Category: Magician Feature

No Show and It was Great!

We have a new act and look for any opportunity to try it out. We need to get in some flights to see if it holds together and if it is something we should continue performing.

Friday night at The Magic Castle was buzzing. There were so many people — all in their finest garb — mingling on the first floor as the second dinner setting was about to commence.

For those of us who are not in the big rooms upstairs, we have an opportunity to perform in the basement, just below the main lobby.

We too are dressed to the nines and the folks who venture down from upstairs are dressed as if they just came from a Hollywood premier. Maybe some had; not sure.

We were in the big room (downstairs) known as the Cellar. It seats about 20 people but more folks can stand along the railing in the back of the room.

We had a chance to watch the great Matt Vizio (pictured above) perform first. He is amazing and normally we would avoid being so close to such a model against which to be judged but we had that hunger to get up and show our new stuff.

It is a gnawing hunger that feels like you’re going to burst if you can’t get up there. There are no nerves (at least not that we noticed) but there is excitement. We checked our props carefully, checked them again, and then fastened rubber bands around our decks in special symbolic fashion to allow their quick access without looking.

Mr. Vizio was done with his third standing ovation and we walked down to the pit of the theater to perform.

For those who have seen us perform in the past, say, 35 years, the first part was nothing new. The jokes were the same, the moves were the same, the revelation was the same and even the deck was almost the same.

Now it was time to try our new trick. The little baby bird that needs to experience life outside of the nest and, if possible, fly; nay, soar.

Continue reading “No Show and It was Great!”

Houdini: A Case Study in Trauma

Today's Trauma Care Could Have Saved HoudiniThe May 21, 2009 on-line edition of the journal Advance for LPNs features Cynthia Blank Reid captivating review of the ultimately unsuccessful trauma treatment administered Harry Houdini.

Ms. Reid approaches the Houdini case not as a magic historian or Houdini enthusiast.  Her expertise is in medical miracles.  She works as a trauma clinical nurse specialist in Philadelphia and her perspective is illuminating.

She  gives a clinical evaluation of Houdini’s physical condition prior to his appendicitis.

“Houdini was a relatively small man, standing 5’5″,” she writes.  “He kept himself in shape by swimming, running and doing acrobatics. His medical history was unremarkable until early October 1926, when a series of events would culminate in his death.”

Houdini’s ability and willingness to perform through pain was evidenced when he broke a bone earlier in that fateful year.

“Then, one night in 1926, while performing his famous Water Torture Cell escape, during which Houdini hung suspended upside-down in a chamber of water, ropes secured to his feet were jerked improperly, causing his ankle to break. Houdini refused medical care, insisting the show go on.”

She recounts the slugging received from a McGill University student and his complaints of stomach pain later that evening.

“The next day, Houdini, Bess and his assistants caught a late train and traveled 1,000 miles to begin shows in Detroit. While on the train, he experienced stomach pains so severe Bess telegraphed ahead to request a doctor meet them at the Statler Hotel.
Unfortunately, the train was late and there was no time to go to the hotel, so everyone went directly to the old Garrick Theater to set up for the next show.

“At the theater, Houdini, suffering from a 104º F fever, was diagnosed with acute appendicitis by Daniel Cohn, MD. He recommended emergency surgery.

“Houdini refused and went on with the show, which started 30 minutes late. He collapsed after the first act, but was able to revive himself and continue with the rest of the show.

“After the final act, he collapsed again and was taken to the hotel. This time, Dr. Cohn brought with him Charles S. Kennedy, MD, chief of surgery at Detroit’s Grace Hospital. He agreed Houdini needed an operation. Houdini then called his personal physician, William Stone, who was at home in New York.
Only after the physicians consulted on the phone did Houdini agree to go to Grace Hospital.”

Ms. Reid concludes that while Houdini died from peritonitis stemming from his ruptured appendix, there remain questions about the case.
Seven days before he passed away, surgeons performed an appendectomy.

The doctors “discovered his appendix was ruptured and gangrenous. He also was suffering from a fulminating streptococcal peritonitis. There were no antibiotics. Doctors told Bess his illness was fatal.

While Houdini would rally slightly after a second operation five days later designed to remove some of the infection, it was short-lived.

Ms. Reid suggests Houdini’s case is worth study for even modern professionals.  She points out there are no reported cases of “an appendix being ruptured by blunt trauma. Could Houdini’s be the first?”

If the slugging did not cause the rupture, could it still have had some role in the spread of the infection?

“Is it possible an abscess had formed around his appendix? The abscess would have walled off the infection, but when he was struck in the abdomen, did it rupture?”  she suggests.

“There are documented cases of appendix abscesses, and some of them have ruptured. Was Houdini already suffering from appendicitis when he received the blows to his abdomen? If so, did it cause him to delay seeking medical treatment for any discomfort until it was too late?”

Ms. Reid believes that if Houdini presented the same symptoms in a modern trauma center today, the doctors would still operate on the magician.  The surgery plus today’s antibiotics would have most certainly saved his life.

Check out the on-line version of LPN Advance here.

Houdini Victim of Attack, Dead in Nine Days

Flop SweatThis was the day, 98 years ago, that a Canadian art student struck Houdini as he reclined backstage and began the peritonitis to take charge.  The impact of the punch was sudden but the death it caused lasted another nine days.  On Halloween at 1:26 pm, the great magician gave into his final challenge and passed.

J. Gorden Whitehead administered the fatal blow on an unsuspecting performer.  He hadn’t yet readied his body to demonstrate his ability to survive such a blow.  Whitehead challenged the performer sayin he had heard Houdini’s stomach muscles were strong enough to resist such a blow.  Before he could brace his frame for the impact, Whitehead delivered the fatal strike.

The website, Vantage News, has good coverage and the rumors that flowed about the attack being revenge for Houdini’s outspoken attacks on fraudulent mediums and so-called psychics.

From the Vantage News website this evening:

Whitehead, a student from McGill University, had heard that Houdini could withstand hard punches to the abdomen, a stunt the magician often demonstrated during his performances. During the visit, Whitehead asked if this was true, and without warning, he struck Houdini multiple times in the stomach. Houdini, who was reclining on a couch at the time and not prepared for the attack, didn’t have time to tighten his muscles to absorb the blows.

Despite being in pain, Houdini continued with his scheduled performances over the next few days. However, his condition worsened, and after collapsing during a show in Detroit, he was rushed to the hospital. Doctors discovered that Houdini was suffering from acute appendicitis, and his appendix had ruptured, causing a serious infection known as peritonitis. Houdini underwent surgery on October 24, but his health continued to decline, and he passed away on October 31, 1926, at the age of 52.

Please be sure to check out Vantage News for more information and images of Houdini’s funeral.

A dark day in the life of Houdini fanatics.

But speaking of Houdini Fanatics (Capital “F” for Famous Fanatics), be sure to check out John Cox’ website for all things Houdini at “Wild About Harry” here.  If John didn’t say it, I don’t believe it.  He is the ultimate arbiter of Houdini lore and facts.

Magic this Month – Help Us Help You

Inside Magic Image of Ask Alexander Logo
Alexander Wants to Know

This truly is the magic season.

Magicians see this next couple of weeks as others see Amazon Prime Day.

We would love to promote your upcoming shows without cost if you’ll send us the information.

It does not matter if you move by large trucks and or an overloaded SUV.

Send us you details and we’ll get the word out to our readers.  Attach any promotional images you would like to have us share.

← Back

Thank you for your response. ✨

 

Houdini’s Draft Card on Display

The National Archives has great stuff generally but specifically when it comes to magic history.

We found the front and back of Houdini (or as he called himself, Harry Handcuff Houdini) from September 12, 1918.  The cards identify Bess (Beatrice) as his his nearest relative and specifies he is “medium” build and height with blue eyes and black hair.  Interestingly, Houdini also stated he was “Native Born” and had a “weak left hand.”

Front of Houdini Draft Card
Houdini Draft Card
Back of Houdini Draft Card
Back of Draft Card

 

 

 

 

 

 

 

 

 

Find more about our great magical history at the National Archives online here.

Magician Siegfried Tieber’s Newsletter

Image of Siegfried Tieber
Siegfried Tieber

We first met Siegfried Tieber what seems like almost a decade ago — perhaps because it was.

He is a regular fixture at The Magic Castle and a great magician and person.  How do we know he is a great person? We were performing in one of the basement rooms and ran over on time because the performer before us ran over on time and that person likely ran over on time because of someone early in the evening who didn’t have a watch.

Siegfried came up to us as we were packing away our messy props and was kind, considerate and patient.  He calmly pointed out that we had run overtime and that would likely affect his ability to build a crowd for his act — it was late in the evening.  We felt horrible.

He could have yelled or even cursed but he did neither.  He acted as a gentleman would.  We got the point, felt badly, apologized and he accepted our apology.  And that was that.

There are cases where a performer runs long and the act after gets annoyed or offers some snarky comment to their audience about the event. We can’t even blame those performers.  It is frustrating when you have the desire to perform and have no time to do it.  It’s an itch you just gotta scratch.

All this is to say, we liked Siegfried when we first met him and we still do — perhaps even more.

He is innovative, endearing and charismatic.  He is what a magician should be on-stage or off.  A class act.  He has performed one-man shows and his renown is becoming more renown-ed.

His “Newsletter of Sorts” is a must read here in our single-wide in far eastern Los Angeles County.  We look forward to its quirky but always entertaining news and discoveries.  We should have written this long ago but we hope you will check out his newsletter by signing up here.

If you haven’t seen Siegfried perform, do yourself a favor on your next visit to The Castle or wherever he may appear.  He has wit, skills and charms.  Plus he truly a nice guy, even off-stage.  This week’s newsletter is a deep dive down the rabbit hole of Rubik’s Cubes.  Great reading.

 

 

Inside Magic Review: David Copperfield’s History of Magic

Inside Magic Image of David CopperfieldWe have been a fan of David Copperfield since his early days.  We anticipated his television specials with the same excitement as we did with Doug Henning.  These were two men with a demonstrable love for the artform around which we focused our life.

How great would it be to be either man.  Have trucks, busses, roadies, technical experts and assistants working with a common cause — to entertain with the most entertaining art of all, Magic.

Given our past as prologue for this review, you can probable guess where we are heading.

We ordered our book from Amazon the day Mr. Copperfield announced it would be ready months later.  Those months between our order and the book’s arrival seemed to tick slowly by.  We wanted that book, we needed that book.

It arrived and we were then filled with apprehension and anxiety.  What if the book was not all that we hoped.  What if it was a flimsy (but hardbound) review of Magic’s history starting with tricks we already knew started our art and ending as a promotional piece for Mr. Copperfield?

We decided to cast our anxiety to the wind.  This is tough to do in a small apartment located over the place where they bake dog treats here in West Hollywood.  You cannot really cast anything.  So we opened the book having received the cast anxiety’s boomerang back to us but with the smell of doggie cookies.

Well, let us tell you something.  Our doubts and anxiety were for naught.  This book is something to be read and enjoyed.  It has stories about Mr. Copperfield’s love of the magical arts and those steps along his career that made him an international sensation.  But even better — as if that would be possible — he shares stories and images of items from his very secret museum.  These are the real objects, tricks, costumes and literature collected by someone who appears as fanatical about the history of Magic as he is in performing.

We could take hours extolling the virtues of his book but that would essentially be copying the book with our less than adequate style.  We would still end the review with the gentle instruction to buy the book.  You could buy it for the images, the history, the care with which it is written, or the peek inside Mr. Copperfield’s warehouse of Magic.

Our recommendation, buy the book.  Get your own copy, share if you must but always with the firm instruction that the borrower must return the book promptly and would be better off buying it for him or herself.

A must buy!

Inside Magic Review: Five out of Five!

Zack King and David Blaine and Social Media

Inside Magic Image of David BlaineThere’s a great article about two great magicians in today’s edition of Broadway World & TV.  David Blaine and Zack King have huge internet followings and for good reason — they are good at magic and very, very savvy.

From the post at BW&TV (we don’t know if that’s their actual acronym but if it isn’t, it should be:

Today, digital superstar and viral illusionist Zach King released a Youtube collaboration with world famous magician David Blaine. In the video, which was uploaded to Zach’s Youtube channel with over 8MM+ subscribers, Zach and David are shown on a video call showing each other some magic tricks. David advises Zach to up the ‘fear factor’ of his tricks by showing some of his infamous tricks – coughing a tarantula out of his mouth and igniting a fire on the palm of his hand. This collaboration comes on the heels of David announcing he will attempt to float over the Hudson River using only helium balloons.

You can check out his promotional video for the stunt aqui.

Can we say this?

We have fear every time David Blaine takes on one of his stunts.  Getting shot in the mouth by a 22 caliber round was scary, being locked in ice, holding one’s breath under water for 18 minutes (but felt like an hour), standing on a narrow pole for more than 24 hours and then jumping into boxes from said pole.  Coughing up spiders and frogs from one’s belly — or the opposite — going without nourishment for 40 days in full public view all scare us.

We know his plans are well considered and he is far from reckless but, golly, he sure does a lot of scary stuff.

We were okay when he would rub ash on his arm to reveal a playing card previously selected by clearly inebriated spring-breakers, or throwing a deck of cards against a window and having the selected, signed card appear on the other side of the glass.

We might be okay with him performing a Finger Chopper effect if it is the kind we grew to love during our years of performing as “The Mini Magician” for our schoolmates in reform school during the 1940s.  Even that could involve risk if you stuck your finger in the wrong hole or didn’t set it right.

Basically, what we are saying is that we are cowards.  We eschew things that could hurt us.  We don’t even like being as tall as we are.  We avoid walking down aisles in darkened movie theaters (back when such things were done) for fear we would fall into the lap of some theater patron with an embarrassing thud — as opposed to the non-embarrassing thud, we suppose.

But there is something in Mr. Blaine that causes him to push the envelope until it contorts into something that looks less like an envelope and more like a coffin.

We cringe at gymnastics of any kind being practiced by anyone — even circus performers.  Escape artists cause us to cringe without recourse.  We can’t get images out of our mind or worry about the people involved and the people watching — all could be effected by a trick gone wrong.

So, once again, Mr. Blaine will try the impossible — to Ascend over the New York skyline by holding onto a group of balloons.  The thing is the does not need to do it.  We would like and respect him regardless — and even irregardless.

Mr. Blaine we worry for you.  Please be careful.

Check out Mr. Blaine’s website and tremble here.

David Blaine Practices for “Ascension”

Balloon Use Over SkiesMagician, illusionist and risk-taker extraordinaire, David Blaine was spotted in Porterville, California this morning.  He was hanging on to a group of balloons — technically called a “lift” of balloons.

We are happy to report that according to other reporters who appeared to be happy to report as well, Mr. Blaine landed safely after his soaring above the California landscape.

He plans to hold onto a lift of balloons to fly over the skies of New York City.

We think he is either fearless and/or the stunt has been well planned in advance.  We asked no one in particular whether we would ever do such a stunt.  We answered in the negative with a shudder.

Some dedicated InsideMagic readers no doubt recall our failed attempt to float over Mystic Hollow, Michigan, by holding on to birds through a special harness set-up.  We barely took off — official records kept by the arresting officers said we lifted one and a half inch from the ground but this may have been accomplished by our “hopping.”

Unlike our attempt, it is doubtful Mr. Blaine will be covered by the waste product of “excited and/or frightened birds,” to use words from the arrest record.

We wish Mr. Blaine the best of luck and we will watch with envy and fear.

Magician Richard Adler is a Genius

Magician Richard AdlerGenius we tell you.  Inside Magic Favorite Richard Adler is featured in The Palm Beach Post for his great idea to keep magic flowing to audiences even during the quarantine.

We’ve known Richard since the mid-seventies and have always been impressed by his creativity and drive.  When it comes to know how, he really knows how.  Check out his web site here.

“I just want to keep bringing joy into the world and making people smile,” Mr. Adler said. “This allows me to pursue my art and connect with people.”

What is he doing?  Well, we will tell you.

Through the magic of Zoom or other tools that are like Zoom but have a different name, he brings magic to parties and get-togethers.  “It’s kind of like having a celebrity at your party,” he told the Post. “I’m not sure how long social distancing will last, but I think this helps fill a void.”

The procedure to invite The Amazing Mr. A (Mr. Adler’s stage name) and his puppets into your home or office is straightforward.  Visit zoompuppets.com, pick a character and provide some information.  Mr. A and his puppet partners will join you at the time you set.  He says the service has worked for corporate businesses and family reunions to happy hours and birthday parties.

Mr. A is also starting a zoommagician service to bring magic to similar gatherings.

It’s genius, we tell you.

We’ve seen Mr. A perform perhaps a thousand times and are always entertained.  We hope this method of reaching audiences continues and spreads his good work further than just South Florida.

Check out the full story and great photos at The Palm Beach Post here.