.  We talk to people working midway games far too long and circus logistics — don’t get us started.

Oddly, we could care less about the engineering that goes into the creation of the track upon which a ride must travel safely over and over.  But let us shadow the person who sets up that track on a marshy ground with little or no spacing between the ride and the ticket kiosk, powered by big thick cables emanating from a junction box, in turn powered by thicker cables from a generator behind the backdrop of a nearby ride and we are in heaven.

In our very much younger days, we worked for essentially free at Clyde Beatty Cole Brothers’ Circus during its stop in south central Florida.  We say essentially free because we got free food, a Coke, and tickets to the show.

But we were in the milieu (as the avantgarde kids would say).  Back in those days, the elephants were responsible for pulling the rope to in turn pull up the canvas of the big top.  We were responsible for setting chairs on risers.  The big top would then come down at the end of the night, get rolled up and loaded for the trip to the next town.

Gibtown is to carnival and amusement folks as Colon is to magicians.  A mecca with homes, trailers, rides and people taking their winter hiatus, preparing for their next stretch, fixing equipment, meeting others and sharing stories of the road or plans for the next trip out.

At night, in Gibtown, the air is humid, thick and still.  There is the faint whiff of cigar smoke as one walks down the dirt roads coming off the main highway.  People set up outside their homes, trailers or vehicles and talk.

We have walked and driven by on such occasions but never had the audacity to stop and introduce ourself — we don’t know how that would go.  What could we say?

So the idea of attending the big yearly show is far more intimidating than driving or walking by friendly people enjoying the evening.  That intimidation is entirely self-generated.  It has nothing to do with the people, the surroundings, the culture or any action on their part.

It is all on us.

One day we’ll make it to Gibtown for the show.  We hope.

 

 

Rainy Night and the Coat Check Girl

The Coat Check GirlIt doesn’t rain in southern California but it did that night.

I was late and it was raining as I drove the Black Beauty through the side streets to avoid the highways where people have never seen rain but aren’t deterred from driving like fools.

The club was just four miles away but it would likely take me another thirty minutes.  I turned on the AM radio and tried to find a channel playing peppy music for a rainy night.  I found nothing.  Just news, the latest loud music and preachers.

I turned off the radio and got a cigarette from my left overcoat pocket.

I learned to be careful about which pocket I stored my smokes in.  The right pocket had a tendency to flood with fluid with the slightest bump giving the unfiltered Camels a moist, cabernet taste.

I was resigned to being late for my first show of the evening.  Maybe the audience would be late too.

I drove along the Mulholland and down to the Top Hat Club just off of Hollywood Boulevard.

Being just off the boulevard of broken dreams, weirdos and prostitutes was the key to the Top Hat Club.  Only high class folks in the club.  The guest stars were the best in the business, the staff could not be topped and the audience came for one reason, to be amazed.

Victor parked and sheltered me from the unusual rain with his umbrella as I strolled from the Black Beauty to the club’s entrance.  Reggie was on duty and took the umbrella from me.

“How you doing, Sir?” Reggie asked.

I don’t know if he knew my name or was just being polite.  Probably the latter.

I took one last puff on my soggy cigarette and flicked the butt into the ashtray by the coat check booth.

“Hello, Mr. Quinlan,” the young lady purred as I handed her my overcoat.

“Be careful, it’s loaded,” I said.

She smiled as she patted the right pocket gently.

“Got another show tonight after here?”

I nodded, reached into the coat she held with well-manicured hands and a fixated stare on me.  I pulled out my pack of Camels and released my grip on the coat.

“Where’s the other show?  Maybe I could come see you perform.”

She turned her back to put up my coat and handed me the coat check tag.

“Private party in the Hills,” I said.

I lit another cig and turned to blow the smoke away from her.

“Sounds exotic,” she said.  “Need an assistant?  Don’t all magicians need an assistant to distract the eye from the magic?”

I nodded and took in the scene.

The coat check booth was the darkest part of the club.  There was velvet stretched across the counter, velvet along the columns that made up the sides and even velvet along the top.  I figured the velvet absorbed all the light in the space.  Might be a good thing to remember when making an illusion, I thought.  For some reason, though, she was clearly visible.  Like a spotlight was on her.

“Do you need an assistant?” she asked again as if my nod was not sufficient.

“Sure, do you know any that might fit the costume.  It’s pretty tight.”

She smiled but didn’t blush or even turn away.

“I am sure I could fit it.  I’ve been on a strict diet.  Gin and cigarettes.”  She smiled again but didn’t avert her gaze.

“I’ve got in the car,” I said.

“You drive around with an assistant’s costume?  Just driving up and down Hollywood looking for a gal with the right body to fit . . .”

“Nah, I just happened to pick it up at the cleaners this afternoon.  It had been there for a while and they were threatening to sell it if I didn’t.”

“What happened to the other gal?  She get fat or something?”

Another customer came by, handed in his coat, she hung it and handed him his token.

“So what happened,” she persisted.

“She blew the show.”

“Couldn’t take it? Did you cut her in that box of yours?”

I smiled, drew heavily and deeply on the Camel.

“Nope, she got pregnant.  Couldn’t fit in the box.”

“That’s a shame but now you need someone who can fit, right?”

She turned to the side as if she was a model on a runway showing her wares.

“I can fit,” she said with a smile that should have told me there was danger.  But it was the kind of smile that a guy sees and forgets everything else.

“How about this,” I started and she looked deeply into my eyes, “after my show tonight, I’ll get the costume, you can try it on and we’ll talk.”

“We’ll talk while I am wearing your costume? What kind of girl do you think I am?” She smiled as she asked what I took to be a rhetorical question.

“Sounds good to you?” I asked as I dropped my butt into the ashtray.

“Sounds real good,” she said with a radiant smile and deep blue eyes.

She had great teeth; I noticed that.

Really great teeth like she had work done on them.  Half of the women in Hollywood are waiting for their break into the world of movies and of that half, 90 percent have had work done.

I couldn’t tell if they were real or not but they looked great.  I felt like I was back at Santa Anita, evaluating horses.

I took my token and walked away.  I didn’t look back for fear she would be looking at me and that could mean something or nothing.  Maybe she just wanted a job.  Maybe something more.

I was distracted, to say the least, during my shows.  She wasn’t in the audience for any of them.  That made sense, she needed to mind the coats.  Still I had been hoping.

As I walked back toward the coat check booth to get my overcoat, I paused.  I took a puff and looked at the ceiling and then at my shoes.

What was I getting myself into?  I didn’t even know her name.  She knew mine.  That meant something.  Just what, I didn’t know.

The Puzzle Box

Inside Magic Image of Couple Learning Magic's True SecretsWe had a chance to chance upon a puzzle the other day.  We love puzzles and seek them out, so maybe it wasn’t a chance situation.

We found a box at an antique shop here in Los Angeles.  It was plain on the outside, looked like it was made of oak or some sturdy wood.  We don’t know our woods well but what we do know is the difference between what we would call “Oak” and “Pine.”  It wasn’t Pine so, in our book, it had to be Oak.

It was exactly square and had a small hasp with a small lock but the lock had no keyhole.  It apparently was keeping the box shut but there were no lines in the wood indicating that the box opened at the location of the hasp and lock.

There were seams and lines on the bottom of the box and on one side.  The rest appeared to be carved or derived from one piece of wood, Oak-type wood.

We asked the dealer about it and he said he was told  it was from a salvage done at some place in the Arizona desert.  We asked what was in it and he said he didn’t know because he had never played with it enough to try to open it. We asked how much he wanted for it and that’s when it got interesting.

He said $250 for the box sounded about right.

We said we were thinking more about $10 bucks.  We asked how he could justify $250?

He said that because it could be holding gold coins from the Old West or at least silver coins.

We shook the box but heard no rattles and certainly no clings or clangs indicating coins were within.

The box was relatively heavy, about five pounds.  We figured that Oak — if it was really Oak and not just our binary classification of all woods — would not weigh five pounds by itself.  That caused us to think there must be something inside with the weight of at least a pound.

Gold could weigh at least a pound, silver was less likely and lead could weigh more than a pound.

We mentioned to the bespectacled antique store owner that because neither one of us knew what was in the box — if anything — we should probably try to figure a price that includes the risk that it would contain nothing of value.

He countered that we should figure a price that includes the risk that it probably had something of tremendous value.

We asked that if he thought it had tremendous value, why would he price it at only $250?  Why not $2,000?

He said he didn’t think he could sell it at $2,000 but at $250, it was priced right to match the risk.

How could we be sure that he hadn’t already opened the box and thus knew its contents.

He said he didn’t have time to do something like that, he wasn’t good at puzzles, and his store dealt mostly in furniture and artwork.  This was a strange item he picked up but hadn’t “messed with.”

His store was filled with chairs of different eras, quality, fabric and evidence of use.  He had beautifully framed paintings hung on the walls of his small but maneuverable space.

We offered $15.00 and hoped he would come down.  He didn’t budge.  He did, however, lift his glasses and wiped them with the tail of his shirt, conveniently not tucked into his jeans.  He replaced his glasses and gestured to take the box back for an inspection.  Still saying nothing.

“I could let it go for $200, I suppose,” he said without looking at us.

He handed the box back to us and kept his eyes down.  We thought he might wipe his glasses again.  But he didn’t.  He was just waiting for our response.

“$200 is way out of what we would call a ballpark,” we said.  “How about $30?”

He shook his head and said $200 was the best he could do.  He reminded us again that it might contain gold and that he had never opened it.

“If it could contain gold, why not open it and see?” we asked.

“It would ruin it,” he said.

We were amazed he had this much time to dedicate to this philosophical negotiation.  He had other customers in the shop and while they didn’t look like they needed his help, we imagined that part of being a shopkeeper was helping people find items they didn’t know they needed to buy.

“How would it ruin it?” we asked.  “Right now it is just a box that could contain gold or could contain sand and rocks.  But when we shake it, there are no sounds.”

“Well,” he said, finally looking at us, “it’s your choice.  $200 is my last and best offer.”

We had $200 on us — we just returned from the Poker Room at the Bicycle Club and had a good day.  But we didn’t want to waste it on something that could be nothing.  We didn’t think there was gold in it and we couldn’t see a way to open it without destroying it.  We figured we should just pass on it.  It would make for an interesting story one day; maybe today.

So those were our thoughts and deeply held beliefs.  We were going to pass.  But what we heard us say was, “How about $100.00?”

He extended his hand, we shook it, he gave us the box and we gave him a freshly minted $100 bill.  We looked at the image of Benjamin Franklin as we handed it to the antique store owner.  Mr. Franklin seemed to shaking his head in disapproval or maybe it was just our hands shaking the bill.

We walked out of the store into the bright southern California sunshine and squinted.  The store was apparently much darker than we thought.  We looked at the box in the light, hoping to find the secret to opening it without destroying it.

Then we started thinking crazy things.  Maybe there was gold in it.  Opening it would answer the question but not knowing for sure had value as well.

We got on the Santa Monica bus with the box in our lap.  A woman next to us asked about it.

“It is a box from an archaeological dig.  I was told there might be gold in it.”

“Oh, that’s nice,” she said and reached out to feel the wood.  “Is that maple?”

“Could be,” we said.  “Maybe oak.”

“We’ll its very pretty.  Where did you get it?”

“Right over there at that store,” we said as we turned to point out the shop but as we did we couldn’t find it.  There were so many stores in the strip mall, it could have been that we lost track of it.

Thanksgivings Past: Grandfather Hardy and Tasha

Astounded.jpgLong-time readers of Inside Magic are already familiar with this story.  Almost all of it nearly true.

It was Thanksgiving dinner years ago.  The family was gathered around the table.  We have a large family both in girth and number.  Our now departed grandfather and the magician scion of the Hardy clan (our family’s stage name) was seated at the head of the elongated table created by pushing three wooden tables and one card table into a long row.

Grandfather Hardy (his real last name from which we took our stage name) clutched the family bible in his liver-spotted hands and gazed over his progeny with pride.  Assembled were five magicians and their families as well as non-magicians and their families.  He was waiting for all to cease their conversations, the passing of plates and the taking of places.

Once all were quiet, Grandfather Hardy turned to his favorite passage from the holy book on Thanksgiving day, John 10:10 “I have come to give you life and life more abundantly.”  He spoke for a few minutes about the abundant life God had provided and a tear formed in his right eye, his voice cracked and he looked down at his amply filled plate.  “We have much abundance and for that we should always be thankful.”

He crossed himself and we all followed – even those around the table who did not customarily cross themselves in their faith.

We began to eat.

There was clanging of forks and knives on Grandmother Hardy’s prized china and the occasional sounds of chomping from those in our family who had no manners and could not close their mouths whilst eating.  We thought nothing of it, though.  This was a time of family dedicated to giving thanks.

Then Grandfather Hardy brought out a deck of cards.

The mood around the table changed.

Some of us were excited.  Some showed signs of ennui and others just averted their glance from the old man and his preparation to show a card trick.

There are people who eat with their mouths open and people who don’t like card tricks.  If you were to draw a Ven Diagram describing those two groups, they would not only connect, they would likely match  up exactly in one circle with no evidence of outliers.

Grandfather Hardy asked the youngest of the families to select a card from the deck.

Young Natasha was just four but knew how to select a card and was excited about the attention she was now receiving from not only her Great Grandfather but also the entire crowded table.  She pondered the perfect fan of cards before her and made a selection.

“Show it to everyone but not me,” Grandfather Hardy said.

Natasha did as she was told.  Our memory may be fading but we think it was the two of clubs.

“Now, Tasha, Grandfather Hardy said with a smile, “sign the card so we’ll know it is yours if we see it again.”

She joined in the smile and looked to her mother, our aunt, as she took the pen she was handed and slowly, very slowly wrote her name on the card.  It said, “Tasha.”

Without urging from Grandfather Hardy, she placed the card back in the deck, still spread in a perfect fan.  She knew the elements of such a trick.

Grandfather Hardy handed the deck to Tasha’s mother and asked her to help her daughter shuffle it thoroughly.  The two shuffled for quite a while – or so it seemed to the magicians around the table.  It is difficult to say what the non-magicians thought.

Tasha’s mother returned the deck to her father and he held it fairly in his left hand.

“Tasha,” he said. “Do you remember what your card looked like?”

Tasha turned to her mother with a smile.  Her mother whispered something in her ear and Tasha turned back to greet the gaze of her Great Grandfather.  “Two of cubs,” she said.

“Indeed?” asked Grandfather Hardy.  “And it has your signature on it too.”

Tasha nodded and looked back at her mother for approval.  Her mother again whispered something in her ear and she turned again towards the table and nodded with a smile.

“Take a look at the cards and tell me if you see yours,” Grandfather Hardy instructed with a kind smile.

As he turned the deck face up and began to spread them across the tablecloth – one of four covering the assembly of tables – everyone could see that all of the cards were blank.  Tasha’s card was gone but so were the faces of all others.

Tasha’s eyes grew wide.  She had never seen this trick before.  She had been the volunteer for many of the old man’s tricks but this was a new one.  She turned to her mother again as if to verify that what she was seeing was not only amazing to her but to others.  She saw her mother’s proud smile and her smile increased accordingly.

“Where did it go?” Grandfather Hardy asked.

Tasha shook her head, still smiling.

“Look under your plate, Tasha,” Grandfather Hardy said softly.

Tasha lifted her plate and taking the instructions very literally looked at the bottom of the plate, not the table beneath.  Her mother pointed down to the table and drew her daughter’s attention to a single face down card.

Tasha seemed to accept that the trick was over.  She was impressed, delighted, amused, and very, very happy.  She had no need to turn over the card, she knew it had to be the one she selected and signed.

“Turn it over,” said several of the non-magician family members almost in unison.

Tasha did as she was urged and indeed the card was the same one she had selected and signed.

Her smile grew wider, she looked to her mother and now back to Grandfather Hardy and then her mother again.

She leapt from her chair to give the old man a hug and a kiss.  He accepted both and hugged her tightly.

His eyes were filled with tears now.

“Abundantly,” he said with cracking voice.  “We have been blessed with abundance.”